| Videos |
| Claus Nissen | ... | The Perfect Man - from 'Det perfekte menneske' 1967 (archive footage) | |
| Majken Algren Nielsen | ... | The Perfect Woman, from 'Det perfekte menneske' 1967) (archive footage) (as Maiken Algren) | |
| Jørgen Leth | ... | Speaker (from "Det perfekte menneske" 1967) / Himself - Director (segments "The Conversations") / Speaker (segment "Obstruction #1 - The Perfect Human: Cuba") / The Perfect Man / Speaker (segment "Obstruction #2 - The Perfect Human: Bombay") / Speaker (segment "Obstruction #4 - The Perfect Human: Cartoon") / Jørgen Leth / The Perfect Human / Speaker (segment "Obstruction #5 - The Perfect Human: Avedøre, Denmark") (also archive footage) | |
| Lars von Trier | ... | Himself - Obstructor (segments "The Conversations") / Lars von Trier (segment "Obstruction #5 - The Perfect Human: Avedøre, Denmark") | |
| Daniel Hernandez Rodriguez | ... | The Perfect Man (segment "Obstruction #1 - The Perfect Human: Cuba") | |
| Jacqueline Arenal | ... | The Perfect Woman (segment "Obstruction #1 - The Perfect Human: Cuba") | |
| Vivian Rosa | |||
| Alexandra Vandernoot | ... | The Perfect Woman (segment "Obstruction #3 - The Perfect Human: Brussels") | |
| Patrick Bauchau | ... | The Perfect Man / Speaker (segment "Obstruction #3 - The Perfect Human: Brussels") / Speaker (segment "Obstruction #4 - The Perfect Human: Cartoon") | |
| Marie Dejaer | ... | Maid (segment "Obstruction #3 - The Perfect Human: Brussels") | |
| Pascal Perez | ... | Couple (Man) (segment "Obstruction #3 - The Perfect Human: Brussels") | |
| Meschell Perez | ... | Couple (Woman) (segment "Obstruction #3 - The Perfect Human: Brussels") | |
| Bent Christensen | ... | Gangster from "Det gode og det onde" 1975 featured in segment "Obstruction #4 - The Perfect Human: Cartoon" (archive footage) | |
| Anders Hove | ... | Naked Man, from "Notater om kærligheden" 1989 featured in segment "Obstruction #4 - The Perfect Human: Cartoon" (archive footage) | |
| Charlotte Sieling | ... | Naked Woman - from "Notater om kærligheden" 1989 featured in segment "Obstruction #4 - The Perfect Human: Cartoon" (archive footage) | |
| Jan Nowicki | ... | Man with jacket, from "Notater om kærligheden" 1989 featured in segment "Obstruction #4 - The Perfect Human (archive footage) | |
| Stina Ekblad | ... | Woman with money, from "Notater om kærligheden" 1989 featured in segment "Obstruction #4 - The Perfect Human (archive footage) | |
| rest of cast listed alphabetically: | |||
| Bob Sabiston | ... | Himself (uncredited) | |
Directed by | |||
| Jørgen Leth | (segment "The Perfect Human: Avedøre, Denmark") (credit only) (segment "The Perfect Human: Bombay") (segment "The Perfect Human: Brussels") (segment "The Perfect Human: Cartoon") (segment "The Perfect Human: Cuba") | ||
| Lars von Trier | (segment "The Perfect Human: Avedøre, Denmark") (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Sophie Destin | poem "La Femme" (segment "The Perfect Human: Brussels") | |
| Asger Leth | writer (segment "The Perfect Human: Brussels") | |
| Jørgen Leth | film "Det perfekte menneske" | |
| Jørgen Leth | segment "The Perfect Human: Bombay" (uncredited) | |
| Jørgen Leth | segment "The Perfect Human: Brussels" | |
| Jørgen Leth | segment "The Perfect Human: Cartoon" | |
| Jørgen Leth | segment "The Perfect Human: Cuba" (uncredited) | |
| Lars von Trier | idea | |
| Lars von Trier | segment "The Perfect Human: Avedøre, Denmark" | |
Produced by | |||
| Signe Birket-Smith | .... | assistant producer | |
| Marianne Christensen | .... | line producer | |
| Carsten Holst | .... | producer | |
| Anders Jacobsen | .... | assistant line producer (segment "The Perfect Human: Cuba") | |
| Peter Aalbæk Jensen | .... | executive producer | |
| Nicole Mora | .... | co-executive producer | |
| Gerald Morin | .... | co-executive producer | |
| Marc-Henri Wajnberg | .... | co-executive producer | |
| Marc-Henri Wajnberg | .... | delegate producer (segment "The Perfect Human: Brussels") (segment "The Perfect Human: Cartoon") | |
| Vibeke Windeløv | .... | executive producer | |
Cinematography by | |||
| Kim Hattesen | |||
| Dan Holmberg | |||
Film Editing by | |||
| Daniel Dencik | |||
| Morten Højbjerg | |||
| Camilla Skousen | |||
Casting by | |||
| Marianne Christensen | (segment "The Perfect Human: Cuba") | ||
| Magdalena García | (segment "The Perfect Human: Cuba") | ||
Makeup Department | |||
| Juan Pacífico | .... | hair stylist (segment "The Perfect Human: Brussels") | |
| Lisa Schonker | .... | makeup artist (segment "The Perfect Human: Brussels") | |
Production Management | |||
| Anne Katrine Andersen | .... | post-production manager | |
| Mette Høst Hansen | .... | post-production manager | |
| Tom Heene | .... | production manager (segment "The Perfect Human: Brussels") | |
| Pia Nielsen | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Asger Leth | .... | first assistant director | |
| Asger Leth | .... | second unit director | |
Art Department | |||
| Michel Vinck | .... | props researcher: Amalgames (segment "The Perfect Human: Brussels") | |
Sound Department | |||
| Martin Saabye Andersen | .... | sound engineer (segment "The Perfect Human: Cuba") | |
| Morten Bøttzauw | .... | sound engineer (segments "The Conversations") | |
| Jens de Place Bjørn | .... | sound engineer (segment "The Conversations") | |
| Paul Heymans | .... | sound engineer (segment "The Perfect Human: Brussels") (segment "The Perfect Human: Cartoon") | |
| Jan Juhler | .... | sound engineer (segment "The Perfect Human: Bombay") | |
| Tom Koester | .... | sound engineer (segment "The Perfect Human: Cartoon") | |
| Hans Møller | .... | sound design: Mainstream ApS | |
| Kasper Munck-Hansen | .... | sound engineer (segment "The Conversations") | |
Camera and Electrical Department | |||
| Jakob Bonfils | .... | director of photography: third unit (segments "The Conversations") | |
| Manuel Dacosse | .... | assistant director of photography (segment "The Perfect Human: Brussels") | |
| Kim Hattesen | .... | director of photography: third unit (segments "The Conversations") | |
| Asger Leth | .... | director of photography: second unit | |
| Adam Philp | .... | assistant director of photography | |
| Adam Philp | .... | second director of photography (segment "The Perfect Human: Brussels") | |
| François Zeegers | .... | gaffer (segment "The Perfect Human: Brussels") | |
Animation Department | |||
| Randy Cole | .... | animator (segment "The Perfect Human: Cartoon") | |
| Jennifer Drummond | .... | animator (segment "The Perfect Human: Cartoon") | |
| Holly Fisher | .... | animator (segment "The Perfect Human: Cartoon") | |
| Mike Layne | .... | animator (segment "The Perfect Human: Cartoon") (as Michael Layne) | |
| Katy O'Connor | .... | animator (segment "The Perfect Human: Cartoon") | |
| Bob Sabiston | .... | animation director (segment "The Perfect Human: Cartoon") | |
| Bob Sabiston | .... | animator (segment "The Perfect Human: Cartoon") | |
| Susan Sabiston | .... | animator (segment "The Perfect Human: Cartoon") | |
| Patrick Thornton | .... | animator (segment "The Perfect Human: Cartoon") | |
Costume and Wardrobe Department | |||
| Elisabeth Houtart | .... | stylist: Amalgames (segment "The Perfect Human: Brussels") (as Elisabeth Houtard) | |
Editorial Department | |||
| Marlene Billie Andreasen | .... | on-line editor: post-production | |
| Thomas Caspersen | .... | digital film recordist: post-production | |
| Lars Dela | .... | technical consultant: post-production | |
| Christine Ekstrand | .... | post-production assistant | |
| Simon Kristiansen | .... | avid assistant: post-production | |
| Lasse Martinussen | .... | avid assistant: post-production | |
| Fabien Pascal | .... | color timer: post-production | |
| Thomas Therchilsen | .... | digital color grader: post-production | |
| Anne Katrine Andersen | .... | post-production coordinator (uncredited) | |
| Michael Frank Nielsen | .... | film color timer (uncredited) | |
Music Department | |||
| Mikkel Maltha | .... | music consultant: Zentropa Music ApS | |
| Anders Valbro | .... | music consultant: Zentropa Music ApS | |
Transportation Department | |||
| José Luis Figueroa | .... | production driver (segment "The Perfect Human: Cuba") | |
Other crew | |||
| Suhas Bhiwandkar | .... | production coordinator (segment "The Perfect Human: Bombay") | |
| Majken Bramstrup | .... | production assistant: Zentropa Real | |
| Floyd E. Casper | .... | production coordinator (segment "The Perfect Human: Bombay") | |
| Rasmus Christoffersen | .... | production assistant: Zentropa Real | |
| Isabelle Corlier | .... | production assistant: Wajnbrosse (segment "The Perfect Human: Brussels") | |
| Delphine Coterel | .... | location manager (segment "The Perfect Human: Brussels") | |
| Veronique Durand | .... | film laboratory: Eclair Laboratoires, France | |
| Marie-Aude Goddard | .... | production assistant (segment "The Perfect Human: Brussels") | |
| Javier Gonzales | .... | production coordinator (segment "The Perfect Human: Cuba") | |
| Jesper Grüner | .... | production assistant: Zentropa Real | |
| Olivier Heger | .... | production insurance (segment "The Perfect Human: Brussels") | |
| Asger Leth | .... | cartoon consultant (segment "The Perfect Human: Cartoon") | |
| Stefan Maenen | .... | runner (segment "The Perfect Human: Brussels") | |
| Melanie Munt | .... | body double (segment "Obstruction #3 - The Perfect Human: Brussels") | |
| Mairead O'Leary | .... | production assistant: Wajnbrosse (segment "The Perfect Human: Brussels") | |
| Nina Munch Petersen | .... | personal assistant: Carsten Holst | |
| Cecile Piot | .... | film laboratory: Eclair Laboratoires, France | |
| Deepak Rao | .... | production coordinator (segment "The Perfect Human: Bombay") | |
| Jordan Savel | .... | production assistant: Zentropa Real | |
| Thomas Schindel | .... | personal assistant: Lars von Trier | |
| Manka Sierakowski | .... | production assistant: Wajnbrosse (segment "The Perfect Human: Brussels") | |
| Johanne Stainer | .... | production coordinator (segment "The Perfect Human: Brussels") | |
| Rogier Van Eck | .... | production assistant: Wajnbrosse (segment "The Perfect Human: Brussels") | |
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| Det perfekte menneske | Mulholland Dr. | Det gode og det onde | Lumière et compagnie | Im Spiegel der Maya Deren |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb Denmark section | Add this title to MyMovies |
Many documentaries stand back from their subject, to portray it 'objectively', or else throw themselves into it with a fervour with which they hope to carry along the audience. The Five Obstructions is very different, turning in on itself to examine the creative process of film-making in a self-revelatory way that packs both instructive, artistic merit and emotional punch.
Lars von Trier is one of the founders of the Danish school of film-making (or collective) called Dogme 95. He instituted the idea of fairly arbitrary rules (the so-called 'Ten Commandments') as a possible route to more intrinsic cinema, avoiding the technological excesses and hollowness of Hollywood style movies. While there are similarities with the Dogme approach, Five Obstructions is not a 'Dogme' film: but it looks at the idea of rules as a means of stimulating the creative process.
The starting point is a early film short by Trier's old mentor, Jørgen Leth, called The Perfect Human. It is a seemingly anthropological movie where a human being (a man, switching occasionally to a woman) does various basic actions, walking, dressing, eating, undressing, jumps, dances, and a voice over says how we are going to "see the perfect human being in action". There is the occasional introspective line where the character ponders, "Today, too, I had an experience that I hope I shall understand in a few days' time." We see Trier (who considers himself an expert on very few things in life but Leth is one of them) in conversation with Leth. The latter accepts a challenge from Trier to remake the film five times, but each time with a different set of conditions imposed by Trier who will then judge how successfully Leth has succeeded in the task. The atmosphere is almost like a PhD student and tutor, yet although Trier obviously holds Leth in very high regard, it is Leth who is undergoing the teaching.
Through successive shoots, Trier makes Leth confront that which he most dislikes. He compares the process to when he is directing an actor, forcing a performance from the actor that the actor didn't know was within them. In the first four takes, we see Leth produce something that is artistically worthy with even the most daunting physical and psychological obstructions, but it is in the final obstruction that Trier produces a cathartic effect, turning the tables so thoroughly on Leth and himself that the result is greater than both of them. Instead of a documentary about a film about how a perfect human being works, it becomes a documentary about how a perfect film maker works.
The ending justifies the rather long and mentally tiring prelude. The overall result is a lasting testament on a particular way of reaching the creative process, and also a documentary testament to Trier's own particular genius. There is no artifice, no hype, only two people of great artistic integrity working together to pull something from their subconscious of lasting greatness.