A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
The professional and personal life of actor and comedian Peter Sellers was a turbulent one. His early movie fame was based primarily on his comic characterizations, often of bumbling and foreign-accented persons, characters which he embodied. As his movie fame rose, he began to lose his own personal identity to his movie characters, leading to self-doubt of himself as a person and a constant need for reassurance and acceptance of his work. This self-doubt manifested itself in fits of anger and what was deemed as arrogance by many. In turn, his personal relationships began to deteriorate as his characterizations were continually used to mask his problems. His first wife, Anne Howe, left/divorced him and his relationships with his parents and children became increasingly distant. His relationship with his second wife, Swedish actress Britt Ekland, was based on this mask. In his later life, he tried to rediscover himself and his career with what would become his penultimate film role, ... Written by
The car Michael Sellers paints a "racing stripe" on is a 1954 Bentley R-Type Continental. Only 207 were ever built. See more »
During filming of "Dr Stangelove", Sellers is in his dressing room practicing one of Group Captain Mandrake's lines, saying "I can assure you, Major Bat Guano, if that is indeed your name." In the film Bat Guano was a Colonel, not a Major. See more »
The frame freezes and the end credits start. After some informations about the last part of life of Peter Sellers have scrolled up the screen, the credits stop and the camera suddenly pulls back, revealing Geoffrey Rush watching the end titles sitting in front of a monitor on a studio set. He turns toward the camera, waves, gets up, leaves the set and walks to a trailer. The camera tries to follow him inside, but he turns and says "You can't come in here". The door closes, and the camera zooms in on the sign with the name "Peter Sellers". The film again fades to black and we see the rest of the end credits. See more »
Biopics are a devilish thing. Is as if the subject himself boycotted the operation from beyond the grave. The ultimate breach of privacy, isn't it? One feels like a voyeur, compelled and revolted at the same time. Goeffrey Rush's brilliant portrayal makes things even worse, I mean better, no I meant worse. A life of massive ups and downs for public consumption. Peter Sellers with a Cary Grant complex and a talent bigger than himself told in bits and pieces. To the ones who know about Sellers is a rather frustrating experience. Dr.Strangelove yes but not Lolita? The relationship with Blake Edwards deserves a movie of its own. The first massive heart attack was during Billy Wilder's "Kiss Me Stupid" but there is no mention of that. I know that to compress such a life without a structure within a two hour film it's an impossible task so what we're left with is a courageous attempt at tell us the sickly existence of one the greatest that ever was, a superlative performance by Goeffrey Rush, an astonishing Charlize Theron as Britt Eckland and very little else. I suppose that should be enough. Yes, it should, shouldn't it?
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