HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
In the Summer of 1969 a young man is filled with the life of the idyllic old pearling port Broome - fishing, hanging out with his mates and his girl. However his mother returns him to the ... See full summary »
The professional and personal life of actor and comedian Peter Sellers was a turbulent one. His early movie fame was based primarily on his comic characterizations, often of bumbling and foreign-accented persons, characters which he embodied. As his movie fame rose, he began to lose his own personal identity to his movie characters, leading to self-doubt of himself as a person and a constant need for reassurance and acceptance of his work. This self-doubt manifested itself in fits of anger and what was deemed as arrogance by many. In turn, his personal relationships began to deteriorate as his characterizations were continually used to mask his problems. His first wife, Anne Howe, left/divorced him and his relationships with his parents and children became increasingly distant. His relationship with his second wife, Swedish actress Britt Ekland, was based on this mask. In his later life, he tried to rediscover himself and his career with what would become his penultimate film role, ... Written by
Won the most Emmys for a made for television movie without winning for the Outstanding Made for Television Movie award. It won 9 Emmy Awards for Outstanding Cinematography for a Miniseries or Movie, Outstanding Hairstyling for a Miniseries, Movie or a Special, Outstanding Prosthetic Makeup for a Series, Miniseries, Movie or a Special, Outstanding Single-Camera Picture Editing for a Miniseries or a Movie, Outstanding Sound Editing for a Miniseries, Movie or a Special, Outstanding Special Visual Effects for a Miniseries, Movie or a Special, Outstanding Writing for a Miniseries, Movie or a Dramatic Special, Outstanding Directing for a Miniseries, Movie or a Dramatic Special and Outstanding Lead Actor in a Miniseries or a Movie - Geoffrey RushSee more »
When Sellers' father is in the hospital, his oxygen mask is initially on upside down. In subsequent shots, the mask is right side up. See more »
[At Peter's wedding to the Swedish starlet Britt Ekland]
You've only known that bleedin' Nazi for 3 weeks.
Peg, I couldn't be happier.
Why are you making the same mistake all over again?
Because, my love, they won't let me marry you.
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The frame freezes and the end credits start. After some informations about the last part of life of Peter Sellers have scrolled up the screen, the credits stop and the camera suddenly pulls back, revealing Geoffrey Rush watching the end titles sitting in front of a monitor on a studio set. He turns toward the camera, waves, gets up, leaves the set and walks to a trailer. The camera tries to follow him inside, but he turns and says "You can't come in here". The door closes, and the camera zooms in on the sign with the name "Peter Sellers". The film again fades to black and we see the rest of the end credits. See more »
Peter Sellers is without question one the greatest comical geniuses of not just the 20th Century, but of all time. Rush's portrayal of Sellers is brilliant, a man whose true self was as transparent of one his many character creations. For those seaking an "A&E Biography Channel" type film will be sorely disappointed as was I. I wasn't prepared for this alternative packaging of the material. I've seen it twice an am afraid it will be a third viewing before I am truly able to grasp it's full meaning. In as well crafted a movie can be, the camera work, set decoration, period computer enhancements to better reflect the era, all work together in producing a beautiful piece of cinematic eye candy. So much so that is takes away from the story to be told. If trying to show this tragic human bankruptcy, mortgaged in a quest for fame and fortune, then the producers did a fine job.
One doesn't know whether to love or hate Sellers. It's not hard to understand why those close to the man disapprove of this film's tone. In a mad-cap dash that gallops all over the globe, in and out of the arms of the world's most beautiful women, we see a man consumed with lust and how the condition can drive men obscenely crazy. For a unique look at the life of Peter Sellers, one can't go wrong by watching this movie.
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