| John Stratton | ... | Himself (as Captain John Stratton) | |
| Robert Novotny | ... | Himself (as Major Robert Novotny) | |
| Sam Morgan | ... | Himself (as Major Sam Morgan) | |
| rest of cast listed alphabetically: | |||
| Randy Cason | ... | Himself (as Tractor) | |
| Michel Perron | ... | Additional Voice | |
| Charles Edwin Powell | ... | Additional Voice (as Charles Powell) | |
| Harald Winter | ... | Voice (German Pilot) | |
Directed by | |||
| Stephen Low | |||
Writing credits(in alphabetical order) | ||
| Denny Kuhr | ||
| Stephen Low | ||
| Joe Stanley | ||
Produced by | |||
| Jan Baird | .... | executive producer | |
| Robert Kresser | .... | executive producer | |
| Stephen Low | .... | producer | |
| Pietro L. Serapiglia | .... | producer | |
| Michael Williams | .... | producer | |
Original Music by | |||
| Michel Cusson | |||
Cinematography by | |||
| William Reeve | (director of photography) | ||
Production Management | |||
| Lilly Antonecchia | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michael Williams | .... | assistant director | |
Sound Department | |||
| Michel B. Bordeleau | .... | supervising sound editor | |
| Ed Douglas | .... | sound editor | |
| Ed Douglas | .... | sound re-recording mixer | |
| Gavin Fernandes | .... | sound re-recording mixer | |
| Natalie Fleurant | .... | adr editor | |
| Marc Gagnon | .... | sound effects editor | |
| Louis Hone | .... | foley recording mixer | |
| Goro Koyama | .... | foley artist | |
| Martin Lemieux | .... | sound effects editor | |
| Andy Malcolm | .... | foley artist | |
| Anna Malkin | .... | foley recording assistant | |
| Cory Mandel | .... | sound re-recording mixer | |
| Christopher Miller | .... | sound editor | |
| Christopher Miller | .... | sound effects editor | |
| Sylvain Richard | .... | sound effects editor | |
| Peter Thillaye | .... | supervising sound editor | |
| Don White | .... | foley recording mixer | |
Visual Effects by | |||
| Peter 'Beak' Cvijanovic | .... | digital colorist | |
| Peter 'Beak' Cvijanovic | .... | lead compositor | |
| Patrick Faille | .... | digital artist | |
| Carl Gagnon | .... | modeler | |
| Gael Hollard | .... | digital compositor | |
| Sébastien Jacob | .... | digital compositor | |
| Jesse Lehrman | .... | digital I/O | |
| Fabio Lissi | .... | visual effects production manager | |
| Charles Marchand | .... | digital compositor | |
| Carlos Monzon | .... | digital compositor | |
| Mario Rachiele | .... | visual effects supervisor | |
| Craig Edward Rogers Jr. | .... | digital compositor | |
| Craig Edward Rogers Jr. | .... | film recording | |
| Luc Sanfaçon | .... | lead animator | |
| Jean-Sébastien Savard | .... | digital artist | |
| Jalal Tchelebi | .... | digital artist | |
| Antonin Messier Turcotte | .... | digital artist | |
Editorial Department | |||
| Todd Baillere | .... | post-production consultant | |
| Christopher Loucks | .... | assistant post-production coordinator (uncredited) | |
Music Department | |||
| François Arbour | .... | score mixer | |
| François Arbour | .... | score recordist | |
| Kim Gaboury | .... | music designer (as Akido) | |
Other crew | |||
| Michael Barnes | .... | financial legal services | |
| Charles Heaphy | .... | production financing | |
| Hans Kummer | .... | production consultant | |
| Ivor Shier | .... | helicopter pilot | |
| Recent Posts (updated daily) | User |
|---|---|
| Why did they put in CGI? | lightningfst |
| Embarrassing to Show in Museums | gibbs5988 |
| Fighter Pilot: OPR - graphics/animation | FoxJohnSix |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
Notwithstanding the outrageously low score awarded to this film by at least one self-proclaimed "frustrated" reviewer, this is a terrific flick.
Obviously (and thankfully) exploiting the spectacular IMAX technology, director Stephen Low provides us, the uninitiated, with shot after shot of awesome and awe-inspiring aerial combat and the planes that participate in it. This is a movie that simultaneously wows us with aesthetics and excitement. Indeed, isn't that what fighter pilots have said so often - that 'it's beautiful but scary up there'.
In addition to the breathtaking cinematography and heart-stopping action sequences, I was especially impressed by some of the less glamorous depictions. The shots inside the AWAC plane are simply exquisite. In fact, I would have guessed that the luscious views we see of the computer displays on board that intelligence craft would have forever remained off limits to us civilians. Likewise, we are treated to stunning panoramas of the airfield and runways at Nelles AFB. Wow! A super example of something that must be seen to be appreciated.
And that's just it. 'Fighter Pilot: Operation Red Flag', Low's brilliant work, allows us to SEE modern air warfare first hand and up close. The IMAX process has never been put to better use.