The 61st Annual Academy Awards (1989)

TV Special
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Title: The 61st Annual Academy Awards (1989– )

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Nominated for 1 Primetime Emmy. See more awards »

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Cast

Credited cast:
James Acheson ...
Himself - Winner: Best Costume Design
...
Himself (Memorial Tribute) (archive footage)
...
Herself - Presenter: 'Dangerous Liaisons' Film Clip
...
Himself - Performer
...
Himself (Memorial Tribute) (archive footage)
...
Himself - Winner: Best Foreign Language Film
...
Herself - Presenter
...
Herself
...
Herself (Memorial Tribute) (archive footage)
Ronald Bass ...
Himself - Winner: Best Original Screenplay
...
Herself - Presenter: Best Foreign Language Film
...
Herself - Co-Presenter: Best Foreign Language Film
Peter Biziou ...
Himself - Winner: Best Cinematography
...
...
Himself - Co-Presenter: Best Visual Effects
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Release Date:

29 March 1989 (USA)  »

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1.33 : 1
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Did You Know?

Trivia

Lucille Ball's last television appearance. She died three weeks later. See more »

Connections

Follows The 46th Annual Academy Awards (1974) See more »

Soundtracks

Proud Mary
Written by John Fogerty
Performed by Rob Lowe
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User Reviews

 
The birth of digital cinema
15 March 2009 | by (Vigo, España) – See all my reviews

I think Elileen, here, has her award ceremonies mixed. I have this particular chow on a BETA tape I would watch several times as a teenager (I was the lamest teenager, I know). I only had this show recorded, and the next one. I remember Lucille Ball standing there with Bob Hope, the two Bonds (Connery and Moore) with Michael Caine, the thing with Martin Short and Princess Leia and Robin Williams dressed as a "Big Rat". This year was important for it was the advent of a new era. We now go to the movies and everything is CGI. Hollywood had already toyed with computer effects on movies like Tron (I like it!) or The last starfighter (kind of dumb), but with Willow the era of digital cinema was born. For the first time computer graphics and effects looked real (or at least, credible). We had a good witch, Raziel, who could transform herself into practically every creature imaginable. So, ILM gave birth to a then new technique called the Morph. If you want to see how it was done optically (before digital cinema) you only have to see Krull, from 1980. There, Ergo the magician had the same power exactly complete with the mess-up transformations. Anyway, Willow, for such a breakthrough, it was only nominated for Sound effects editing and best visual effects at the Oscars. I think Die hard got the award.


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