Based on the real-life chronicle of America's first serial killer, Boone Helm (aka "the Kentucky cannibal"), and his last days as the law tracked his bloody exploits across the breadth of the Wild West.
A 30-something couple unintentionally become involved in a botched jewel heist while shopping for wedding rings. The plot thickens when the crooked casino owner who engineered the heist ... See full summary »
Dakota Smith is an experienced policeman with a problem: his partner was shot dead, and corrupt cops are responsible. Dak's investigation leads him to widespread corruption in the ... See full summary »
Dakota Smith is an ex-cop and former private eye with a proclivity for community service. When a young basketball player entangles himself with drug dealers, he turns to Dak for help. ... See full summary »
As Trevor drifts through Texas on collision course with a nightmare he is still haunted by the evils of the war he recently returned from and a promise he failed to keep. When a stranger ... See full summary »
C. Thomas Howell,
Vietnam veteran Leon Barlow is struggling as a writer, and his personal life isn't much better. His unsympathetic ex-wife Marilyn doesn't approve of his visits with his two children, and he... See full summary »
Written and directed by E. Paul Edwards, "Fighting Words" is a low-budget romantic drama set in the fringe world of slam poetry. Jake Thompson (Jeff Stearns) is the pained poet and Marni Elliot (Tara T'Agostino) the HIV-positive book publisher who takes an interest in the promising young man's person and work. C. Thomas Howell appears as a slime ball, cutthroat poet (and ex-boy friend of Marni) who will stop at nothing to keep Jake from winning a competition and the book deal that goes with it. Fred Willard puts in an appearance near the end as the emcee of the contest.
The movie is certainly well-intentioned, and it earns at least a few points for its unusual subject matter, but an overall amateurishness in the performances and direction relegates it to minor league status. Moreover, an air of contrivance in the storytelling - especially in the final third - goes a long way towards undercutting any credibility the film might have had.
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