Critic Reviews



Based on 10 critic reviews provided by Metacritic.com
Marathon constitutes a brilliant but demanding finale to veteran Iranian helmer Amir Naderi's New York trilogy ("Manhattan by Numbers," "ABC Manhattan").
Village Voice
In its ability to transform the drably mundane into something otherworldly, Marathon offers one of the most inventive reimaginings of the MTA since D.A. Pennebaker's 1953 cine-poem "Daybreak Express."
New York Post
The real star, however, is Michael Simmonds, whose manic black-and-white camerawork captures the unique vibrancy of New York City. He helps turn one woman's obsession into a valentine to Gotham.
The beauty of Mr. Naderi's filmmaking lies in his combination of acute social observation (with the subway population providing its habitual cross section of New York classes and cultures) and pure, almost mathematical formalism.
It's hard to believe that this oddly mesmerizing film, set in large part in the vast subway system that snakes its way through Manhattan and its outer boroughs, wasn't made by a native New Yorker.
The drama is as obsessive as its heroine. Crossword mavens may enjoy it, but it's too monomaniacal for comfort.
New York Daily News
With so little action or even insight, Marathon is far too long at only 74 minutes. Perhaps for the sequel, we can come along as Gretchen watches paint dry.
Chicago Reader
This silly, contrived video--plays like a student work.
Film Threat
Is there really a deep hidden meaning (DHM) to redeem this hopelessly dry and nebulous film? No, at least nothing that hasn't been done better before.
The film is nearly unendurable.

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