| Videos (see all 2) |
| Robert Redford | ... | Narrator (voice) | |
| Arapata McKay | ... | Native Voice (voice) | |
| Tsaan Ciqae | ... | Native Voice (voice) | |
| Mae Tui | ... | Native Voice (voice) | |
| Cy Peck Jr. | ... | Native Voice (voice) | |
| Mutang Urud | ... | Native Voice (voice) |
Directed by | |||
| Jon Long | |||
Writing credits | ||
| Karen Fernandez Long | (written by) and | |
| Jon Long | (written by) | |
Produced by | |||
| Jon Long | .... | producer | |
| Karen Fernandez Long | .... | producer | |
Cinematography by | |||
| William Reeve | (director of photography) | ||
Film Editing by | |||
| Jon Long | |||
Production Management | |||
| Mary Connolly | .... | production manager: New Zealand | |
| Chris Lowenstein | .... | production manager | |
| Robin Mounsey | .... | unit manager | |
| Edgar Ong | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Hairul Salleh Askor | .... | assistant director | |
Camera and Electrical Department | |||
| Jens Bacher | .... | key grip | |
| Les Bernstien | .... | director of photography: second unit | |
| Russel Bowie | .... | first assistant camera: "a" camera | |
| Neil McDaniel | .... | underwater cinematographer | |
| Lee Parker | .... | time-lapse cinematographer: second unit | |
| Dylan Reade | .... | first assistant camera: "a" camera | |
| William Reeve | .... | camera operator | |
| Filipe Teixeira | .... | first assistant camera: "b" camera | |
Editorial Department | |||
| Todd Baillere | .... | post-production consultant | |
| Charlie Fuguet | .... | post-production consultant | |
| Christopher Loucks | .... | assistant post-production coordinator (uncredited) | |
Other crew | |||
| Sara Burton | .... | location scout | |
| Rick Constantineau | .... | production accountant | |
| Jessica Hogan | .... | production coordinator | |
| Piyaporn Indageha | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb Canada section |
This short film has a fabulous soundtrack and amazing shots of natural wonders, nature, and people. The film is shot in countries all over the world from Borneo to Alaska, with interviews with native peoples, and a narration by Redford (although he talks less than the others). The shots of natural wonders, and natives doing their thing (hunting, cooking, dancing) are interspersed with fast-action scenes of cars zooming on throughways and people scurrying, which provide a stark contrast between living in harmony with nature and being in a rat-race. All of this is enhanced by the scope of the IMAX screen and surround-sound system. However, the emphasis on primitive living is a little too much to be taken seriously by those of us with indoor plumbing!