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| Fri. July 24 | 1:00 AM | TNT |
Directed by | |||
| Mikael Salomon | |||
Writing credits(WGA) | ||
| Stephen King | (novel "Salem's Lot") | |
| Peter Filardi | (teleplay) | |
Produced by | |||
| Jeffrey M. Hayes | .... | executive producer | |
| Brett Popplewell | .... | producer | |
| Marc van Buuren | .... | co-producer | |
| Mark Wolper | .... | executive producer | |
Original Music by | |||
| Patrick Cassidy | |||
| Lisa Gerrard | |||
| Christopher Gordon | |||
Cinematography by | |||
| Ben Nott | |||
Film Editing by | |||
| Robert A. Ferretti | |||
Art Direction by | |||
| Michael Plummer | |||
Costume Design by | |||
| Marion Boyce | |||
Makeup Department | |||
| Angela Conte | .... | makeup artist | |
| Nick Dorning | .... | special makeup effects artist | |
| Ann-Maree Hurley | .... | prosthetic makeup artist | |
| Helen Magelaki | .... | hair stylist | |
| Helen Magelaki | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Mark Boskell | .... | second assistant director | |
| Jamie Leslie | .... | first assistant director | |
| Matthew Rooke | .... | additional assistant director | |
Art Department | |||
| Milo Angel | .... | graphic artist | |
| Michael Bell | .... | set designer | |
| Simon Clayton | .... | key scenic artist | |
| Jane Murphy | .... | assistant set decorator | |
| Jason Segal | .... | set finisher | |
| Octavia Schweitzer | .... | art department coordinator (uncredited) | |
Sound Department | |||
| Steve Burgess | .... | sound editor | |
| Chris Goodes | .... | sound mix assistant | |
| Phillip A. Hamilton | .... | adr recordist | |
| James Harvey | .... | adr supervisor | |
| Michael Miller | .... | adr mixer | |
| Andrew Neil | .... | sound editor | |
| Glenn Newnham | .... | supervising sound editor | |
| Paul Pirola | .... | sound re-recording mixer | |
| Andrew Ramage | .... | sound recordist | |
| Blair Slater | .... | foley recordist | |
| Michael Thompson | .... | sound re-recording mixer | |
| Mario Vaccaro | .... | foley artist | |
| Andy Wright | .... | adr recordist | |
Special Effects by | |||
| Clint Ingram | .... | special effects supervisor | |
| Ali Pearce | .... | special effects technician | |
Visual Effects by | |||
| Jan Bubenícek | .... | matte painter | |
| Ales Dlabac | .... | Inferno artist | |
| Roland Friedrich | .... | digital compositor | |
| Miro Gal | .... | Inferno artist | |
| Maros Kesjar | .... | digital effects artist | |
| Vít Komrzy | .... | visual effects producer | |
| Robert Loudil | .... | visual effects artist | |
| Ineke Majoor | .... | visual effects producer: title design | |
| Peter Nemec | .... | Inferno artist | |
| Jiri Stamfest | .... | matte artist: digital painter | |
| David Vána | .... | visual effects supervisor | |
| Jan Vseticek | .... | visual effects coordinator | |
| Neil Huxley | .... | main title designer (uncredited) | |
Stunts | |||
| Jarrah Cocks | .... | stunt double | |
| Tiny Good | .... | stunt rigger | |
| Amanda Graver | .... | stunts | |
| Brent Lister | .... | stunt performer | |
| Siros Niaros | .... | stunt performer | |
| Warwick Sadler | .... | stunt rigger | |
| Sheree Swords | .... | stunt double | |
| Mark Wickham | .... | stunt rigger | |
| Mark Wickham | .... | stunts | |
Camera and Electrical Department | |||
| Tov Belling | .... | first assistant camera | |
| Gary Burdett | .... | grip | |
| Robyn Good | .... | rigger | |
| Tiny Good | .... | rigger | |
| Simon Harding | .... | Steadicam operator | |
| Simon Harding | .... | camera operator | |
| Ben King | .... | second assistant camera: "a" camera | |
| Simon Ozolins | .... | clapper loader | |
| Ricky Schamburg | .... | first assistant camera: "b" camera | |
| Peter Stott | .... | assistant camera | |
| Martin Turner | .... | camera operator | |
Casting Department | |||
| Gabrielle Healy | .... | extras casting | |
| Dex Tallo | .... | assistant extras casting | |
Costume and Wardrobe Department | |||
| Sarah Jameson | .... | costume supervisor | |
Editorial Department | |||
| Pippa Sheen | .... | post-production coordinator | |
| Justin Heitman | .... | senior colorist (uncredited) | |
| Justin Heitman | .... | telecine colorist: high definition (uncredited) | |
Music Department | |||
| Laura Bishop | .... | music preparation | |
| Christo Curtis | .... | music editor | |
| Christo Curtis | .... | score recordist | |
| Joe Fischer | .... | music manager | |
| Coralie Hartl | .... | orchestra contractor | |
| Phillip Hartl | .... | concert master | |
| Deane Ogden | .... | composer: additional music | |
| Katrina Schiller | .... | music assistant | |
| Jessica Wells | .... | music preparation | |
Other crew | |||
| Laura Elizabeth Cannon | .... | assistant to executive producer | |
| Tony Clarke | .... | assistant location manager | |
| Andrew Dauchy | .... | assistant location manager | |
| John Eacott | .... | aerial helicopter pilot | |
| Sarah Edmonds | .... | assistant coordinator | |
| Carolina Häggström | .... | script supervisor | |
| Kelly Head | .... | assistant accountant | |
| Nathan James | .... | safety assistant | |
| Andrew Lindley | .... | payroll accountant | |
| Andrew Lindley | .... | post-production accountant | |
| Mick Rafferty | .... | accounting assistant | |
| Bruce Shapiro | .... | dialogue coach | |
| Johanna Silverman | .... | assistant: Mr. Cromwell | |
| Trudy Talbot | .... | production accountant | |
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| Salem's Lot | The Omen | Låt den rätte komma in | The Dead Zone | Exorcist: The Beginning |
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I recently finished reading Salem's lot by Stephen King. I loved the book so I thought it would be fun to see the film version to compare my vision with someone else's. The local Blockbuster didn't have a copy of the 1980's version so against my better judgment I opted for the 2004 release complete with Rob Lowe. I should have saved my $4.50!!! The screen play writer turned one of King classics into a clichéd late '90's goth kid fantasy(complete with too much sexual innuendo and a nu-metal soundtrack). The only real similarity in the story lines were the character names. I have never been a big fan of books turned movies but this is the worst conversion I have ever seen. If you want to see one of the most boring horror movies ever rent this flick. However if you are looking for an accurate and likable adaptation of one of your favorite books don't waste your time. My recommendation is spend the $4.50 on a used copy of the book and spend the 3 hours reading it.