The movie follows a group of young friends in the city of Tel Aviv and is as much a love song to the city as it is an exploration of the claim that people in Tel Aviv are isolated from the ... See full summary »
Zaza is a 31-year old Israeli bachelor, handsome and intelligent, and his family wants to see him married. But tradition dictates that Zaza has to choose a young virgin. She must be ... See full summary »
This sequel to Yossi and Jagger finds Dr. Yossi Gutmann reminiscing about his love ten years after his death; however, as he encounters a group of young soldiers, one of them, Tom, reignites his romantic feelings.
Tells the story of the complex relationship between an Israeli Secret Service officer and his teenage Palestinian informant. Shuttling back and forth between conflicting points of view, the... See full summary »
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life... See full summary »
A married, Orthodox, Jerusalem butcher and Jewish father of four falls in love with his handsome, 22-year-old male apprentice, triggering the suspicions of his wife and the disapproval of his Orthodox community.
Ordinary friends who thought they needed some easy money quickly find out that easy money ain't always easy. Now tangled up in the streets, and with their backs against the wall, they must go against their beliefs just to find a way out.
Eliezer and Uriel Shkolnik are father and son as well as rival professors in Talmudic Studies. When both men learn that Eliezer will be lauded for his work, their complicated relationship reaches a new peak.
Malik has a lot on his plate when he returns home to Tunisia after living in France. He's processing his father's death, he can't come out to his mother, and his childhood anxieties have ... See full summary »
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country during which, Axel challenges Eyal's values. Written by
Sujit R. Varma (with edits by Nelson Ricardo)
Caroline Peters, who plays Pia, revealed in an interview on Israeli television that her actual grandfather was a Nazi, just like her character's grandfather in the film See more »
When Eyal visits Menachem's Berlin hotel, a shot down its hall reveals that all the rooms have Mezuzot on the doorframes. At the door to Menachem's room, the only room without a Mezuzah, there is a clearly visible unpainted patch from which the Mezuzah had been removed just for that shot. A Mezuzah is a small box filled with bible passages (Deuteronomy 6:4-9 and 11:13-21). Jews put them on the doorframes of houses and other buildings. Their presence reveals that the filmmakers used an Israeli location for that hotel instead of a German one. See more »
[tries to walk on the sea and falls in]
Bravo. You did it.
You don't understand. You can't just come to the Sea of Galilee and start walking on water. If you could, everybody would be doing it. You need to prepare yourself.
And how would you do that? Please enlighten me.
Well, you need to completely purify yourself. Your heart needs to be like it's clean from the inside: no negativity, no bad thoughts.
And then you can walk on water. I'm sure of it.
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In memory of my mother Sarah Kaminker A fighter for human rights and peace See more »
I have seen this movie a few days ago, and I am still thinking about it. I believe this is one of the best films I have seen in a very long while. The film has a rare combination of being fun to watch and amusing at times, combined with a real deep movie with real deep characters and sophisticated.
It is safe to say that the film is not clean of some logical flaws, but they do not disturb the flow of the film. I loved everything about this film, from the script to the acting and to the excellent photography (which, I have to admit, is rare in Israelie movies, at least until the last few years).
Although I do understand that Israelies and Germans are more likely to connect to this film, I recommend it to everybody. I think it can be appreciated by anyone who likes quality cinema.
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