A dark comedy about an office worker and his first day on the job. After a day of unusual occurrences, Gregg (with two G's) is accidentally locked in the office overnight.

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Cast

Cast overview, first billed only:
...
Gregg
Scott Janes ...
Jim
Jonathan Uffelman ...
Justin
...
The Janitor
Tobi-Lyn Byers ...
Susan
Hank Prehodka ...
The Boss
Harvey Kaufman ...
Ralph
...
Winston
Jana Mestecky ...
Lucinda
...
Janice
...
Ted (as Dustin Brown)
Catherine Cushman ...
Stacy
Jane Napier ...
Sandra (as Jayne Napier)
Tracy Tobin ...
The Orientation Speaker
Robert Pollack ...
The Faxer
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Storyline

An off-beat dark comedy about Gregg's first day of work at a new office. From the moment he arrives, unusual situations and twisted office humor keep Gregg uncertain of his new employer. After a full day of unsettling rumors and frustration caused by co-workers, Gregg is ready for home... but as fate has it, Gregg is accidentally locked in at work overnight. This is when the really strange events begin.

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Sacrifice equals success


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Details

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Release Date:

5 March 2003 (USA)  »

Also Known As:

Eleman  »

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Box Office

Budget:

$55,000 (estimated)
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Did You Know?

Quotes

Ted: You know how they always say the grass is greener on the other side? Well, that's the other side.
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Connections

References Clockwatchers (1997) See more »

Soundtracks

Neptune, The Mystic
from "The Planets"
Music by Gustav Holst
Performed by The Royal Scottish National Orchestra
David Lloyd-Jones, Conductor
Courtesy of Naxos of America
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User Reviews

 
Good debut for Bilge Ebiri.....
18 October 2004 | by (Roanoke, Va.) – See all my reviews

I have had a chance to view this dark comedy (I'm not sure the horror classification is entirely accurate, but...) several times now. Bilge Ebiri, a fellow Turkish-American, shows an appreciation for films of many genres. One can see the influences of Kubrick, Capra (yes, I said Capra), Hitchcock, Wilder, DePalma, and the Coen Bros., yet the film is strikingly original. The title character is caught up in a nightmare of office politics, where an annoying toy car and Post-It notes become deeper symbols of his social oppression which indeed follows him home from work. This is illustrated quite well in a scene where the title character is caught between two attractive women as they talk about the difficulties of having sex in New York. The scene is made funny by the fact that both of them are completely oblivious to him despite his physical promixity. Thus, he is a man who is ignored by women and ostrechized by men. He seemingly can not win, but like most tragic heroes, he is determined not to lose. The film's digital shoot gives it an intimate quality and the tight spaces makes us feel for the title's character's inherent suffocation. As a former newspaper reporter, I could certainly relate to this film and it reminds me of the lyrics to that old Nick Lowe song "Cruel to be Kind." "New Guy" is an intriguing, subversive look at the 9-to-5 hell that is the modern workplace.


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