Based on the alleged autobiography of gay peruvian talk show host Jaime Bailey. Joaquin, a young man from the high class of Lima, deals with problems concerning his sexual identity as a ... See full summary »
Francisco J. Lombardi
Leo, a young man coming to terms with his own sexuality, runs into Caro, a primary school friend he fancied when they were kids, who's now trying to ward off her own personal demons. This ... See full summary »
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his ... See full summary »
Not the best film ever to come out of Spain, but makes some pertinent points about some contemporary issues, which must surely be (almost) as timely in the US as for us in "federal" Europe at the moment. Not least of them, how much are our perceptions of love, loyalty and honour shaped by our perceptions of our relative socio-economic and geographical circumstances?
Personally, I agree with the reviewers who felt the Bulgarian interlude is very important for assisting characterisation - particularly for helping explain the motivations of Kyril and Kalina. I can understand some bristling at what they see as offensive clichés about disenfranchised eastern Europeans, but hey, it's the work of one director, not some Party committee. However, he does seem to tread the line between thriller, comedy and Almodovar-style melodrama with the unease of someone who's a bit rusty (and the clunkingly obvious "tribute" scene to Almodovar's "Law of Desire" when Kyril and Daniel are returning home from a drunken night out as Madrid's municipal cleaners hose down the street could only ever make you pine for that earlier, greater work).
Having said that, I think it bears repeat viewing. But, as for the "gratuitous nudity" - uptight Americans get over yourselves, please. There is hardly any.
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