| Photos (See all 75 | slideshow) | Videos (see all 5) |
| Petr Ratimec | ... | Young Will | |
| Barbora Lukesová | ... | Mother Grimm (as Barbara Lukesova) | |
| Anna Rust | ... | Sister Grimm | |
| Jeremy Robson | ... | Young Jacob | |
| Matt Damon | ... | Wilhelm Grimm | |
| Heath Ledger | ... | Jacob Grimm | |
| Radim Kalvoda | ... | Gendarme | |
| Martin Hofmann | ... | Gendarme | |
| Josef Pepa Nos | ... | German War Veteran | |
| Harry Gilliam | ... | Stable Boy | |
| Miroslav Táborský | ... | Old Miller | |
| Roger Ashton-Griffiths | ... | Mayor | |
| Marika Sarah Procházková | ... | Miller's Daughter (as Marika Prochazkova) | |
| Mackenzie Crook | ... | Hidlick | |
| Richard Ridings | ... | Bunst | |
| Alena Jakobova | ... | Red Hooded Girl | |
| Rudolf Pellar | ... | Watchman | |
| Dana Dohnalova | ... | Twin Sister | |
| Petra Dohnalova | ... | Twin Sister | |
| Hanus Bor | ... | Twins' Father | |
| Ota Filip | ... | Tavern Owner | |
| Audrey Hamm | ... | Traveler | |
| Annika Murjahn | ... | Traveler (as Annike Murjahn) | |
| Lukás Bech | ... | Barman (as Lukas Bech) | |
| Karel Kohlicek | ... | Bald French Soldier | |
| Peter Stormare | ... | Cavaldi | |
| Julian Bleach | ... | Letorc | |
| Bruce MacEwen | ... | Dax (as Bruce McEwan) | |
| Jonathan Pryce | ... | Delatombe | |
| Martin Kavan | ... | Delatombe's Valet | |
| Eva Reitererová | ... | Serving Wench | |
| Denisa Vokurkova | ... | Greta | |
| Martin Svetlik | ... | Hans | |
| Jan Unger | ... | Gregor | |
| Laura Greenwood | ... | Sasha | |
| Frantisek Velecký | ... | Old Crone (as Fero Velecky) | |
| Jakub Zindulka | ... | Minister | |
| Milan Gargula | ... | Contemptuous Villager | |
| Drahomíra Fialková | ... | Grandmother (as Drahomira Fialkova) | |
| Ludek Elias | ... | Grizzled Elder | |
| Jana Radojcicová | ... | Angry Woman (as Jana Radojcicova) | |
| Lena Headey | ... | Angelika | |
| Tomás Hanák | ... | Woodsman | |
| Denisa Malinovska | ... | Young Angelika | |
| Monica Bellucci | ... | Mirror Queen | |
| Josef Vajnar | ... | Bishop | |
| Petr Vrsek | ... | The King | |
| Bara Rudlova | ... | Angelika's Sister | |
| Andrea Milackova | ... | Angelika's Sister | |
| Andrea Sochurkova | ... | Angelika's Sister | |
| Daniela Kubickova | ... | Angelika's Sister | |
| Veronika Loulova | ... | Elsie | |
| Vera Uzelacová | ... | Elsie's Mother (as Viera Uzelacova) | |
| Simona Vcalová | ... | Elsie's Mother (as Simona Vcalova) | |
| Julie Venhauerova | ... | Goose Girl | |
| Deborah Hyde | ... | Corpse Queen | |
| Václav Chalupa | ... | Aide De Camp | |
| Jiri Krejcir | ... | Fat Soldier | |
| Kamila Bruderova | ... | Dumpy Farm Girl | |
| rest of cast listed alphabetically: | |||
| Tomas Liska | ... | Best Man (uncredited) | |
| Nigel Pilkington | ... | Various (uncredited) | |
Directed by | |||
| Terry Gilliam | |||
Writing credits(WGA) | ||
| Ehren Kruger | (written by) | |
Produced by | |||
| Daniel Bobker | .... | producer | |
| Michel Cheyko | .... | associate producer (as Mishka Cheyko) | |
| Jonathan Gordon | .... | executive producer | |
| Chris McGurk | .... | executive producer | |
| Jake Myers | .... | co-producer | |
| Andrew Rona | .... | executive producer | |
| Charles Roven | .... | producer | |
| John D. Schofield | .... | executive producer | |
| Michael Solinger | .... | co-producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Dario Marianelli | |||
Cinematography by | |||
| Newton Thomas Sigel | (director of photography) | ||
Film Editing by | |||
| Lesley Walker | |||
Casting by | |||
| Irene Lamb | |||
Production Design by | |||
| Guy Hendrix Dyas | |||
Art Direction by | |||
| Keith Pain | (supervising art director) | ||
| Jirí Sternwald | |||
| Andy Thomson | |||
| Frank Walsh | (senior art director) | ||
Set Decoration by | |||
| Judy Farr | |||
| Guy Hendrix Dyas | (uncredited) | ||
Costume Design by | |||
| Gabriella Pescucci | |||
| Carlo Poggioli | |||
Second Unit Director or Assistant Director | |||
| Michel Cheyko | .... | first assistant director (as Mishka Cheyko) | |
| Richard Graysmark | .... | second assistant director | |
| Martina Götthansova | .... | second second assistant director (as Martina Gotthansova) | |
| Nathan Holmes | .... | third assistant director | |
| Christopher Hughes | .... | third assistant director: model unit (as Chris Hughes) | |
| Lubos Kadane | .... | third assistant director | |
| Mario Luraschi | .... | second unit action director | |
| Petr Nemecek | .... | first assistant director: action unit | |
| Vladimir Nemecek | .... | second unit | |
| Jirí Ostry | .... | first assistant director: second unit | |
| Petr Palous | .... | assistant director: Czech cast | |
| Frantisek Rezek | .... | second assistant director: second unit | |
| Srdjan Simeonovich | .... | third assistant director (as Srdjan Simeonovic) | |
| Michele Soavi | .... | second unit director | |
| David Strangmueller | .... | third assistant director (as David Strangmuller) | |
| Jan Strasik | .... | second assistant director: action unit | |
Art Department | |||
| Fatiha Aitbadi | .... | chargehand greensman | |
| Adrian Aitken | .... | supervising plasterer (as Adrian Aitkin) | |
| Mark Allett | .... | chargehand greensman | |
| Dominique Arcadio | .... | assistant art director (as Dominique Dyas) | |
| Daniel Auber | .... | conceptual storyboard artist (as Daniele Auber) | |
| Will Ayres | .... | stand-by property | |
| Milan Babik | .... | propman | |
| Marek Bartak | .... | draughtsman | |
| Krystof Binder | .... | art department runner | |
| Jan Blazicek | .... | illustrator | |
| Steve Bohan | .... | construction coordinator | |
| Jana Bulakova | .... | art department interpreter | |
| Corina Burrough | .... | property buyer | |
| Milos Cerny | .... | stand-by carpenter | |
| Alice Chrastova | .... | art department interpreter | |
| Gary Crosby | .... | hod painter | |
| Jiri Ctvrtecka | .... | stand-by rigger | |
| Frantisek Cupita | .... | stand-by greens | |
| Kamila Drnkova | .... | construction nurse | |
| Dean Dunham | .... | chargehand painter | |
| Jaroslav Fiala | .... | set dresser | |
| Patrik Forejt | .... | stand-by carpenter | |
| Barbora Formanova | .... | model maker | |
| Jan Garbaczewski | .... | set dresser | |
| Petr Garbaczewski | .... | set dresser | |
| Petr Grig | .... | draughtsman | |
| David Haberfield | .... | painter supervisor (as Dave Haberfield) | |
| Peter Hawkins | .... | key construction rigger | |
| Karel Hladilek | .... | stand-by greens | |
| Vojta Hlavicka | .... | assistant to greens coordinator | |
| Roger Holden | .... | key greensman | |
| Mirek Holub | .... | stand-by construction: action unit | |
| Mirek Holub | .... | stand-by props: action unit | |
| Peter Hooper | .... | chargehand greensman | |
| Lucie Jalovecka | .... | art department coordinator | |
| Milan Janostik | .... | stand-by property | |
| Radan Kapinos | .... | props stand-by: second unit | |
| Dan King | .... | chargehand greensman | |
| Jozin Kolodzej | .... | construction chargehand | |
| Marek Kopek | .... | draughtsman | |
| Stefan Kovacik | .... | draughtsman | |
| Jan Kovarik | .... | model maker | |
| Michal Kraus | .... | stand-by property | |
| Eleonora Krejci | .... | illustrator | |
| Vladimir Kuch | .... | chargehand painter | |
| Vladimir Kvech | .... | property buyer | |
| Pavel Lipert | .... | stand-by greens | |
| Jon Marson | .... | chargehand greensman (as Jonathan Marson) | |
| Zdenek Maska | .... | construction supervisor | |
| Richard A. McCarthy | .... | key plasterer (as Richard McCarthy) | |
| Daniel Michl | .... | storeman | |
| Stephen John Morris | .... | supervising plasterer (as Stephen Morris) | |
| Jiri Navratil | .... | propman | |
| Andrea Nemcova | .... | draughtsman | |
| Václav Novak | .... | draughtsman (as Vaclav Novak) | |
| Seamus O'Sullivan | .... | key carpenter | |
| Harry Pain | .... | greens coordinator | |
| Jan Palcr | .... | set dresser | |
| Steve Payne | .... | stand-by greens | |
| Raymond Perry | .... | property master (as Ray Perry) | |
| Vaclav Pomahac | .... | construction stand-by: second unit | |
| Darren Reynolds | .... | stand-by property | |
| David Scurtescu | .... | greens stand-by: second unit | |
| Mia Simeckova | .... | construction nurse | |
| Mickey Spence | .... | supervising plasterer (as Michael Spence) | |
| Petr Srot | .... | model maker | |
| Jiri Stejc | .... | model maker | |
| Leona Telinova | .... | model maker | |
| Martina Ter-Akopowá | .... | art department coordinator (as Martina Ter-Akopowa) | |
| Steve Transfield | .... | supervising plasterer | |
| Zbynek Trojan | .... | stand-by carpenter | |
| Miroslav Ulbert | .... | model maker | |
| Kurt Van Der Basch | .... | illustrator | |
| Marck Vanc | .... | dressing greensman | |
| Slavek Vankat | .... | greens coordinator | |
| Karel Vanásek | .... | property master (as Karel Vanasek) | |
| Jaromir Vaverka | .... | set dresser | |
| Zdena Vlkova | .... | workshop nurse | |
| Ivan Vranek | .... | chargehand plasterer | |
| Karl Wardle | .... | modelmaker | |
| Frantisek Weber | .... | draughtsman | |
| David Weller | .... | supervising construction rigger (as Dave Weller) | |
| Kevin Wheeler | .... | set dressing props | |
| Alan Williams | .... | key construction rigger | |
| Steve Williamson | .... | painter supervisor | |
| Ian Young | .... | charge hand dressing props | |
| Mirek Zdenek | .... | draughtsman | |
| Miroslav Zdenek | .... | draughtsman | |
| Marketa Bockova | .... | assistant set decorator (uncredited) | |
| Andrej Kostic | .... | stand-by painter (uncredited) | |
| Miroslav Mraz | .... | stand-by construction (uncredited) | |
| Dubi Preger | .... | fabricator (uncredited) | |
| Dubi Preger | .... | mouldmaker (uncredited) | |
| Stanislav Suva | .... | scenic artist (uncredited) | |
Visual Effects by | |||
| Andrea Adams | .... | animator: Peerless Camera Company | |
| Stella Ampatzi | .... | digital painter: Peerless Computer Company | |
| Sarah Anker | .... | special effects coordinator: Cutting Edge | |
| Richard Bain | .... | senior compositor: Peerless Computer Company | |
| Ken Baker | .... | first assistant director: model unit | |
| Mark Bakowski | .... | compositor: Peerless Computer Company | |
| Nick Bedford | .... | digital effects coordinator: Peerless Computer Company | |
| Steven Begg | .... | model unit director (as Steve Begg) | |
| Joel Bellsham | .... | sculptor: large oak tree, Cutting Edge | |
| Holly Blenkins | .... | model maker: Cutting Edge | |
| Janice Body | .... | roto artist: Peerless Computer Company | |
| Martin Body | .... | senior roto artist: Peerless Computer Company | |
| Jim Bowers | .... | matte painter: Peerless Computer Company | |
| Anna Brabin | .... | second assistant director: model unit | |
| Mark Bradley | .... | administrator: Peerless Camera Company | |
| Steve Brown | .... | plasterer head of department: Cutting Edge | |
| Nadine Buckley | .... | systems administrator: Peerless Camera Company | |
| Andy Bunce | .... | senior special effects technician: Cutting Edge | |
| Duncan Burbidge | .... | production assistant: Peerless Computer Company | |
| Andreas Bystrom | .... | animator: Peerless Camera Company | |
| Duncan Capp | .... | senior special effects technician: Cutting Edge | |
| Marco Carpagnano | .... | animator: Peerless Camera Company | |
| Paul Charisse | .... | animator: Peerless Camera Company | |
| Rhys Claringbull | .... | animator: Peerless Camera Company | |
| Andy Collings | .... | senior special effects technician: atmospherics, Cutting Edge | |
| Steve Cook | .... | senior modeler: Cutting Edge | |
| Nik Cooper | .... | senior special effects technician: Cutting Edge | |
| Christine Cram | .... | digital painter: Peerless Computer Company | |
| Andy Crumpholt | .... | model maker: Cutting Edge | |
| Nova Curthoys | .... | administrator: Peerless Camera Company | |
| Louise Day | .... | model maker: Cutting Edge | |
| Tom Debenham | .... | compositor: Peerless Computer Company | |
| Otto Dent | .... | roto artist: Peerless Computer Company | |
| John Paul Docherty | .... | digital effects supervisor: Peerless Computer Company (as Paul Docherty) | |
| Colin Doncaster | .... | animator: Peerless Camera Company | |
| Ditch Doy | .... | head of CG: Peerless Camera Company | |
| Erik Ellefsen | .... | animator: Peerless Camera Company | |
| Sander Ellers | .... | senior modeler: Cutting Edge | |
| Catherine Elvidge | .... | animator: Peerless Computer Company | |
| Michele Fabian-Jones | .... | model unit producer | |
| Claire Ford | .... | administrator: Peerless Camera Company | |
| Raffaele Fragapane | .... | animator: Peerless Computer Company | |
| Adam Gefen | .... | compositor: Peerless Camera Company | |
| Ben Goldschmied | .... | motion control operator: model unit | |
| Tyler Gooden | .... | administrator: Peerless Computer Company | |
| Charlotte Greenwood | .... | senior modeler: Cutting Edge | |
| Mark Gregory | .... | animator: Peerless Camera Company | |
| Ed Hall | .... | administrator: Peerless Computer Company | |
| Faraz Hameed | .... | animator: Peerless Computer Company (as Faraz Hammed) | |
| Andy Hayes | .... | animator: Peerless Computer Company | |
| Barrie Hemsley | .... | model unit producer | |
| Ben Hicks | .... | compositor: Peerless Computer Company | |
| Christopher Hobbs | .... | modeller head of department: Cutting Edge (as Chris Hobbs) | |
| Mark Holdcroft | .... | senior mechanical technician: Cutting Edge | |
| Greg Horswill | .... | modeller: dressing, Cutting Edge | |
| Katie Houston | .... | administrator: Peerless Computer Company | |
| Kent Houston | .... | visual effects supervisor | |
| Sandy Houston | .... | digital painter: Peerless Computer Company | |
| Peter Seymour Howell | .... | visual effects buyer: Cutting Edge (as Peter Seymour-Howell) | |
| Chris Hughes | .... | third assistant director: model unit | |
| Jack Hughes | .... | roto artist: Peerless Computer Company | |
| Tom Humberstone | .... | administrator: Peerless Camera Company | |
| Jeremy Hume | .... | visual effects editor | |
| Linda Johnson | .... | CG sequence lead animator: Peerless Computer Company | |
| Dennis Jones | .... | compositor: Peerless Computer Company | |
| Robert Jones | .... | senior modeler: Cutting Edge (as Rob Jones) | |
| Marc Jouveneau | .... | compositor: Peerless Computer Company | |
| Simon Jung | .... | compositor: Peerless Computer Company | |
| Tomi Keeling | .... | motion control assistant: model unit | |
| Andrew Kingston | .... | systems administrator: Peerless Computer Company | |
| Diane Kingston | .... | digital effects producer: Peerless Computer Company | |
| Joosten Kuypers | .... | animator: Peerless Computer Company | |
| Sophie Leclerc | .... | visual effects producer | |
| Katie Lodge | .... | model maker: Cutting Edge | |
| Daniel Loeb | .... | animator: Peerless Camera Company | |
| Charlie Lovett | .... | animator: Peerless Computer Company | |
| Ian Mackinnon | .... | animator: Peerless Computer Company | |
| James Madigan | .... | visual effects coordinator | |
| Sarah Marchant | .... | compositor: Peerless Computer Company | |
| Glenn Marsh | .... | modeller: Cutting Edge | |
| Jamie McCarter | .... | animator: Peerless Camera Comnpany | |
| Jason McDonald | .... | animator: Peerless Camera Comnpany | |
| Ian McFadyen | .... | animator: Peerless Camera Comnpany (as Ian McFayden) | |
| Mike McGuinness | .... | animator: Peerless Camera Company | |
| Karen McLuskey | .... | production coordinator: model unit | |
| Ian Menzies | .... | motion control supervisor: model unit | |
| Greg Morgan | .... | senior modeler: Cutting Edge | |
| Karl Morgan | .... | first assistant camera: model unit | |
| Dylan Murray | .... | animator: Peerless Camera Company | |
| John Nolan | .... | modeller: Cutting Edge | |
| John O'Lone | .... | administrator: Peerless Computer Company | |
| Tim Ollive | .... | animator: Peerless Computer Company | |
| Dominic Parker | .... | CG sequence lead animator: Peerless Computer Company | |
| David Pearson | .... | first assistant director: model unit | |
| Paul Perrott | .... | animator: Peerless Computer Company (as Porl Perrott) | |
| Simon Pickard | .... | animator: Peerless Computer Company | |
| Ed Plant | .... | compositor: Peerless Computer Company | |
| Dave Pritchard | .... | previz artist | |
| Janet Quen | .... | compositor: Peerless Computer Company | |
| Sagar Rathod | .... | animator: Peerless Camera Company | |
| Steven Read | .... | CG sequence lead animator: Peerless Computer Company | |
| Paul Round | .... | senior compositor: Peerless Computer Company | |
| Craig Rowe | .... | digital compositor: Peerless Computer Company | |
| Adrian Russell | .... | animator: Peerless Computer Company | |
| Christoph Salzmann | .... | compositor: Peerless Computer Company | |
| Robbie Scott | .... | model supervisor: Cutting Edge | |
| Steve Scott | .... | modeller: Cutting Edge | |
| Michael Shart | .... | modeller: Cutting Edge | |
| Bill Shortell | .... | systems administrator: Peerless Camera Company | |
| Tom Simmons | .... | modeller: Cutting Edge | |
| Mark Slade | .... | systems administrator: Peerless Camera Company | |
| Danny Smith | .... | systems administrator: Peerless Camera Company | |
| Marianne Speight | .... | production manager: Peerless Computer Company | |
| Mark Spevick | .... | animator: Peerless Computer Company | |
| Nigel Stone | .... | director of photography: model unit | |
| Sebastian Sue | .... | senior modeler: Cutting Edge | |
| John Swinnerton | .... | senior compositor: Peerless Computer Company | |
| Peter Talbot | .... | director of photography: model unit | |
| Emeline Tedder | .... | rotoscope artist | |
| Vincent Thomas | .... | animator: Peerless Computer Company | |
| Joe Thornley | .... | animator: Peerless Camera Company | |
| Rebecca Timons | .... | model maker | |
| Ben Toogood | .... | animator: Peerless Computer Company | |
| Pablo Tufaro | .... | animator: Peerless Camera Company | |
| Marc Twinam-Cauchi | .... | animator: Peerless Computer Company | |
| Bil Van Ness | .... | senior animator (as Bill Van Ness) | |
| Adam Winter | .... | modeller: Cutting Edge | |
| Trevor Young | .... | compositor: Peerless Computer Company | |
| Thomas Zancker | .... | systems administrator: Peerless Camera Company | |
| Alistair Bell | .... | senior modeller (uncredited) | |
| Erik J. Borzi | .... | pre-visualization animator: Pixel Liberation Front (uncredited) | |
| Glenn Burton | .... | previs artist (uncredited) | |
| Mike Connolly | .... | digital compositor (uncredited) | |
| Clare Johanna Downie | .... | administrator: Peerless (uncredited) | |
| Laura Dubsky | .... | digital scanning and recording: Cinesite (uncredited) | |
| William Foxwell | .... | digital lab operator: Lip Sync Post (uncredited) | |
| Jeremy Hall | .... | assistant digital effects supervisor (uncredited) | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post (uncredited) | |
| Lorraine Johnson | .... | film scanning supervisor: Cinesite (uncredited) | |
| Simon Johnson | .... | film scanning operator: Cinesite (uncredited) | |
| Katy Lemon | .... | digital lab operator: Lip Sync Post (uncredited) | |
| Fabio Leporelli | .... | technical director (uncredited) | |
| Alasdair MacCuish | .... | scanning producer: Lipsync Post (uncredited) | |
| Sarah MacKenzie | .... | administrator (uncredited) | |
| Eoin Murphy | .... | visual effects artist: Peerless (uncredited) | |
| Thomas Müller | .... | visual effects artist: Peerless (uncredited) | |
| Cinzia Pegorin | .... | lighting artist (uncredited) | |
| Venetia Penna | .... | film scanning operator: Cinesite (uncredited) | |
| Kevin Phelan | .... | scanning and recording producer: Lip Sync Post (uncredited) | |
| Rob Pizzey | .... | digital colourist (uncredited) | |
| John Slattery | .... | digital compositor (uncredited) | |
| Rainer Stolle | .... | digital artist (uncredited) | |
| Desi Vanrintel | .... | 3D scanning (uncredited) | |
| Pat Wong | .... | digital compositor (uncredited) | |
Animation Department | |||
| Paul Perrott | .... | animator | |
Casting Department | |||
| Amela Abadzic | .... | assistant casting: Czech | |
| Vanessa Baker | .... | adr voice casting: Lyps Inc. | |
| Emily Craig | .... | assistant casting director: UK | |
| Brendan Donnison | .... | adr voice casting: Lyps Inc. | |
| Jessica Horáthová | .... | casting: Czech (as Jessica Horvathova) | |
| Katrina Wolfe | .... | casting executive: UK | |
Editorial Department | |||
| Matt Adams | .... | digital intermediate producer: One Post | |
| Linda A. Borgeson | .... | executive in charge of post-production (as Linda Borgeson) | |
| Martin Corbett | .... | first assistant editor | |
| Joann D'Arby | .... | assistant digital intermediate producer: One Post | |
| Rob Gordon | .... | digital on-line editor: One Post | |
| Emily Greenwood | .... | assistant digital on-line editor: One Post | |
| John Hinchliffe | .... | digital film technical manager: One Post | |
| Julian May | .... | assistant editor | |
| Paul Monaghan | .... | assistant editor | |
| Vincent Narduzzo | .... | digital colorist: One Post (as Vince Narduzzo) | |
| David Rees | .... | color timer | |
| Anna Ryndová | .... | assistant film editor (as Anna Ryndova) | |
| Sárka Sklenárová | .... | assistant film editor (as Sarka Sklenarova) | |
| Gina Tornatore | .... | editor trainee | |
| Laurent Treherne | .... | digital film technical director: One Post | |
| Samantha Welland | .... | post-production coordinator | |
| Jennifer Lane | .... | post-production executive (uncredited) | |
| John Palmer | .... | digital film bureau manager: Laser Record (uncredited) | |
| Mark Wright | .... | negative cutter (uncredited) | |
Music Department | |||
| Simon Allen | .... | musician: specialist percussion | |
| James Bellamy | .... | music editor | |
| Matt Biffa | .... | source music clearances | |
| Tatjana Cechovska | .... | music coordinator: Czech (as Tatána Cechovská) | |
| Nicholas Cervonaro | .... | assistant music engineer (as Nick Cervonaro) | |
| Paul Clarvis | .... | musician: specialist percussion | |
| Rupert Coulson | .... | score recording & mixing | |
| Jake Jackson | .... | assistant music engineer | |
| Takuya Kikuchi | .... | musician: boy soprano | |
| The London Oratory School Schola | .... | musicians: boys choir | |
| Dashiell Rae | .... | music editor | |
| Maggie Rodford | .... | music supervisor: Air-Edel | |
| Hilary Skewes | .... | musician contractor | |
| Desislava Stefanova | .... | musician: vocals (as Dessislava Stefanova) | |
| Benjamin Wallfisch | .... | conductor | |
| Benjamin Wallfisch | .... | orchestrator | |
| Michael Watkins | .... | musician: boy soprano | |
| Rolf Wilson | .... | orchestra leader | |
| Ian Wood | .... | assistant music engineer | |
| Alison Wright | .... | music supervisor: Air-Edel | |
| Randy Spendlove | .... | executive in charge of music (uncredited) | |
Transportation Department | |||
| Martin Cerny | .... | driver: Mr. Damon | |
| Dan Hampel | .... | transport captain: second unit | |
| Jirka Holocek | .... | driver: Mr. Schofield | |
| Silvie Janculová | .... | transportation coordinator (as Silvia Janculova) | |
| Karel Jiran | .... | driver: Mr. Ledger | |
| Jonas Kabrt | .... | assistant transportation coordinator | |
| Jirí Nosek | .... | driver: Mr. Gilliam (as Jiri Nosek) | |
| Martin Petr | .... | driver: Ms. Bellucci | |
| Josef Posejpal | .... | driver: Mr. Pryce | |
| Mamadou Sall | .... | driver: Mr. Damon (as Madou Sall) | |
| Samuel Ter-Akopow | .... | assistant transportation coordinator | |
Other crew | |||
| Damian Anderson | .... | assistant production coordinator | |
| Joëlle Baland | .... | horse riding teacher (as Joelle Baland) | |
| Ota Bares | .... | animal handler | |
| Neil Bell | .... | assistant: Mr. Ledger | |
| Pavel Berka | .... | key set production assistant: action unit | |
| Mike Bocek | .... | key set production assistant | |
| Stéphane Bourquin | .... | groom | |
| Linda Bowen | .... | assistant accountant | |
| Stephen Bridgewater | .... | acting coach | |
| Zack Brown | .... | assistant: Mr. Roven | |
| Lucie Burianová | .... | set production assistant | |
| Martine Caron | .... | horse coordinator: second unit | |
| Ruth Chan | .... | assistant: Mr. Marianelli | |
| Florence Chicot | .... | riding double | |
| Rupert Christie | .... | assistant: Mr. Marianelli | |
| Magda Chýlková | .... | assistant accountant (as Magda Chylkova) | |
| Johnny Cicco | .... | stand-in: Mr. Damon (as Johnny 'Cheers' Cicco) | |
| Sarka Cimbalova | .... | office production assistant | |
| Nikki Clapp | .... | script supervisor | |
| Carmela Compagnone | .... | assistant accountant | |
| Eva Dvorakova | .... | set nurse | |
| Helena Frankova | .... | key set production assistant: second unit | |
| Amy Gilliam | .... | assistant: Mr. Gilliam | |
| Jacqueline T. Green | .... | chaperone | |
| Gerry Grennell | .... | dialogue coach | |
| Alexander Gurlich | .... | office runner | |
| Martin Hanus | .... | horse master | |
| Tarn Harper | .... | post-production accountant | |
| Jon D. Harris | .... | chef: Mr. Damon | |
| Zuzana Hercikova | .... | groom | |
| Alex Hilebronner | .... | chef: Mr. Damon (as Alex Hillbronner) | |
| Viera Hladisova | .... | co-production assistant accountant | |
| Vojta Hlavicka | .... | interpreter | |
| Lynne Hockney | .... | movement coach: Mr. Damon | |
| Sam Holt | .... | production coordinator: second unit | |
| Klara Holubova | .... | production coordinator: action unit | |
| Veronika Horka | .... | production coordinator | |
| Maia Horniak | .... | assistant: Michele Soavi | |
| Pauline Hume | .... | title designer: end titles | |
| Magdalena Jansdotter-Nilsson | .... | production assistant | |
| Lenka Kadlecova | .... | assistant production coordinator | |
| Vladimir Kesl | .... | computer technician | |
| Ales Komárek | .... | production executive: Reforma Films (as Ales Komarek) | |
| Tomas Kreisl | .... | cashier | |
| Jiri Krejcir | .... | location manager | |
| Helena Kreuterova | .... | assistant: Mr. Luraschi | |
| Sandra Lee | .... | product placement & marketing (as Sandra Gabrych) | |
| Edita Leva | .... | assistant: Mr. Luraschi | |
| Stéphane Linet | .... | armorer (as Stephan Linet) | |
| Mario Luraschi | .... | horse master | |
| Radim Macha | .... | animal handler | |
| Iveta Madura | .... | groom | |
| Sharon Mansfield | .... | script supervisor: second unit | |
| Tomás Masopust | .... | assistant cashier (as Tomas Masopust) | |
| Dusan Matic | .... | extras coordinator | |
| Ivan Mavor | .... | assistant accountant | |
| Frantisek Mekota | .... | assistant horse master | |
| Frantisek Mesícek | .... | armorer (as Frantisek Mesicek) | |
| Filip Michalik | .... | assistant accountant | |
| Jana Nemcova | .... | script supervisor: action unit | |
| Colin J. O'Hara | .... | assistant: Mr. Damon (as Colin O'Hara) | |
| Joseph Palmer | .... | assistant: Mr. Roven | |
| Mirek Pechar | .... | customs broker (as Miroslav Pechar) | |
| Alexandra Pepper | .... | groom | |
| Rene Pikl | .... | caterer: second unit | |
| Marketa Poruba | .... | production secretary (as Marketa Porubova) | |
| Stefano Priori | .... | financial controller | |
| Eda Raban | .... | catering | |
| Lubica Ruzickova | .... | assistant accountant (as L'Ubica Ruzickova) | |
| Lucie Ryan | .... | assistant: Mr. Roven | |
| Annabel Schofield | .... | assistant: Mr. Schofield | |
| Patric Scott | .... | unit publicist | |
| Vladimir Seiml | .... | location assistant | |
| Jan Sladek | .... | set production assistant | |
| Roman Spacil | .... | fencing instructor | |
| Petr Splichal | .... | key production assistant | |
| Vaclav Sramek | .... | set production assistant | |
| Matthew Stein | .... | studio executive | |
| Val Sunderland | .... | location accountant | |
| Katerina Svobodova | .... | accounts runner | |
| Gretchen Treser | .... | set production assistant | |
| Jan Unger | .... | manager: second unit | |
| David Walter | .... | assistant: Mr. Marianelli | |
| Elizabeth West | .... | continuity: model unit (as Liz West) | |
| Peter Ziak | .... | assistant accountant | |
| Finn Brandt | .... | title designer (uncredited) | |
| Jen Lambert | .... | unit nurse (uncredited) | |
| Spencer Lamm | .... | web site designer (uncredited) | |
| Roman Spacil | .... | sword master (uncredited) | |
Thanks | |||
| Ray Cooper | .... | special thanks | |
| Andrew Gumpert | .... | special thanks | |
| John Hadity | .... | special thanks | |
| Tom Hunter | .... | special thanks | |
| Jennifer Lane | .... | special thanks | |
| Peter McPartlin | .... | special thanks | |
| Miroslav Nemec | .... | thanks | |
| Lisbeth Savill | .... | special thanks | |
| Steven Soderbergh | .... | thanks (as Steve Soderbergh) | |
| Roman Tudzaroff Sr. | .... | special thanks | |
| Roman Tudzaroff | .... | special thanks (as Roman Tudzaroff Jr.) | |
| Tim Wooster | .... | special thanks | |
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| The Deluge | The Tree of Wooden Clogs | Defiance | The Golden Compass | The Horseman on the Roof |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
People have a curious tendency not to notice how bizarre and gruesome children's fairy tales often are. Terry Gilliam's "The Brothers Grimm" does notice. Unfortunately, that's just about its only insight into the subject. The film shows no understanding of what makes fairy tales memorable and exciting, or why they have endured through the ages.
A much better handling of the subject is the 1962 film "The Wonderful World of the Brothers Grimm," which intersperses a realistic though nonfactual account of the brothers' lives with dramatic recreations of the tales they collected. I'm not saying that Gilliam had to do a retread of the same material. I would be very happy to see a remake with a radically new approach, as long as it respects the underlying subject matter. Gilliam's film does not. Its storyline is mostly a long string of fantasy and horror clichés that remind us far more of contemporary movies than of classic fairy tales. The Big Bad Wolf, for example, has been reduced to a standard-issue wolf-man (brought to life with digital effects that are just a tad too jerky to be excused in our age of high-tech movie-making).
In this version, the brothers (Heath Ledger and Matt Damon, both inexplicably adopting English accents) are con artists who go from town to town posing as conjurers who can protect the local populace from evil spirits. A French general (Jonathan Pryce) catches on to what they're doing and forces them to work for him, on pain of death. But when they're sent to a new town, their old tricks prove useless against an age-old curse that really does haunt the woods.
The movie belongs to the old genre where famous writers become characters in their own stories. It's a genre I've never much liked, maybe because it suggests a failure to comprehend the powers of human imagination. ("No one could have made up these stories; they must have really happened!") But I have enjoyed a few films of this kind, such as the 1979 movie "Time After Time," where H.G. Wells builds a time machine and travels to the 1970s in pursuit of Jack the Ripper. This type of story has to work hard to achieve the willing suspension of disbelief. "The Brothers Grimm" fails on that front because it changes its reality too often. In an early scene, we're shown an intense battle with an awesome-looking banshee. Then the whole battle is revealed to have been staged. And then, later on, we're asked to believe that magic really does exist in this world after all. These repeated shifts in the story's reality are profoundly disorienting.
The source of disarray in the woods is an undead queen (Monica Bellucci) trying to regain her youth in an elaborate spell that will be completed once she sacrifices a series of children from the town. She resides in a tower in the woods, appearing as a skeleton on one side of a mirror and as a beautiful woman on the other. Her magical control over the woods serves as an excuse for numerous scenes of mysterious enchantment, most of which have a very tenuous connection to the central plot. The trees in the forest seem to have a life of their own, walking around when no one's looking. A mysterious creature lurks at the bottom of a well. The wolf-man is a servant of the mirror queen, using magic to ward off would-be visitors. But a coherent story never emerges from these elements. The screenplay seems to make up the rules as it goes along, inventing whatever is convenient at any given moment. Every now and then, some familiar quote is referenced--"Who is the fairest of them all?"; "What big eyes you have"; "You can't catch me, I'm the Gingerbread Man"--but always gratuitously. The movie's magical story is formless and convoluted, lacking any consistent narrative logic. It comes off as a series of elements arbitrarily glued together.
As a result, the magical sequences lack payoff. We keep waiting for something wondrous to happen, then nothing does. In one sequence, for example, two children named Hans and Greta are making their way through the woods, leaving a trail of bread crumbs in their wake. We eagerly await the children's encounter with the gingerbread house run by the cannibalistic witch, or at least something of comparable interest. But just about the only thing that happens is a mysterious sequence involving a levitating shawl. Like many other sequences in the film, this one doesn't go anywhere and has only the faintest connection with the mirror queen story.
No doubt there's an important theme at work in scenes like this. The movie is suggesting that the classic fairy tales are the result of accounts that have been embellished over time. But other writers have handled this theme much more effectively. Gregory Maguire's novel "Wicked," for example, turns "The Wizard of Oz" into a sophisticated adult fantasy with complex character motives and sly social satire. In that novel, there is a definite implication that we are being told the "real" story, and that the conventional version is the corruption. But the novel handles this conceit by expanding on the story, not degrading it. There's no point in creating a revisionist fairy tale if it's going to be less fleshed out than the original.