A police sergeant must rally the cops and prisoners together to protect themselves on New Year's Eve, just as corrupt policeman surround the station with the intent of killing all to keep their deception in the ranks.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
A film noir centering around a hard-boiled, stylish kingpin drug dealer, called King David, who returns to his hometown seeking redemption--but ends up only finding violent death. King David's final moments are spent with Paul, an aspiring journalist who knew him for just a few minutes; yet King David would forever more have an impact on Paul's life. Half preacher, half Satan, and all street smarts, King David had recorded the story of his exploits on audiotape, leaving behind an often-poetic sermon on villainy and its consequences. The tapes reveal that the cycle of violence and retribution, which his actions have spawned, has come back to him, full circle, as he suspected they might all along. Written by
Sujit R. Varma
Then he starts telling us about his life. He came to Los Angeles to start his life over. Two days earlier, Moon needed Mike and Blue to collect some money from him.
Something goes terribly wrong, and David is left lying in the street. Paul, a white writer with a black girlfriend (Nancy), couldn't just let him die. On the way to the hospital, David pleads with Paul to tell his son his story. Interestingly, Paul was living the life of a black man, while Nancy seemed to have rejected her culture (I'm basing this on one scene, but we never got to know her) and disapproved of his living in that world, but Paul felt he had to in order to write what he wanted.
Paul finds out from a hospital worker that David had rewarded him by leaving him everything--lots of cash, jewelry, and a nice car. And cassette tapes with his autobiography.
As Paul listens to the tapes, we see the events described. Once again, David says he is starting over in Los Angeles. In a scene with three bikini beauties, Paul meets blonde white actress Janet. She becomes the first of his girlfriends that we see. With her connections, and the fact that no one on the west coast has quality merchandise, David becomes a major drug dealer. David meets Juanita, a waitress studying to be a social worker, so Janet is tossed out like yesterday's trash. And she's not making it as an actress, so guess what she does for a living? Poor Juanita. And wait until you see what he does to Edna, who may have had his baby.
To say David is not a nice person is a major understatement. But he's so charming that women want to be his girlfriend. Then they find out what he's really like.
Why would I watch this movie? I'm white and a few months older than Barack Obama. These days, I'll watch anything I haven't seen. At least I'll get it over with. But for me personally, the movie had a few redeeming qualities.
I won't say there's music for every taste. No classical, rock, or country. But nearly every style of jazz is represented. Some examples include muted trumpet with a rap beat, muted trumpet without a rap beat, a beautiful vocal performance in a club, and piano jazz in a nice restaurant. Of course there is gangsta rap. Two rap songs played for the closing credits are actually catchy, even for me.
And then there is the bartender at The Blue Room. She has the same edgy charm that made her so appealing on an episode of My Network's "Tony Rock Project". At least I think that's her.
The crazy judge from "Boston Legal" is a funeral director, but he's on very briefly and doesn't speak. That's a shame.
DMX delivers a very good performance. Like I said, his character is not a nice man at all. And yet you sort of want to like him. You won't when you find out about him.
Some unusual camera and editing techniques should be mentioned. One act of violence is shown from the victim's point of view. We see what he sees. In the scene with Edna everything is green or blue and seems to move in slow motion. The bikini babes disappear gradually as we jump forward in time several times from David's arrival to his first conversation with Janet.
Of course I saw this on a My Network station, so the sound went out many times and the mouth of the character speaking was blurred. Something tells me I should be very glad of that. Once (I mention this because it could happen to you) the sound of dialogue went out for no apparent reason though I could hear music. The violence wasn't as bad as it could have been.
I have a feeling this was a story worth seeing.
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