| Josiane Balasko | ... | Michèle Varin | |
| Eric Caravaca | ... | Sylvain Bazinsky | |
| Ange Rodot | ... | Léo Kopmans | |
| Aurélien Recoing | ... | L'homme de l'identité judiciaire | |
| Frédéric Pierrot | ... | Daniel | |
| Thierry Lhermitte | ... | François Manéri | |
| Didier Abot | ... | Homme bus | |
| Dominique Bettenfeld | ... | Dalton 2 | |
| Pascal Bongard | ... | Evens | |
| Stéphane Comby | ... | Policier sandwich | |
| Béatrice Chauvin | ... | Femme buste (as Béatrice Chauvin-Ballay) | |
| Corinne Debonnière | ... | Catherine | |
| Florence Denou | ... | Policière gantée | |
| Pascal Demolon | ... | Dalton 1 | |
| Scali Delpeyrat | ... | Médecin légiste | |
| Alex Descas | ... | Denis | |
| Valérie Donzelli | ... | Claire Atken | |
| Valérie Dréville | ... | Femme médecin HP | |
| Anne-Marie Falot | ... | Femme pendue | |
| Yann Goven | ... | Ami de Sylvain | |
| Hammou Graïa | ... | Docteur Borde | |
| Patty Hannock | ... | Professeur de yoga | |
| Eva Ionesco | ... | Madame Kopmans | |
| Nicolas Jouhet | ... | Vétérinaire Ogel | |
| Florence Loiret Caille | ... | Femme piscine (as Florence Loiret-Caille) | |
| Jean-Baptiste Malartre | ... | Commissaire Fauler | |
| Nathalie Nerval | ... | Mère Michèle | |
| Guillaume Nicloux | ... | Agent de la BAC | |
| Ludovic Schoendoerffer | ... | Infirmier HP | |
| Clément Thomas | ... | Yvan Thiel | |
| Fabio Viscogliosi | ... | Chanteur groupe | |
| rest of cast listed alphabetically: | |||
| Fabienne Jousselin | |||
Directed by | |||
| Guillaume Nicloux | |||
Writing credits(in alphabetical order) | ||
| Guillaume Nicloux | writer | |
Produced by | |||
| Frédéric Bourboulon | .... | producer | |
| Agnès Le Pont | .... | executive producer | |
Original Music by | |||
| Éric Demarsan | |||
| Fabio Viscogliosi | |||
Cinematography by | |||
| Pierre-William Glenn | |||
Film Editing by | |||
| Guy Lecorne | |||
Casting by | |||
| Christel Baras | (as Christelle Baras) | ||
| Brigitte Moidon | |||
Production Design by | |||
| Olivier Radot | |||
Art Direction by | |||
| Gwendal Bescond | |||
Costume Design by | |||
| Gilles Bodu-Lemoine | |||
| Annie Périer | |||
Makeup Department | |||
| Cédric Chami | .... | key hair stylist | |
| Paul Le Marinel | .... | key makeup artist | |
Production Management | |||
| Didier Abot | .... | unit manager | |
| Béatrice Chauvin | .... | production manager | |
| Maud Quiffet | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Camille Bonvallet | .... | assistant director | |
| Joseph Rapp | .... | first assistant director | |
| Charles Senard | .... | second assistant director | |
Art Department | |||
| Serge Borgel | .... | assistant art director | |
| Anne-Marie Castaño-Padovan | .... | set dresser | |
| Christophe Mercier | .... | assistant art director | |
| Christophe Offret | .... | property master | |
Sound Department | |||
| Philippe Amouroux | .... | foley recordist | |
| Marc Doisne | .... | sound re-recording mixer | |
| Jean-Paul Hurier | .... | sound re-recording mixer | |
| Greg Le Maître | .... | boom operator | |
| Frédéric Mascaras | .... | boom operator | |
| Gael Nicolas | .... | sound editor | |
| Jérôme Pougnant | .... | sound mixer | |
| Jérôme Pougnant | .... | sound | |
| Christian Riffard | .... | post-production audio | |
| Pascal Villard | .... | sound editor | |
Special Effects by | |||
| Philippe Alleton | .... | special effects | |
Visual Effects by | |||
| Luc Augereau | .... | visual effects producer | |
| Alexandre Bon | .... | visual effects supervisor | |
| Berengere Dominguez | .... | visual effects coordinator | |
| Mathilde Germi | .... | digital compositor | |
| Thibaut Granier | .... | digital compositor | |
Stunts | |||
| Jean-Louis Airola | .... | stunts | |
| Alain Barbier | .... | stunts | |
| Eric Fournol | .... | stunts | |
| Patrick Médioni | .... | stunts | |
| Dany Roca | .... | stunts | |
| Sébastien Seveau | .... | stunts | |
Camera and Electrical Department | |||
| David Frak-Lauer | .... | focus puller: "b" camera | |
| Michel Galtier | .... | assistant camera | |
| Michel Galtier | .... | focus puller: main camera | |
| Cyril Kuhnholtz | .... | key grip | |
| Jean-Claude Lother | .... | still photographer | |
| Christelle Poupin | .... | video assistant | |
| Michel Rodas | .... | Steadicam operator | |
| Eric Thurot | .... | electrician | |
Casting Department | |||
| Daniel Ben Loulou | .... | extras casting | |
| Dominique Delaroche | .... | extras casting | |
Editorial Department | |||
| Nicolas Criqui | .... | digital conformation | |
| Bruno Patin | .... | color timer | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Philippe Tourret | .... | digital intermediate coordinator | |
Other crew | |||
| Marie Barré | .... | location scout | |
| Valérie Dompnier | .... | production secretary | |
| Jacqueline Granier-Deferre | .... | script supervisor | |
| Michèle Lauzier | .... | administrator | |
| Agnès Le Pont | .... | administrator | |
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| Peau d'homme coeur de bête | Cure | The Gift | Oxygen | Mystic River |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
`Cette-femme la ` is a surprising thriller. Different to anything you see lately. The movie plays with the spectator, instead of letting be just a witness; and in the game is comes the over the top suspense.
A forty plus years old police officer, is in a highly depressive state due to his son dead years ago. We never know exactly how, but it seems guilt is all over her.
In one anniversary, Michele (the outstanding Josianne Balasko) becomes more and more obsessed with suicide. Everything around her seems to suggest it is time to end her life. A mysterious crime in the forest, turn up a series of coincidences and deaths, that we are never sure if they are real or in the woman's mind.
The movie becomes darker every second, but it is better not explain more, otherwise it will ruin the perfectly crafted suspense. Just a comment; as in another outstanding thriller (`Skin Deep' from the Peruvian director Lombardi), the police plot is secondary to the real story in the movie.