| Photos (see all 19 | slideshow) |
| Yuji Okumoto | ... | Pestilence | |
| Marcus Chong | ... | War | |
| Tito Ortiz | ... | Famine | |
| Tara Reid | ... | Lola Byrne | |
| David Boreanaz | ... | Luc Crash / Death / Satan | |
| Rosemberg Salgado | ... | The Priest | |
| Edward Furlong | ... | Jimmy Cuervo / The Crow | |
| Emmanuelle Chriqui | ... | Lilly | |
| Danny Trejo | ... | Harold | |
| Dave Baez | ... | Tanner (as Dave L. Ortiz) | |
| David Lea | ... | Bartender (as Dave Lea) | |
| Richard Cumba | ... | Moses | |
| Kristina Santoro | ... | Pregnant Bride | |
| Kelsey Landry | ... | Waitress #1 (as Kelsy Landry) | |
| Ashley Christensen | ... | Waitress #2 | |
| Gil Medina | ... | Tribal Council #1 | |
| Rena Owen | ... | Mary | |
| Marty Fresca | ... | Tribal Council #2 | |
| Jorge Jimenez | ... | Cortez | |
| Ryan Smith | ... | Native Teen | |
| Macy Gray | ... | Carman | |
| Vanessa Sorensen | ... | Cat Girl #1 | |
| Dennis Hopper | ... | El Niño | |
| Liz Katz | ... | Cat Girl #2 | |
| Candace Rea | ... | Cat Girl #3 | |
| Erin Balentine | ... | Cat Girl #4 | |
| rest of cast listed alphabetically: | |||
| Daymond John | ... | Proud Foot Joe | |
Directed by | |||
| Lance Mungia | |||
Writing credits(WGA) | ||
| Norman Partridge | (novel "The Crow: Wicked Prayer") (inspiration) | |
| James O'Barr | (comic book series and comic strip The Crow) | |
| Lance Mungia | (screenplay) & | |
| Jeff Most | (screenplay) and | |
| Sean Hood | (screenplay) | |
Produced by | |||
| Stephen Belafonte | .... | co-producer | |
| Blanca Camacho | .... | associate producer | |
| L.M. Kit Carson | .... | co-producer (as Kit Carson) | |
| Beau J. Genot | .... | associate producer | |
| Daymond John | .... | executive producer | |
| Jon Katz | .... | executive producer | |
| Jeff Most | .... | producer | |
| Edward R. Pressman | .... | producer | |
| John Saviano | .... | co-producer | |
| Gregory G. Woertz | .... | executive producer (as Gregory Woertz) | |
Original Music by | |||
| Jamie Christopherson | |||
Cinematography by | |||
| Kurt Brabbee | |||
Film Editing by | |||
| Dean Holland | |||
Casting by | |||
| Sig De Miguel | |||
Production Design by | |||
| Fred Andrews | |||
Art Direction by | |||
| Russell M. Jaeger | |||
Set Decoration by | |||
| Effney Gardea | |||
Makeup Department | |||
| Karrieann Heisner | .... | key makeup artist | |
| Erin Lyons | .... | key hair stylist | |
Production Management | |||
| Scott E. Chester | .... | production supervisor: additional photography | |
| Eric Davies | .... | unit production manager | |
| Cassidy Lunnen | .... | production manager | |
| Audra Rodgers | .... | production manager (as Audra Cervantes) | |
| Douglas Salkin | .... | post-production supervisor | |
Art Department | |||
| Brad Bench | .... | swing gang | |
| Lana C. Berg | .... | lead swing | |
| Jennifer R. Blair | .... | art department coordinator | |
| Xavier Corby | .... | assistant property master | |
| Kathy Crandall | .... | lead swing | |
| Rick Curtis | .... | on-set dresser | |
| Chris Dechert | .... | assistant property master | |
| Michael DeLuca | .... | swing gang | |
| Mike Drufee | .... | swing gang | |
| Jakub Durkoth | .... | lead welder | |
| Jonathan Hallett | .... | storyboard artist | |
| Tracy Herzberg | .... | swing gang | |
| Julie K. Horton | .... | on-set dresser | |
| Lee Lazarow | .... | property master | |
| Calley McCarty | .... | construction labor | |
| Landis Miller | .... | construction labor | |
| Patrick 'Robby' Perry | .... | construction labor | |
| Jeffery Pulsipher | .... | construction labor | |
| Glenn Warner | .... | construction foreman | |
| J.P. Welgus | .... | graphic artist (uncredited) | |
Sound Department | |||
| Steven Avila | .... | sound designer | |
| James Bailey | .... | foley walker | |
| Trip Brock | .... | supervising sound editor | |
| C. Douglas Cameron | .... | boom operator | |
| Michael J. Fox | .... | adr supervisor | |
| Peter D. Lago | .... | foley editor | |
| Peter D. Lago | .... | sound effects editor | |
| Darrin Mann | .... | foley mixer | |
| Diane Marshall | .... | foley walker | |
| Whit Norris | .... | sound mixer | |
| Jackie Oster | .... | adr editor | |
| Andy Potvin | .... | sound consultant: Dolby | |
| Mark A. Rozett | .... | sound re-recording mixer | |
| Geordy Sincavage | .... | foley mixer | |
| Geordy Sincavage | .... | sound effects editor | |
| Kurt Thum | .... | sound designer | |
| Kurt Thum | .... | sound effects editor | |
| Les Udy | .... | sound mixer: second unit | |
| Kelly Vandever | .... | sound re-recording mixer | |
Special Effects by | |||
| Giuliano Fiumani | .... | special effects supervisor | |
| Ryan Ghuodte | .... | special effects assistant | |
| Lee McConnell | .... | special effects assistant | |
Visual Effects by | |||
| Mark S. Driscoll | .... | digital effects (as Mark Driscoll) | |
| Henrik Fett | .... | digital effects | |
| Todd Hall | .... | opticals | |
Stunts | |||
| Robert Alonzo | .... | stunt double | |
| Jane Austin | .... | utility stunts | |
| Frank L. Bare II | .... | stunts (as Frank Bare) | |
| Rob Brennan | .... | utility stunts | |
| Jeff Chumas | .... | stunts | |
| Bret Davidson | .... | stunts | |
| James Gregory | .... | stunts (as James Gregory Jr.) | |
| Oliver Keller | .... | stunt double | |
| Theo Kypri | .... | utility stunts | |
| David Lea | .... | fight stunt coordinator | |
| David Lea | .... | stunt fight coordinator | |
| Don Lee | .... | stunt double | |
| Kurt D. Lott | .... | key stunt rigger (as Kurt Lott) | |
| Kurt D. Lott | .... | utility stunts (as Kurt Lott) | |
| Gary Paul | .... | stunt coordinator | |
| Gregg Sargeant | .... | stunts | |
| Don Shanks | .... | stunts | |
| Paul E. Short | .... | stunts (as Paul Short) | |
Casting Department | |||
| Lia Diana | .... | casting assistant | |
| Nicole Fisher | .... | casting assistant: Los Angeles | |
| Marty Fresca | .... | extras casting | |
| Catrine McGregor | .... | casting director: Utah | |
Costume and Wardrobe Department | |||
| Debra Box | .... | costumer: second unit | |
| Amy Fegely | .... | key set costumer | |
| Jodi Greorge | .... | seamstress | |
| Shantell Guy-Rowland | .... | costumer | |
| Rebecca Hunt | .... | wardrobe assistant | |
| Kresta Lins | .... | assistant: costume designer | |
| Amy Jean Roberts | .... | costume supervisor | |
| Nikki Van Pelt | .... | assistant: costume designer | |
Editorial Department | |||
| Alex Blatt | .... | assistant editor | |
| Carmelo Casalenuovo | .... | assistant editor | |
| Jeff Einhorn | .... | editorial intern | |
| Ryan Growney | .... | post-production assistant | |
| John M. Valerio | .... | additional editor | |
| Chuck Winston | .... | color timer | |
Music Department | |||
| Jamie Christopherson | .... | orchestrator | |
| Jeff Most | .... | music supervisor | |
| Ronald J. Webb | .... | music editor | |
Transportation Department | |||
| Brad Costill | .... | transportation coordinator | |
| Teri Costill | .... | transportation office manager | |
| Kenny Maw | .... | transportation captain | |
| Jennifer Janee Sackett | .... | transportation office assistant | |
Thanks | |||
| Dawnee Dodson | .... | special thanks | |
| Nick Phillips | .... | special thanks (as Nick Philips) | |
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| The Crow: City of Angels | The Crow: Salvation | The Crow | The Lord of the Rings: The Return of the King | Makai tenshô |
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Wicked Prayer is a departure from the previous films in that it takes place in an entirely different, unique setting. The third sequel is set in the American Southwest, and the director has created a film with a style more in line with spaghetti westerns than with the other Crow films. This immediately starts the film out on the wrong foot. The concept of a makeup-wearing avenger can be silly if it isn't treated with respect and verisimilitude, and that is a big reason why The Crow: Wicked Prayer falls flat on its face. From the very beginning of the film, when the villains are introduced with jokey subtitles featuring their nicknames and main attributes, Wicked Prayer is just too tongue-in-cheek to be compelling in any way. David Boreanaz's over-the-top, Nicholson-esquire performance doesn't help matters, and Edward Furlong simply doesn't have the acting chops or the charisma to make up for the film's numerous flaws. In the end, he turns out looking more like a mid-90's Smashing Pumpkins fan than a fearsome spirit of vengeance. Add in some embarrassingly bad wire work in the fight scenes and you have one big, bad, direct-to-video disaster. It's not even worth a rental.