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The Life and Death of Peter Sellers (2004)

Not Rated | | Biography, Comedy, Drama | 1 October 2004 (UK)
The feature adaptation of Roger Lewis' book about the actor best remembered as Inspector Clouseau in the Pink Panther movies.

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(book), (teleplay) | 1 more credit »
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Won 2 Golden Globes. Another 29 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Anne Sellers
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Peg Sellers
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Bill Sellers
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Dennis Selinger
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Casting Agent
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Ted Levy
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Dr. Lyle Wexler
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Spike Milligan (as Edward Tudor Pole)
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Storyline

The professional and personal life of actor and comedian Peter Sellers was a turbulent one. His early movie fame was based primarily on his comic characterizations, often of bumbling and foreign-accented persons, characters which he embodied. As his movie fame rose, he began to lose his own personal identity to his movie characters, leading to self-doubt of himself as a person and a constant need for reassurance and acceptance of his work. This self-doubt manifested itself in fits of anger and what was deemed as arrogance by many. In turn, his personal relationships began to deteriorate as his characterizations were continually used to mask his problems. His first wife, Anne Howe, left/divorced him and his relationships with his parents and children became increasingly distant. His relationship with his second wife, Swedish actress Britt Ekland, was based on this mask. In his later life, he tried to rediscover himself and his career with what would become his penultimate film role, ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

I love me...I love me not. See more »


Certificate:

Not Rated | See all certifications »

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Details

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Release Date:

1 October 2004 (UK)  »

Also Known As:

A Vida e Morte de Peter Sellers  »

Box Office

Opening Weekend:

$211,647 (Australia) (27 August 2004)
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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The car Michael Sellers paints a "racing stripe" on is a 1954 Bentley R-Type Continental. Only 207 were ever built. See more »

Goofs

In the film Peter Sellers made The Pink Panther. then was hired by Stanley Kubrick to make Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb In actuality, "Dr. Strangelove" was made first, in 1962, and "The Pink Panther" was made one year later, in 1963. See more »

Quotes

Peter Sellers: [Tossing the Pink Panther Strikes Again script down] I could never be this broke.
Blake Edwards: It wasn't easy for me to come here, Peter.
Peter Sellers: Why, did your limousine break down?
Blake Edwards: I considered making you kiss my ass.
Peter Sellers: Not after that script's been through it.
Blake Edwards: Still the funniest bastard around. Look Peter, I didn't come here out of desperation, I think it's a good idea and I can't do it without you. You need the money, I don't. And I certainly don't need the aggravation you are undoubtedly gonna bring me.
Peter Sellers: What if I ...
[...]
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Crazy Credits

The frame freezes and the end credits start. After some informations about the last part of life of Peter Sellers have scrolled up the screen, the credits stop and the camera suddenly pulls back, revealing Geoffrey Rush watching the end titles sitting in front of a monitor on a studio set. He turns toward the camera, waves, gets up, leaves the set and walks to a trailer. The camera tries to follow him inside, but he turns and says "You can't come in here". The door closes, and the camera zooms in on the sign with the name "Peter Sellers". The film again fades to black and we see the rest of the end credits. See more »

Connections

References What's New Pussycat (1965) See more »

Soundtracks

I'll Close My Eyes
Written by Buddy Kaye and Billy Reid
Performed by Cannonball Adderley
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User Reviews

The Eyes Had It
8 December 2004 | by (United States) – See all my reviews

For anyone interested in Peter Sellers life and work, this film is certainly worth watching, if for nothing more than the incredible re-creations of scenes from Sellers' films. Geoffrey Rush is transformed into a nearly dead-ringer for Sellers, through the magic of make up and prosthetics. But as talented as he may be, no one can recreate the subtleties of the master, especially the use of his eyes…Sellers' eyes were by far the funniest aspect of his physicality: narrowing, widening, always moving, punctuating his actions and illuminating the emotions within, even as part of the most farcical of performances.

Such a rich and varied life would lend itself to a miniseries but of course it would be a copout to suggest that at least a glimmer into the life of a man couldn't be done successfully within two hours. What this movie drove home for me was how terribly short the human lifespan really is, and how little time we have to truly discover ourselves and come to terms with our own frailties. I felt that the basis of Sellers unhappiness, which manifested itself in inexcusable cruelty to his family, friends and co-workers, was a direct result of his childhood, which was never really addressed in this film. It was, in his own words to Michael Parkinson, not a very happy time in his life. Growing up in the theater circuit, being in the company of boozy and abusive 'theatricals', and being raised by a domineering mother and what I gather was a rather passive and emotionally unavailable father set the stage for a man who obviously felt deprived of the things that give us self-esteem and confidence. No one in his adult life could give him the things he should've received from his parents as a child, and he took out that frustration on those closest to him.

Also interesting were the glimpses of his fellow Goons (Spike Milligan and Harry Secombe) at various chapters in his life-in the church at his mother's funeral, in the crowd at the premiere of 'The Pink Panther'. They represented what he considered the happiest time of his life and they were a constant presence, flitting in an out of his life at key moments in the film, like the ghosts of Christmas Past.

Interesting also in how one decision, in this case his delusional infatuation with Sophia Loren, set in motion a series of dovetailing mistakes in his life, which took him further and further away from a relatively healthy existence. He had twenty years more to live and it turned out to be not enough time to turn things around.


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