In the end of the 70's, the dysfunctional Kenneth Bianchi lives with his mother and is obsessed with joining the police force. When his application is refused, his mother sends him to Los ... See full summary »
C. Thomas Howell,
"To Catch a Killer" tells the true gruesome story of John Wayne Gacy - a good friend and helpful neighbour, a great child entertainer, a respectful businessman, and a violent serial killer ... See full summary »
Based on a true story, this film depicts the life of Theodore Robert Bundy, the serial killer. In 1974, after having murdered several young women, he leaves Seattle for Utah, where he is a ... See full summary »
Marvin J. Chomsky
Gruesome true story of murderer Richard Speck who killed eight nursing students in one night in Chicago during the late sixties. The story also follows him to his prison fate and uncovers more of his strange behavoir before his death.
Showing us that how we usually look at ourselves within our heads (influenced largely by the media) is quite different to how we act. Featuring an introductory documentary into the making of The Cold Light Of Day series with a spotlight on the writer James T. Williams.
A little-known but extremely disturbing chiller, based on a notorious true story
Between 1978 and 1983, Dennis Nilsen - an outwardly unremarkable former soldier and police officer turned civil servant - killed at least fifteen men and boys (most of them students or homeless) in gruesome circumstances, allegedly retaining the corpses for sex acts before disposing of the butchered remains by hiding them in cupboards, under the floorboards, or simply by flushing them down the toilet. This grimy, clammy, little-seen independent film is a lightly fictionalised account of Nilsen's hideous deeds, with a standout performance from Bob Flag as the milquetoast murderer, here renamed Jorden March.
Fhiona Louise's film, clearly made on a shoestring budget, steers clear of exploitation tactics, choosing instead to cast its characters adrift in a singularly bleak, uncaring and desolate world of tatty pubs, squalid bed-sits, greasy cafés and grubby bathrooms. The police interrogation of March is inter-cut with flashbacks that reveal not just his crimes (a living room disembowelment and the discovery of what's blocking the drains will send a shiver down the spines of even the hardiest souls) but also provide a window of understanding into what has tipped the apparently kindly loner over the edge. Louise's direction is unobtrusive and detached, allowing the lengthy exchanges between the characters to play out in several lengthy takes, but it's this cold, flat, cinema-verité style that affords the proceedings much of their chilling power, conveying the sense that such horrors really could be unfolding in the street, or even the house, just around the corner.
It's an easy film to admire - it won several awards - but it's not an easy film to watch, let alone enjoy. As a fitting footnote, a caption card dedicates the preceding horrors to "those too sensitive for this world" - which, in his own perverse and twisted way, Nilsen surely was.
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