After being mistaken for terrorists and thrown into Guantánamo Bay, stoners Harold and Kumar escape and return to the U.S., where they proceed to flee across the country with federal agents in hot pursuit.
Matt Stifler wants to be just like his big bro, making porn movies and having a good time in college. After sabotaging the school band, he gets sent to band camp where he really doesn't like it at first but then learns how to deal with the bandeez.
Ohio high school student Scott Thomas is a good student and nice guy - albeit a little predictable - who is about to graduate and go into pre-med. He is unceremoniously dumped by his whorish girlfriend Fiona on graduation day. Among the people he turns to in his hour of despair is his German pen pal, Mike. Scott and Mike seem to have a special connection. After Mike makes advances to Scott now that he and Fiona are not seeing each other, Scott abruptly sends Mike a message saying he never wants to hear from him again. However, Scott learns shorty thereafter that Mike is actually a beautiful girl named Mieke. By this time, Mieke has blocked his messages. Thinking that Mieke is actually who he was meant to be with, Scott, impulsively for a change, decides to go to Berlin to be with her. Along for the ride is Scott's best friend, the girl crazy Cooper Harris. They manage only to get a flight into London, and thus have to make their way from London to Berlin. Along the way in Paris, they ... Written by
The band playing "Scotty Doesn't Know" also wrote and are actually performing the song on the soundtrack. See more »
After the climax at the Vatican, before the main characters are seen sitting and having a drink, there is a brief shot from inside the "Galleria Vittorio Emanuel II", this is in Milan, not Rome. See more »
Congratulations. Hudson High class of 2004!
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After the credits, there is a brief reprise of the scene where Cooper tricks Candy into rubbing her naked breast. See more »
Okay, I admit it. Sometimes I enjoy dumb comedies, like "Police Academy" or "Joe's Apartment". And this is nothing if not a dumb comedy.
This type of film--the teen sex comedy--is precisely the sort of movie professional critics love to hate, instead recommending that we see artsy, coma-inducing independent, documentary and/or foreign-language films. But let's face it: "Animal House" was better than "Eraserhead". "Fast Times at Ridgemont High" was better than "Babette's Feast". "American Pie" was better than "The Crying Game". And "Eurotrip" is better than "Capturing the Friedmans".
Now, since my favorite movies include "The Godfather", "Citizen Kane" and "Vertigo", you may ask why I liked this picture. Is it well-acted? No. Isn't the script stupid? And how. Is there any socially redeeming value? I couldn't find any. Isn't it xenophobic? Uh-huh. Doesn't it portray women as merely sex objects? Yep. Isn't it awfully crude? Yewbetcha. But what makes this film worth watching is quite simple: It's funny.
Granted, there's no greatness here. You will not see anyone as funny or talented as John Belushi, Bill Murray, Sean Penn, Cameron Diaz, Eugene Levy or Will Ferrell here. The only cast members with any real acting or comedic mettle are Matt Damon and Fred Armissen, who only make brief cameos. On the other hand, you won't see anyone as gut-wrenchingly awful as Chevy Chase, Rodney Dangerfield, Tom Cruise, Ben Stiller, Tom Green, Seann William Scott, or Ashton Kutcher.
There's not much plot to speak of. A nice guy (Scott Mechlowicz) who has just graduated high school goes on a trip to Europe to find the girl of his dreams, a Berliner named Mieke (Jessica Boehrs) and takes along his three best friends: a lazy ne'er-do-well looking for kinky sex like in European erotica (Jason Pitts), a girl looking for romance like in European novels (Michelle Trachtenberg) & a nerd looking for museums like in European travel brochures (Travis Wester). Along the way they run into all the various European stereotypes: thuggish Brits, pretentious French, perverted Italians, desperately poor Eastern Europeans, etc.
Yet as crude and xenophobic as this movie can sometimes be, it is never anything but good-natured. I never got the sense that the filmmakers displayed any ill will towards the peoples they were lampooning. And I must say, for as much sex and nudity as there is in this movie (and there's a whole lot of it), the biggest laugh I got was a PG-rated battle of the robot mimes in Paris, which may be the only scene in the movie that can be shown un-edited on TV.
Although this may not be great art, or even great comedy, "Eurotrip" is a terribly crude, but awfully funny movie. 7 out of 10.
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