Marc McDermott is a widower with three young children. When he forms an attachment with Elizabeth Miller, the youngsters object in this sentimental Vitagraph short film.
Despite the contemporary statement of the Moving Picture World quoted in the other review of this movie, film is not on a higher plane than the theater; they are two distinct branches of the lively arts, with different strengths, which were only beginning to be realized at the time of this offering. One would hardly expect a publication such as that to rank a competing art form -- one frequented by a wealthier clientele -- as lower, or even admit to such a distinction, nor did it. However, I found the message in this one, that children should tell their parents what to do, repugnant, no matter how well it justifies it.
If you wish to see it for yourself, this movie can be found on the Eye Institute site on Youtube.
Despite the contemporary statement of the Moving Picture World quoted in the other review of this movie, film is not on a higher plane than the theater; they are two distinct branches of the lively arts, with different strengths, which were only beginning to be realized at the time of this offering. One would hardly expect a publication such as that to rank a competing art form -- one frequented by a wealthier clientele -- as lower, or even admit to such a distinction, nor did it. However, I found the message in this one, that children should tell their parents what to do, repugnant, no matter how well it justifies it.
If you wish to see it for yourself, this movie can be found on the Eye Institute site on Youtube.