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|Index||37 reviews in total|
Never Die Alone opens up with a scene that full blown gives away a pivotal
event in the film, where we see the main character, King David, lying in a
casket, eyes closed, hands on his chest. It's no big secret that he's dead,
to me, this movie isn't about the events, but simply about the story and the
characters, and that's really all that matters. What I like first about this
movie is that it has the power to make the audience not care if the ending
is revealed, or if any other event is told before it happens. I don't think
this movie is about the ending, but it's simply about King David and his
Again, the movie opens up with King David in a casket, obviously dead. He gives a narration, and talks about reincarnation and how some say that when you die in one life, you'll pay back for your mistakes in the next one. Immediately, one can wonder why this man would mention this.
King David comes back to his hometown to make amends with a drug dealer that he stole from. This drug dealer is Moon. David offers to give back the 15 thousand he stole in drugs, plus another fifteen thousand for interest. Moon sends two of his boys, Blue and Mike, to make the pickup. During the scene in which Moon tells the two to meet up with David, Mike's reaction sparks up some question, because he gets noticeably angry. We the audience question the history that David and Mike, and ask what the deal is between them. The pickup goes wrong, and King David ends up getting stabbed in the process, right across from a bar. In the bar across the street is aspiring reporter, Paul, a man who hangs out in ghetto areas to gather up information on his novel. David comes to the aid of David, and drives him to the hospital. During this beginning scene, we actually start to feel sympathy for King David, as he pleads to Paul to `Not let him die alone.' This line is somewhat sad, but at this point we have no idea what kind of person David is. David of course dies, and hands over practically everything he has to Paul, probably because he was caring enough to bring him to the hospital and not let him die in the gutters. Among the things Paul gets from David are jewelry, money, and a nice car. Paul eventually finds a collection of audio cassettes, each one an audio diary chronicling the last ten years of David's monstrous life. Then the real story begins.
Through these audio tapes, we realize that David probably never wanted redemption and had no apology for the monstrous acts he's done. We at first feel sorry for his character, and not want him to die, but as the movie chronicles the last ten years, all of that care and sympathy that we had the character disappears as we see King David for who he really is: A monstrous man who has no compassion for anyone. King David charms women, gets to know them, then hooks them on cocaine, THEN switches them to heroin without them knowing, so that they have an unwanted dependence on him. King David is an unapologetic man, who seems to purely like the suffering of others. He single-handedly destroys these women's lives without remorse. He is able to look back on these events and tell them as if he were proud about them. This is his character. Unlike most drug movies, the character isn't sugarcoated, the character isn't sold as a cold blooded killer who still feels remorse for some people. The King David character is the complete opposite. He is written truthfully, without trying to hold back the grim events in his life.
DMX has made a few films in the past, the two most recent (I'm pretty sure) are Exit Wounds, and Cradle 2 The Grave, both mindless action films for the genre fans. Those two movies were there to simply make money, and to entertain people with fights and explosions. I liked those two movies, but I don't those movies were able to expand DMX's acting talents because of what kinds of movies they are. Never Die Alone brings out the performance in DMX that most people probably didn't even know existed. Unlike in Cradle 2 The Grave and Exit Wounds, DMX is able to give his character depth, and is able to define him in ways that most actors cant do. He is able define his character in the most monstrous way possible, and even though this character is monstrous and evil in the movie, DMX cloaks this evil vindictive side, and is able to appear normal, and I think this is the dynamic force of the character, he knows he's evil, he knows he's a horrible person, but he acts as if it's all just an everyday activity to ruin people's lives, and DMX pulls this characteristic off amazingly well. He wrecks people's lives, and he does it with so much ease and so little care, and DMX really brings this character trait to the surface.
David Arquette plays an aspiring reporter, who, like I mentioned earlier, finds King David's audio diaries and discovers the truth about the man he just met. Arquette's character isn't onscreen very much, and he only interacts a few times with other people, with the exception of King David. His character isn't really developed, but he's one of those film characters where he can be developed and presented with only a few sentences. What we can learn about this character is that he simply is willing to go where most people wouldn't dare to go, and he never intends harm to anyone else. The character is simply there to be the good hearted person who doesn't enforce any kind of hate or violence. He's the modern character of the movie, the everyday person. His character is drawn into the complex character of King David. Before he listens to the cassettes, he obviously doesn't know who King David is, but he probably thinks that David isn't that bad of a person, just like the audience. But as he listens to the tapes and hears the monstrous things he's done, we cant really tell what he thinks about the guy afterwards. We don't know whether he still feels some kind of remorse for him, or if he feels that he deserved to die. There might still be some remorse left in Arquette's character, but the movie doesn't really emphasize whether that care and remorse was diminished after he listened to the tapes. Each time this character was onscreen, I sat there wanting the movie to go back to King David's `adventure', mainly because Arquette's character wasn't interesting, and the movie tended to slow down every time they showed him. However, regardless of that problem, it doesn't hurt the movie that much, but I think it could have been fixed in some way.
The nature of this movie is dark and grim, so of course, the movie's setting has to be dark and grim, and it is. The lighting effects obviously reflect the movie's nature, and maybe even it's main character. The locations are perfectly fitting for the dark and depressing tone that the movie tries to set, and the lighting most of the time is perfect, because it maintains a depressing look that has lots of style. Whether or not the movie's look was done just for the sake of looking good, of if it was done to reflect the characters and situations, either way, it was very stylistic.
With DMX's name printed above the title, and with DMX on the front cover with two handguns at hand, most people will think this movie is another mindless action film in the tradition of Exit Wounds and Cradle 2 The Grave. I thought that it was an action film at first, but I had no idea that it was a serious movie dealing with serious characters and serious situations. Never Die Alone is a smart, taught, dark, and stylistic low budget drama that'll either disgust audiences or serve them a dark drama that takes you into the monstrous world of a vicious drug pusher, either way, the audience will despise it for the first reason, and maybe love it for the latter reason. I liked it for the latter.
Score: 9 ½ out of 10.
Very underrated dark drama that deserves some more recognition. Easily one of the best films of 2004.
Since truth is indeed sometimes stranger than fiction, often the movie
with the most unlikely scenario is the one that turns out to be the
most believable. This is the case with "Never Die Alone," an urban
crime drama with a plot just loopy enough to keep us interested and
just goofy enough to make us believe it.
David Arquette plays a white reporter who hangs around in a predominantly black section of the city soaking up the "atmosphere" for articles and books he hopes to write. One night, he attempts to save the life of a black drug kingpin (played by DMX) by driving the man to the hospital after he's been left for dead in a revenge killing. Immediately before his death, the man, who goes by the name "King David," bequeaths his car and other earthly possessions to this inner city Good Samaritan. Included in the haul is an assortment of tapes David recorded detailing his experiences as a successful drug pusher in LA. Thus, as Paul listens to these recordings, a full picture of the kind of man David was soon emerges.
The best thing about "Never Die Alone" is that it doesn't flinch from displaying the ugly, harsh realities of its blood-splattered world. It shows how even the innocent and the good eventually fall victim to the evils of drug addiction and crime. The film is not afraid to kill off characters in a random way, often surprising us with just who ends up dying and who ends up surviving. And it does not attempt to sugarcoat "King David," for despite all his comments about redemption and making up for the evil he's done, David is one hell of an amoral bastard who does some pretty horrible things to some truly undeserving people - and the film does not shy away from depicting that reality.
Although, on the surface, the film seems like just another in a long line of sordid crime dramas involving crack heads, dope fiends and armed-to-the-teeth ghetto gangstas, "Never Die Alone," perhaps because it is willing to hold nothing back in what it chooses to show us, has a certain ring of truth about it. Whatever the reason, "Never Die Alone" is a cut above the average.
When the unemployed white journalist Paul (David Arquette), who lives
in a ghetto, accidentally witness the execution of the Afro-American
King David (DMX), he takes the wounded man to the hospital trying to
save his life. David dies, but officially leaves his car and his
possessions to Paul. Paul finds some cassette tapes in the car, and
while listening to them, he becomes aware that David was a hideous drug
When I decided to buy this DVD, I had no information about this movie. What a great surprise for me: it is a dark trip to the underworld of the drugs, indeed a contemporary film-noir, with sordid elements. The very dark cinematography fits perfectly to the story creating an atmosphere very adequate to the theme. The screenplay is very well written, but there are many important deleted scenes available on the DVD that explain many situations and connections of the story. DMX, David Arquette and Michael Ealy have excellent performances, but I found the character of Moon too much clichés of the powerful Afro-American drug lord. The scene of Mike leaving the tunnel in the end of the movie is another clichés that works perfectly, indicating the possible redemption of this character. "Never Die Alone" is a surprisingly good, violent and very real movie, which does not spare the characters addicted on drugs, showing the consequence of their vicious and their destiny. My vote is seven.
Title (Brazil): "Nunca Morra Sozinho" ("Never Die Alone")
.....but it just misses the mark here. I have been a fan of Donald Goines novels since I was a teen. I have often wondered why so-called gangsta rappers of our generation have glorified fictional icons like Scarface (Al Pacino) when there are better real life examples of hardcore gangstas like Donald Goines and Iceberg Slim who wrote about their turbulent lifestyles in graphic, candid detail in several real-life novels. When I heard about NDA I was excited that maybe someone had finally picked up the ball. Too bad this film falls just short of the mark. It tries very hard to lock onto a theme but comes across as disjointed and rambling. DMX aka Earl Simmons produced, as well as, starred in this flick. DMX's gruff demeanor is well suited for the Donald Goines anti-heros, but he needs to work on the acting skillz a bit. A very good supporting cast of known and not-so-well known actors. All in all I would say that this film is just a small step above the flick Belly -- just a little more violent and very crude. 2 out of 5 stars.
I watched this movie as I read one or two viewers opinions of it. Both
must have been white men or women who have lived a protected life. A
life that has never been touched by the harsh realities that life as a
black person in a large city in the USA faces.
I agree that there is no clear hero or villain in this movie. What upsets me about the reviews I read was the lack of compassion the reviewers of this movie had about it.
The reviews of this movie that I read clearly have not experienced the terrible reality that this movie portrays.
I believe that the persons that dished this movie have never been tested by environment of poverty.
I have. I'm white. I can tell you that to spend your youth in settings of LA will test the mettle of anyone.
It seems obvious to me that viewers commentaries that I read have not.
I didn't like the movie but I thought it was honest.
For starters story is very smart. That's the stand out thing in the
movie. Interesting how one person can affect so many. But it seemed
Acting wise it was average I guess. I'm a fan of DMX and think he isn't a bad actor. But most characters he's played are pretty similar. Good job by the supporting cast as well. David Arquette was the a stand out.
Overall an enjoyable movie. I was looking forward to seeing this movie very much for some reason, and it didn't let me down, but it wasn't perfect either. Once you've watched it you'll probably think something was missing because of the shortness, but there isn't (I think!). I look forward to reading the book.
This is a story about revenge. If it were about somebody named Hamlet
or Oedipus or Corleone then the violence would be described as in
service to the art of the story. In this movie two young men, one black
the other white, get caught up in a story of illegality and revenge.
The two wind up tied together around the story of a third man, who one
tries to rescue and one kills.
This is not a great movie; the soundtrack is predictable and the pacing is uneven. Still, when the dead guy starts talking, the viewer's perception changes, and that kind of moment indicates something is happening in the script and on the screen that is important. "He had this nobility..." the white character enthuses about the dead dealer to his black girlfriend. She is less than impressed. This is a movie where no one is noble: why is the white character hanging with a black girlfriend? Does he like her or does he need "street cred."
If race wasn't a part of this movie, then this would be a movie about characters who take a series of missteps and pay for them. However, in the reviews of this movie, because the main characters are black, it is a movie about depravity. Like the narrative of victims of Hurricane Katrina innocence or guilt... salvation or damnation... is determined by the color of skin. For a viewer who doesn't see skin color first, this is a well- acted, disturbing revenge story.
The movie starts with King David in a casket.
Then he starts telling us about his life. He came to Los Angeles to start his life over. Two days earlier, Moon needed Mike and Blue to collect some money from him.
Something goes terribly wrong, and David is left lying in the street. Paul, a white writer with a black girlfriend (Nancy), couldn't just let him die. On the way to the hospital, David pleads with Paul to tell his son his story. Interestingly, Paul was living the life of a black man, while Nancy seemed to have rejected her culture (I'm basing this on one scene, but we never got to know her) and disapproved of his living in that world, but Paul felt he had to in order to write what he wanted.
Paul finds out from a hospital worker that David had rewarded him by leaving him everything--lots of cash, jewelry, and a nice car. And cassette tapes with his autobiography.
As Paul listens to the tapes, we see the events described. Once again, David says he is starting over in Los Angeles. In a scene with three bikini beauties, Paul meets blonde white actress Janet. She becomes the first of his girlfriends that we see. With her connections, and the fact that no one on the west coast has quality merchandise, David becomes a major drug dealer. David meets Juanita, a waitress studying to be a social worker, so Janet is tossed out like yesterday's trash. And she's not making it as an actress, so guess what she does for a living? Poor Juanita. And wait until you see what he does to Edna, who may have had his baby.
To say David is not a nice person is a major understatement. But he's so charming that women want to be his girlfriend. Then they find out what he's really like.
Why would I watch this movie? I'm white and a few months older than Barack Obama. These days, I'll watch anything I haven't seen. At least I'll get it over with. But for me personally, the movie had a few redeeming qualities.
I won't say there's music for every taste. No classical, rock, or country. But nearly every style of jazz is represented. Some examples include muted trumpet with a rap beat, muted trumpet without a rap beat, a beautiful vocal performance in a club, and piano jazz in a nice restaurant. Of course there is gangsta rap. Two rap songs played for the closing credits are actually catchy, even for me.
And then there is the bartender at The Blue Room. She has the same edgy charm that made her so appealing on an episode of My Network's "Tony Rock Project". At least I think that's her.
The crazy judge from "Boston Legal" is a funeral director, but he's on very briefly and doesn't speak. That's a shame.
DMX delivers a very good performance. Like I said, his character is not a nice man at all. And yet you sort of want to like him. You won't when you find out about him.
Some unusual camera and editing techniques should be mentioned. One act of violence is shown from the victim's point of view. We see what he sees. In the scene with Edna everything is green or blue and seems to move in slow motion. The bikini babes disappear gradually as we jump forward in time several times from David's arrival to his first conversation with Janet.
Of course I saw this on a My Network station, so the sound went out many times and the mouth of the character speaking was blurred. Something tells me I should be very glad of that. Once (I mention this because it could happen to you) the sound of dialogue went out for no apparent reason though I could hear music. The violence wasn't as bad as it could have been.
I have a feeling this was a story worth seeing.
I wanted to let you guys know that this is one of the best movies I've ever seen. It's got a clear message in it and uses images to tell the story. The light at the end of the tunnel at the end of the movie is very touching and well thought. I don't understand why the rating is so low. I admit it's annoying that he talks all the time. but that's necessary to know the story. I think it's based on a true story, maybe that's the reason of the low rating, because of it's cruelty. But hey, that's life. Hope you'll enjoy it as much as I did! This really is a masterpiece. I thought the storyline was well connected and had a clear message in it, all the time. Hope this was useful to you.
*** This review may contain spoilers ***
At first glance of the film's movie poster, many viewers, before seeing
Ernest Dickerson's Never Die Alone (2004), will assume it is an action
picture like Scarface (1983) and New Jack City (1991). This isn't an
action picture, but a drama, although it does deserve comparison to the
Never Die Alone is the story of a viscous, cold blooded, and evil man known as King David. As the movie opens, King David (DMX) is laying dead in a coffin. Many will see this as a spoiler, but it isn't. This movie isn't about the events that occur, but about the story and the characters.
As the film opens, King David has returned from Los Angeles to New York to repay a debt to a drug dealer known as Moon (Clifton Powell). Moon sends his boy, Mike (Michael Ealy), and another man to collect the money.
But then the pickup turns violent against Moon's request, and King David ends up getting stabbed in the process. He is helped by Paul (David Arquette), an earnest journalist who hangs around in the tough streets of Harlem. Paul comes to the aid of David, and, of course, King David dies.
Upon his death, King David gives Paul a nice car, money, jewelry, and eventually, Paul finds a collection of audiotapes chronicling the last ten years of David's life.
We learn that King David was a ladies' man. The women in his life were all drug users. But what King David does to these three women is monstrous: he falls in love with them, gets to know them, then hooks them on cocaine. Then he switches them to heroin without them knowing. What's monstrous is when he decides to give them a little "test." DMX, as King David, is hard and cold. Just as we begin to care and show sympathy for King David, we begin to show hatred towards this vile, and evil man. Through flashbacks and events, we realize that King David is a man who shows no apologies for the evil things he's done, and he makes them look like an everyday activity.
The film also seems to suggest that there is some sort of connection between both Mike and King David.
DMX has done some terrible films in the past, such as Romeo Must Die (2000), Exit Wounds (2001), and Cradle 2 the Grave (2003), which were all mindless action pictures meant to entertain, but in Never Die Alone, he gives his best performance up to date.
Never Die Alone is a good movie, but I felt that David Arquette's character was poorly developed, but he gives a good performance, anyway. In the end we never know whether he has shown remorse for King David or felt that he deserved to die for what he's done. But Paul is more of a pawn than a mover to the plot. Half the time, he doesn't realize how much danger he's putting his life in, such as when he drives around in King David's car.
Cinematographer-turned-director Ernest Dickerson creates a dark atmosphere and he keeps the film dark to the very end. He keeps the action scenes brief and brutal, and it doesn't distract the viewer away from the plot. This is his strongest work.
Never Die Alone is not an action picture. It's a movie about an evil man, who shows no apologies for the evil things he's done to others. By the end, the movie asks Paul, the journalist, and even the viewer, do you think King David really deserved to die?
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