The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
The end and beginning of the love of the French couple Marion and Gilles is disclosed backwards through five moments in their lives: 1st moment: They divorce and have one last brutal intercourse without love. 2nd moment: With their relationship shaken, they have a dinner party with Gilles's gay brother Christophe and his younger mate, when an infidelity is disclosed at the dinner table. 3rd moment: The troubled pregnancy of Marion and the delivery of their premature son Nicolas, with the total absence of Gilles. 4th moment: Their wedding, when Marion commits adultery with an unknown guest of the hotel. 5th moment: When they meet each other in an Italian resort and begin their relationship. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
As another reviewer before me, I also can't believe how badly people are writing about this film here. I adore Francois Ozon and I've seen all his feature-length films. This one seems quite different from the others (except, maybe, Sous le sable) and it's as low-key as Ozon could ever get, but it is still an excellently scripted and played film that makes one think.
I didn't consider the backwards structure to be gimmicky at all, it rather helped the viewer to better make out flaws early in the relationship. There is betrayal in each one of the episodes, starting with the last (chronologically the first) one. The film shows us that even little egoisms and uncharitable behavior can lead to grave consequences - in this case, to divorce. The woman, Marion, seems to be easily led anywhere, not having enough standing of her own, while the man, Gilles, seems to be egoistic, cowardly and sometimes just simply sex-crazed.
I think the structure rather helps us to understand the characters better, since we have already seen the consequences of their actions and attitudes. I didn't consider the large gaps between (and also in) the episodes to be a problem - they only acknowledge that the whole story can never be told because it is made up by every single moment between their first meeting and the last time they see each other. These episodes can only indicate what went wrong, they cannot explain - that would be too simplistic.
The actors were excellent, especially Valeria Bruni-Tedeschi. The way the looks of the main characters changed during the film (becoming more and more youthful and fresh as the story goes backwards), was also excellently done.
The parallel love stories (between Gilles's brother and his young lover, and between Marion's parents) shed some more light on the relationship between Marion and Gilles - also on what might have gone wrong.
This film should probably be required viewing for every couple wanting to get married... :-) Not in order to deter them, but rather to make them aware of the pitfalls of relationships and married life.
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