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The Life and Death of Peter Sellers (2004)

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Ratings: 7.0/10 from 11,974 users  
Reviews: 133 user | 61 critic

The feature adaptation of Roger Lewis' book about the actor best remembered as Inspector Clouseau in the Pink Panther movies.

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(book), (teleplay), 1 more credit »
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Title: The Life and Death of Peter Sellers (2004)

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Won 2 Golden Globes. Another 20 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
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Anne Sellers
...
...
Peg Sellers
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Bill Sellers
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...
...
...
Dennis Selinger
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Casting Agent
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Ted Levy
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Dr. Lyle Wexler
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Spike Milligan (as Edward Tudor Pole)
...
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Storyline

The professional and personal life of actor and comedian Peter Sellers was a turbulent one. His early movie fame was based primarily on his comic characterizations, often of bumbling and foreign-accented persons, characters which he embodied. As his movie fame rose, he began to lose his own personal identity to his movie characters, leading to self-doubt of himself as a person and a constant need for reassurance and acceptance of his work. This self-doubt manifested itself in fits of anger and what was deemed as arrogance by many. In turn, his personal relationships began to deteriorate as his characterizations were continually used to mask his problems. His first wife, Anne Howe, left/divorced him and his relationships with his parents and children became increasingly distant. His relationship with his second wife, Swedish actress Britt Ekland, was based on this mask. In his later life, he tried to rediscover himself and his career with what would become his penultimate film role, ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

I love me...I love me not. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

1 October 2004 (UK)  »

Also Known As:

A Vida e Morte de Peter Sellers  »

Box Office

Opening Weekend:

£125,748 (UK) (1 October 2004)

Gross:

£259,663 (UK) (8 October 2004)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In one shot of a cinema marquee, a poster for "The Blockhouse" is visible, advertising Sellers as one of "Eight men trapped in a bunker." Below Sellers' name appear those of six of Sellers' seven co-stars. The missing name? Peter Vaughan, who plays Sellers' father in this film. See more »

Goofs

When Sellers finds out (via the newspaper) that Britt Ekland is arriving in London it is the early 1960s, yet on the wall of his room at the start of the scene is the UK film poster for his film Undercovers Hero. See more »

Quotes

[Peter has noticed a scratch on his new Bentley, his young son Michael has tried to fix it by painting a white stripe across it, "just like a racing car". In response to this Peter furiously stomps all over his toys]
Peter Sellers: You see Michael? I've fixed all your toys for you. Aren't they beautiful?
See more »

Crazy Credits

The frame freezes and the end credits start. After some informations about the last part of life of Peter Sellers have scrolled up the screen, the credits stop and the camera suddenly pulls back, revealing Geoffrey Rush watching the end titles sitting in front of a monitor on a studio set. He turns toward the camera, waves, gets up, leaves the set and walks to a trailer. The camera tries to follow him inside, but he turns and says "You can't come in here". The door closes, and the camera zooms in on the sign with the name "Peter Sellers". The film again fades to black and we see the rest of the end credits. See more »

Connections

References The Fiendish Plot of Dr. Fu Manchu (1980) See more »

Soundtracks

Should I Stay or Should I Go
Written by Joe Strummer and Mick Jones
Performed by The Clash
See more »

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User Reviews

My brief review of the film
30 May 2005 | by (Perth, Australia) – See all my reviews

Geoffrey Rush does a great Peter Sellers impersonation, and Emily Watson shines as his wife, but otherwise the film is a little hard to recommend. The events all seem a bit fragmented, the frantic editing and camera-work subtract, and nothing much is gained by the over-exposure either. But the narration of the film is where I feel it really sinks, with awkward bits of talking to the audience and surreal sequences that appear like they have just been thrown in to make it more attractive to the eye. Also, viewers should be cautioned that the only thing that Stanley Tucci has in common with his character, Stanley Kubrick, is the same first name. Still, the film has some interesting elements, such as the insight into film-making and the performances, as well as some genuinely funny parts… it is reasonably well made, but not brilliant.


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