| Sofia Helin | ... | Klara | |
| Mikael Persbrandt | ... | Frank | |
| Stefan Sauk | ... | Greger Krona | |
| Stina Ekblad | ... | Marianne | |
| Peter Franzén | ... | Juha / Jarkko | |
| Jarmo Mäkinen | ... | Raimo | |
| Steve Aalam | ... | Tommy | |
| Stina Zacco | ... | Aspiranten, Eva | |
| Stig Engström | ... | Ingmar Hjälm | |
| Irma Schultz | ... | Jeanette Hjälm (as Irma Schultz Keller) | |
| Simon Averin-Markström | ... | Johan Hjälm | |
| Jens Hultén | ... | Piketbefäl Mattsson | |
| Fred Johanson | ... | Dieter (as Fred Johansson) | |
| Jan Holmquist | ... | Terapeuten (as Jan Holmqvist) | |
| Daniel Larsson | ... | Auto-Dennis | |
| Anna-Clara Blixt | ... | German journalist | |
| Peter Parkrud | ... | Säkerhetschefen | |
| Anna Pannone | ... | Hotel receptionist | |
| Dag Elfgren | ... | Pliten i poliscell | |
| Annika Lagermyr | ... | Tysk kidnappad kvinna | |
| Anders Erikson | ... | Höglund | |
| Björn Nylander | ... | Koch | |
| Olof Larsson | ... | Bengt Gren | |
| Christer Larsson | ... | Polis spanare | |
| Peter Lundberg | ... | Piket 1 | |
| Jesper Lindblom | ... | Piket 2 | |
| Janne Lindqvist | ... | Piket 3 / Robber 2 | |
| Mikael Brolin | ... | Piket 4 / Robber 1 | |
| Jonas von Matérn | ... | Piket 5 | |
| Henrik Odén | ... | Piket 6 | |
| Christian Petersson | ... | Piket 7 (as Christian Peterson) | |
| Fredrik Rydman | ... | Robber 3 | |
| Ludde Hagberg | ... | Robber 4 | |
| rest of cast listed alphabetically: | |||
| Jörgen Bergström | ... | Polis i skogen | |
| Anders Pettersson | ... | Polis i skogen | |
Directed by | |||
| Peter Lindmark | |||
Writing credits(in alphabetical order) | ||
| Peter Lindmark | writer | |
Produced by | |||
| Steve Aalam | .... | producer (as Abou-Bakre Aalam) | |
| Thomas Allercrantz | .... | producer | |
| Tomas Crutze | .... | executive producer | |
| Daniel Fridell | .... | associate producer | |
| Daniel Fridell | .... | producer | |
| Peter Lindmark | .... | producer | |
Original Music by | |||
| Johan Söderqvist | |||
Cinematography by | |||
| Eric Maddison | |||
Film Editing by | |||
| Mattias Morheden | |||
Casting by | |||
| Jan-Erik Levmo | |||
Production Design by | |||
| Mija Kinning | |||
Art Direction by | |||
| Armin Osmancevic | |||
Costume Design by | |||
| Marie Strömberg | |||
Makeup Department | |||
| Petra Cabbe | .... | makeup artist | |
| Anna Norstedt | .... | assistant makeup artist | |
Production Management | |||
| Martina Eriksdotter | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Katja Juras | .... | assistant director | |
| Ingrid Rudefors | .... | first assistant director | |
| Marcus Westerlin | .... | assistant director | |
Art Department | |||
| Petter Carsall | .... | set dresser | |
| Anna Coinberg | .... | property master | |
| Anne Palm | .... | property master | |
Sound Department | |||
| Anders Degerberg | .... | adr artist | |
| Anders Degerberg | .... | foley recordist | |
| Carl Edström | .... | sound effects editor | |
| Klas Engström | .... | sound recordist | |
| Erik Guldager | .... | dubbing editor | |
| Adel Kjellström | .... | sound designer | |
| Ulf Olausson | .... | foley artist | |
| Gábor Pasztor | .... | sound mixer | |
| Jonas Rudels | .... | boom operator | |
Special Effects by | |||
| Gusten Blick | .... | special effects technician | |
| Johan Harnesk | .... | special effects | |
| Chris Wallace | .... | colourist | |
Visual Effects by | |||
| Giuseppe Di Giorgio | .... | digital restoration artist | |
| Severi Glanville | .... | Inferno artist | |
| Risto Jankkila | .... | 3D animation | |
| Olli Leppänen | .... | digital artist | |
| Ville-Matti Vasama | .... | 3D animator | |
| Robert Lang | .... | film scanning (uncredited) | |
Stunts | |||
| Mikael Brolin | .... | stunts | |
| Janne Lindqvist | .... | stunts | |
| Peter Lundberg | .... | fight choreographer | |
| Peter Lundberg | .... | stunt coordinator | |
| Peter Lundberg | .... | stunts | |
| Christian Niklasson | .... | stunt rigger | |
| Nicke Niklasson | .... | stunt driver | |
| Sven Thellsson | .... | stunt driver | |
Casting Department | |||
| Mirijam Johansson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Malena Haraldsson | .... | wardrobe assistant | |
| Jeanette Liljendahl | .... | wardrobe assistant | |
Editorial Department | |||
| Marinella Augusti | .... | assistant editor | |
| Mika Kongas | .... | digital film recordist | |
Music Department | |||
| Hans Ek | .... | conductor | |
| Hans Ek | .... | orchestrator | |
Other crew | |||
| Marieanne Djudic | .... | publicist | |
| Anders Lexne | .... | weapons specialist | |
| Janne Lindqvist | .... | swat team | |
| Martin Melin | .... | police technical advisor | |
| Axel Nordberg | .... | body double: Peter Franzén | |
| Mia Norman | .... | script supervisor | |
| Kalle Persson | .... | location manager | |
| Eva-Karin Stenmark | .... | runner | |
| Katja Troell | .... | location manager | |
| Lotta Westberg | .... | script supervisor | |
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| Crimson Rivers 2: Angels of the Apocalypse | Taxi | Taxi | Riders | On the Line |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Sweden section |
For all of you that don't speak swedish: The swedish [original] title of this film; "Rånarna" translates into something in the line of "The Robbers". This fact is the main problem I have with the film, cause it's not really about the robbers at all. It's about a young woman working for the swedish police researching robberies. A regular desk job one would think, but this girl is soon out on the field taking matters into her own hands, as the story goes, even shooting one of the robbers... Exactly: We've seen this before. The fact that there's a rather interesting twist to the plot halfway through doesn't really help as the ending is just as cliché as the first two thirds of the film.
What saves it from being just another mainstream film is the fact that it's masterfully executed in all ways, that the actors are as great as they are and don't overact and that the director really manages to keep it as thrillingly exciting as it is for the most of the story.
One thing that I really loved about this film is the fact that it's music sets the right mood when it's needed, but is absent for the rest of the time, which gives a nice sense of reality to the shootouts and car-chases spread throughout the film. A nice touch! The fact that Michael Persbrandt is one of the few swedish actors that often tend to get typecasted sadly hurts the film as you know that he's not going to just play the boyfriend of the heroine and be a supporting character in the background, but that's something you have to neglect.
All in all it's an entertaining film that steals more money in it's plot than time from you. 7/10