When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A young man hitchhiking back home to visit his mother is picked up by a mysterious stranger. As the ride goes on, the young man uncovers a terrible secret about the stranger, and is given a choice by the stranger. A choice that can mean life or death. Written by
In the short story, George Staub's car was a Ford Mustang. The filmmakers decided to go with a red and white Plymouth as a nod to Stephen King's Christine. However Christine was a 1958 Plymouth Fury and George's car was a 1960 Plymouth Fury. See more »
In the scene where Alan waits for the train to go past, there are "double stack" inter-modal cars on the train as well as an "End-of-Train-Unit" or "SBU" (Sense and Braking Unit, which replaced the cabooses). Both of these things came into use in the 1980s and this movie is supposed to take place in 1969. See more »
It always intrigues me when a film virtually disappears at the box office and a few months later it's premiering on television. I think to myself "can it really be that bad?" and I must watch it. Well, Riding the Bullet wasn't that bad, but it didn't deserve a theatrical release, not even a limited one. Mick Garris (The Stand) has been directed in television for so long that his big screen efforts feel like TV movies. Riding the Bullet felt like it was made for the small screen. I have a feeling that if the source material had been longer, Garris would have tried to pull a mini-series out of it. Garris has had success and failure with adapting Stephen King's work and I have to say that this falls somewhere in the middle. This is a case where the parts are better than the whole. I really enjoyed the scene where George Staub has a flashback to his own death that's done as if we're watching a film within the film. And then I hate all of the "gotcha" moments where what's happening on screen is just in the main character's head. I suppose it's an attempt to trick the audience but it happens way too much. Virtually every 7 or 8 minutes this happens and, honestly, it takes me out of the movie. I have to disagree with Tobe Hooper. This is not the best Stephen King movie. Jonathan Jackson, David Arquette, and Barbara Hershey are leading the cast, while Cliff Robertson, Nicky Katt, and Matt Frewer put in some cameos. Let's wish Mick better luck with Desperation.
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