A grieving mother, Telly Paretta, is struggling to cope with the loss of her 9-year-old son. She is stunned when her psychiatrist and her husband tell her that she has created eight years of memories of a son she never had. But when she meets the father of one of her son's friend who is having the same experience, Telly embarks on a mission to prove her son's existence and her sanity. Written by
After Julianne Moore runs through a grocery store and an alley, she stops in front of white graffiti on a wall. It's the logo of Revolution Studios, which produced the movie. See more »
When Detective Pope arrives at the Long Island house, she has a blue light flashing in the front of her unmarked car. The NYPD does not use blue lights, they use red lights in their unmarked cars. See more »
So many good ingredients, it's a pity the film isn't better...
Screenwriter Gerald Di Pego comes up with an interesting new slant on a well-trodden movie idea: grieving woman is obsessed with the child she lost to a plane crash, and refuses to accept it when her husband, neighbor, and psychiatrist all tell her he never existed. Conspiracy thriller with science-fiction overtures steps a little bit into "Close Encounters" territory, but manages to hold the viewer with strong individual scenes and a lovely, matter-of-fact lead performance by Julianne Moore. However, the editing goes slack by the film's midsection, with Moore constantly on the run and Di Pego's script scrambling to explain itself whilst keeping the audience in suspense. It's a gambit which doesn't quite pay off. Supporting characters played by Anthony Edwards and Alfre Woodard are unceremoniously shafted, while the tepid final act (more running) leaves a bushel of unanswered questions and unrealized ideas behind. The chilly cinematography (grayish blues and whites) is artsy and distracting, and the overall result smacks of too many cooks. **1/2 from ****
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