Directed by | |||
| Mikael Salomon | |||
Writing credits(WGA) | ||
| Stephen King | (novel "Salem's Lot") | |
| Peter Filardi | (teleplay) | |
Produced by | |||
| Jeffrey M. Hayes | .... | executive producer (as Jeffrey Hayes) | |
| Brett Popplewell | .... | producer | |
| Marc van Buuren | .... | co-producer | |
| Mark Wolper | .... | executive producer (as Mark M. Wolper) | |
Original Music by | |||
| Patrick Cassidy | |||
| Lisa Gerrard | |||
| Christopher Gordon | |||
Cinematography by | |||
| Ben Nott | |||
Film Editing by | |||
| Robert A. Ferretti | |||
Casting by | |||
| Olivia Harris | |||
| Phyllis Huffman | |||
Production Design by | |||
| Leslie T. Binns | |||
Art Direction by | |||
| Michael Plummer | |||
Set Decoration by | |||
| Lisa Thompson | |||
Costume Design by | |||
| Marion Boyce | |||
Makeup Department | |||
| Angela Conte | .... | makeup artist | |
| Nik Dorning | .... | special makeup effects artist | |
| Hilary Fairchild | .... | assistant makeup artist | |
| Ann-Maree Hurley | .... | prosthetic makeup artist | |
| Helen Magelaki | .... | hair stylist | |
| Helen Magelaki | .... | makeup artist | |
| Sheldon Wade | .... | key hair stylist | |
Production Management | |||
| Gina Black | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Mark Boskell | .... | second assistant director | |
| Jamie Leslie | .... | first assistant director | |
| Alex Reid | .... | additional assistant director | |
| Matthew Rooke | .... | additional assistant director | |
| Greg Spiller | .... | third assistant director | |
Art Department | |||
| Milo Angel | .... | graphic artist | |
| Michael Bell | .... | set designer | |
| Simon Clayton | .... | key scenic artist | |
| Sarah Light | .... | assistant art director | |
| Jane Murphy | .... | assistant set decorator | |
| Matthew Parker-Charlton | .... | set builder | |
| Jason Segal | .... | set finisher | |
| Adam Smits | .... | carpenter | |
| Octavia Schweitzer | .... | art department coordinator (uncredited) | |
Sound Department | |||
| Steve Burgess | .... | sound editor | |
| Chris Goodes | .... | sound mix assistant | |
| Phillip A. Hamilton | .... | adr recordist | |
| James Harvey | .... | adr supervisor | |
| Michael Miller | .... | adr mixer | |
| Andrew Neil | .... | sound editor | |
| Glenn Newnham | .... | supervising sound editor | |
| Paul Pirola | .... | sound re-recording mixer | |
| Andrew Ramage | .... | sound recordist | |
| Blair Slater | .... | foley recordist | |
| Michael Thompson | .... | sound re-recording mixer | |
| Mario Vaccaro | .... | foley artist | |
| Andy Wright | .... | adr recordist | |
Special Effects by | |||
| Sam Howden | .... | special effects technician | |
| Clint Ingram | .... | special effects supervisor | |
| Ali Pearce | .... | special effects technician | |
| Dirk Rogers | .... | special effects technician | |
Visual Effects by | |||
| Jan Bubenícek | .... | matte painter | |
| Ales Dlabac | .... | Inferno artist | |
| Roland Friedrich | .... | digital compositor | |
| Miro Gal | .... | Inferno artist | |
| Maros Kesjar | .... | digital effects artist | |
| Vít Komrzý | .... | visual effects producer | |
| Robert Loudil | .... | visual effects artist | |
| Ineke Majoor | .... | visual effects producer: title design | |
| Peter Nemec | .... | Inferno artist | |
| Jiri Stamfest | .... | matte artist: digital painter | |
| Jan Vseticek | .... | visual effects coordinator | |
| David Vána | .... | visual effects supervisor | |
| Neil Huxley | .... | main title designer (uncredited) | |
Stunts | |||
| Jarrah Cocks | .... | stunt double | |
| Tiny Good | .... | stunt rigger | |
| Amanda Graver | .... | stunts | |
| Brent Lister | .... | stunt performer | |
| Siros Niaros | .... | stunt performer | |
| Warwick Sadler | .... | stunt rigger | |
| Glenn Suter | .... | assistant stunt coordinator | |
| Sheree Swords | .... | stunt double | |
| Mark Wickham | .... | stunt rigger | |
| Mark Wickham | .... | stunts | |
Camera and Electrical Department | |||
| Tov Belling | .... | first assistant camera | |
| Gary Burdett | .... | grip | |
| Robyn Good | .... | rigger | |
| Tiny Good | .... | rigger | |
| Simon Harding | .... | Steadicam operator | |
| Simon Harding | .... | camera operator | |
| Erik Heinila | .... | still photographer | |
| Ben King | .... | second assistant camera: "a" camera | |
| Simon Ozolins | .... | clapper loader | |
| Ricky Schamburg | .... | first assistant camera: "b" camera | |
| Peter Stott | .... | assistant camera | |
| Martin Turner | .... | camera operator | |
Casting Department | |||
| Anna Bakewell | .... | casting: Australia | |
| Gabrielle Healy | .... | extras casting | |
| Tom McSweeney | .... | casting: Australia | |
| Dex Tallo | .... | assistant extras casting | |
Costume and Wardrobe Department | |||
| Sarah Jameson | .... | costume supervisor | |
Editorial Department | |||
| Pippa Sheen | .... | post-production coordinator | |
| Justin Heitman | .... | senior colorist (uncredited) | |
| Justin Heitman | .... | telecine colorist: high definition (uncredited) | |
Music Department | |||
| Laura Bishop | .... | music preparation | |
| Christo Curtis | .... | music editor | |
| Christo Curtis | .... | score recordist | |
| Joe Fischer | .... | music manager | |
| Coralie Hartl | .... | orchestra contractor | |
| Phillip Hartl | .... | concert master | |
| Deane Ogden | .... | composer: additional music | |
| Aldo Sampaio | .... | recording assistant: orchestra | |
| Katrina Schiller | .... | music assistant | |
| Jessica Wells | .... | music preparation | |
Other crew | |||
| Laura Elizabeth Cannon | .... | assistant to executive producer | |
| Tony Clarke | .... | assistant location manager | |
| Andrew Dauchy | .... | assistant location manager | |
| John Eacott | .... | aerial helicopter pilot | |
| Sarah Edmonds | .... | assistant coordinator | |
| Serena Gattuso | .... | travel co-ordinator | |
| Kelly Head | .... | assistant accountant | |
| Carolina Häggström | .... | script supervisor | |
| Nathan James | .... | safety assistant | |
| Andrew Lindley | .... | payroll accountant | |
| Andrew Lindley | .... | post-production accountant | |
| Mick Rafferty | .... | accounting assistant | |
| Bruce Shapiro | .... | dialogue coach | |
| Johanna Silverman | .... | assistant: Mr. Cromwell | |
| Trudy Talbot | .... | production accountant | |
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Another film adaptation of Stephen King's masterpiece 'Salem's Lot, one of the scariest novels ever written. Presented by TNT as a two part mini-series.
Ben Mears returned to Salems Lot, the small New England town where he was born, hoping to write the novel that just might put to rest what had happened to him as a boy in the old Marsten House. Unfortunately, Richard Straker and Kurt Barlow had other ideas.
A bit different than the 1979 version, mainly due to modern computer generated enhancements and Peter Filardi's loosely adapted teleplay.
Comparing the two mini-series, neither followed the book closely, although Tobe Hooper's earlier version was the scarier. Rob Lowe was more believable as Ben Mears than David Soul, but neither Lance Kerwin nor Dan Byrd fit the book's impish image of 11 year old Mark Petrie. Donald Sutherland's Richard K. Straker character never had a chance to develop, but it could never have compared to James Mason's portrayal, he was much more sinister.
The second part was filled with great performances by the cast and fantastic special effects and was far more enjoyable to watch with Rutger Hauer as vampire Kurt Barlow, while James Cromwell as Father Callahan gave the best performance.