| Videos (see all 2) |
| Christos Sourmelis | ... | Christos Doumas - 19 years old | |
| rest of cast listed alphabetically: | |||
| Marissa Becker | ... | Greek Painter's Model | |
| Dain Blanton | |||
| Giovani Capone | |||
| Jason Currie | ... | Alexandros | |
| Christos Doumas | ... | Himself (as Dr. Christos Doumas) | |
| Fragoula Georma | |||
| Pagona Kolomvotsou | |||
| Irene Nikolakopoulou | ... | Herself (as Dr. Irene Nikolakopoulou) | |
| Robin Sachs | ... | Pericles (voice) | |
| Mark Thurlow | |||
| Nia Vardalos | ... | Narrator (voice) | |
| George Vougioukalakis | ... | Himself (as Dr. George Vougioukalakis) | |
Directed by | |||
| Greg MacGillivray | |||
Writing credits(WGA) | ||
| Stephen Judson | (written by) and | |
| Jon Boorstin | (written by) | |
Original Music by | |||
| Steve Wood | |||
Cinematography by | |||
| Brad Ohlund | |||
Film Editing by | |||
| Stephen Judson | |||
Art Direction by | |||
| Ageliki Anaktoridi | |||
| Libby Woolems | |||
Production Management | |||
| Kathy Almon | .... | production manager | |
| Dora Balsamaki | .... | production manager | |
| Anne Marie Hammers | .... | production manager | |
Art Department | |||
| Craig Badger | .... | art department | |
| Xaime Casillas | .... | art department | |
| Mark Clarke | .... | art department | |
| Philip Clarke | .... | construction coordinator (as Phil Clarke) | |
| Andy Doherty | .... | art department | |
| Sean Dugan | .... | art department | |
| Sofia Pappa | .... | art department | |
Sound Department | |||
| Kerry Ann Carmean | .... | foley editor (as Kerry Carmean-Williams) | |
| Patrick Cusack | .... | assistant sound editor | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Marshall Garlington | .... | sound mixer | |
| Stephen P. Robinson | .... | sound effects editor (as Steve Robinson) | |
| Martin Schloemer | .... | sound recordist | |
| Ken Teaney | .... | sound mixer | |
| Ken Teaney | .... | sound re-recording mixer | |
| David Abrahamsen | .... | sound editor (uncredited) | |
Special Effects by | |||
| Scott Crafford | .... | special effects: volcano | |
| Daniel Rapo | .... | special effects: volcano (as Daniel E. Rapo) | |
| Craig Edward Rogers Jr. | .... | special effects: volcano (as Craig Rogers) | |
Visual Effects by | |||
| Daphne Apellanes-Ackerson | .... | rotoscope artist: Matte World Digital (as Daphne Ackerson) | |
| Johnathan R. Banta | .... | digital supervisor (as Johnathan Banta) | |
| Craig Barron | .... | visual effects supervisor: Matte World Digital | |
| Barry Berman | .... | digital effects artist | |
| Scott Brisbane | .... | digital matte artist | |
| Can Chang | .... | rotoscope artist: Matte World Digital | |
| Glenn Cotter | .... | 3D artist: Parthenon, Matte World Digital | |
| Paul Debevec | .... | digital imaging: Parthenon | |
| Krystyna Demkowicz | .... | visual effects executive producer: Matte World Digital | |
| Christopher Evans | .... | visual effects art director: Matte World Digital (as Chris Evans) | |
| Colin Feist | .... | digital compositor | |
| Sean Joyce | .... | sculptor: Matte World Digital | |
| Jaymie Lam | .... | rotoscope artist: Matte World Digital | |
| Kip Larsen | .... | visual effects producer: Matte World Digital | |
| Patrick Loungway | .... | plate photography: Matte World Digital | |
| Alan G. Markowitz | .... | visual effects producer | |
| Matthew Muller | .... | visual effects coordinator | |
| Jeremy Nicolaides | .... | compositing supervisor | |
| Paul Rivera | .... | composite artist: Matte World Digital | |
| Craig Edward Rogers Jr. | .... | film recording | |
| Ken Rogerson | .... | visual effects editor: Matte World Digital | |
| Tim Sassoon | .... | visual effects supervisor | |
| Todd R. Smith | .... | composite artist: Matte World Digital | |
| Morgan Trotter | .... | computer graphics | |
| Simon Walton | .... | system development: Matte World Digital | |
| Timothy Mueller | .... | digital effects (uncredited) | |
Camera and Electrical Department | |||
| Michael Brown | .... | additional photographer | |
| Bob Cranston | .... | additional photographer | |
| Pat Gilluly | .... | gaffer (as Pat Giluly) | |
| Ron Goodman | .... | special aerial photographer: SpaceCam | |
| Howard Hall | .... | additional photographer | |
| Mike Kirsch | .... | assistant camera (as Michael Kirsch) | |
| Andrew Sych | .... | camera technician | |
| Jack Tankard | .... | additional photographer | |
| Panos Tsigas | .... | crane operator | |
| George Vasilatos | .... | grip | |
| Akiz Vouzoukides | .... | electrician | |
| Robert Walker | .... | camera assistant | |
| Marc Wolff | .... | pilot: camera helicopter | |
| Adonis Zobalas | .... | grip | |
Costume and Wardrobe Department | |||
| Nikoletta Panagiotou | .... | wardrobe assistant | |
| Maria Tsamoudaki | .... | wardrobe | |
Editorial Department | |||
| Todd Baillere | .... | post-production consultant (as J. Todd Baillere) | |
| Irving Barrios | .... | post-production consultant | |
| Kevin Clark | .... | post-production consultant (as Kevin C. Clark) | |
| Ralph Milliken | .... | post-production consultant | |
| Matthew Muller | .... | post-production coordinator | |
| German Nuñez | .... | negative cutter (as German Nunez) | |
| Nancy Paweski | .... | negative cutter | |
| Scott Price | .... | post-production consultant | |
| Kurt Schaefer | .... | post-production consultant | |
| Annie Toth | .... | post-production consultant | |
| Robert Walker | .... | associate editor | |
|
|
|
|
|
| Dolphins | Everest | To the Limit | MacGillivray Freeman's Arabia | Top Speed |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
This is what I selected to do for Father's Day, and I'm sorry to say it was a disappointing choice. Of course, I now want to visit Santorini more than ever, but if you've read Unearthing Atlantis by Charles Pellegrino, be advised that there's nothing new here and what there is (of Santorini) is precious little. There's more to see in The Sisterhood of the Traveling Pants.
As documentaries go, it's travelogue-lite. I can only guess that the producers somehow did not want to burden the audience with too many facts and details. That, or there just isn't much file footage of Prof. Marinatos' work at Thera. Maybe it's the expense of Imax type presentations, and they lacked the budget that someone like James Cameron (a friend of Pellegrino) might allow. I;m not sure, but as the father of two documentary filmmakers, I've enjoyed better Father's Days.