A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
The professional and personal life of actor and comedian Peter Sellers was a turbulent one. His early movie fame was based primarily on his comic characterizations, often of bumbling and foreign-accented persons, characters which he embodied. As his movie fame rose, he began to lose his own personal identity to his movie characters, leading to self-doubt of himself as a person and a constant need for reassurance and acceptance of his work. This self-doubt manifested itself in fits of anger and what was deemed as arrogance by many. In turn, his personal relationships began to deteriorate as his characterizations were continually used to mask his problems. His first wife, Anne Howe, left/divorced him and his relationships with his parents and children became increasingly distant. His relationship with his second wife, Swedish actress Britt Ekland, was based on this mask. In his later life, he tried to rediscover himself and his career with what would become his penultimate film role, ... Written by
The photo behind the casting agent that's hiring him for "The Smallest Show on Earth" has a picture of her and 'Cesar Romero' behind her. Romero did several films in Britain in the early 50s. Also recognizable in a wall photo is Margaret Rutherford. See more »
When Sellers' father is in the hospital, his oxygen mask is initially on upside down. In subsequent shots, the mask is right side up. See more »
The frame freezes and the end credits start. After some informations about the last part of life of Peter Sellers have scrolled up the screen, the credits stop and the camera suddenly pulls back, revealing Geoffrey Rush watching the end titles sitting in front of a monitor on a studio set. He turns toward the camera, waves, gets up, leaves the set and walks to a trailer. The camera tries to follow him inside, but he turns and says "You can't come in here". The door closes, and the camera zooms in on the sign with the name "Peter Sellers". The film again fades to black and we see the rest of the end credits. See more »
Geoffrey Rush does a great Peter Sellers impersonation, and Emily Watson shines as his wife, but otherwise the film is a little hard to recommend. The events all seem a bit fragmented, the frantic editing and camera-work subtract, and nothing much is gained by the over-exposure either. But the narration of the film is where I feel it really sinks, with awkward bits of talking to the audience and surreal sequences that appear like they have just been thrown in to make it more attractive to the eye. Also, viewers should be cautioned that the only thing that Stanley Tucci has in common with his character, Stanley Kubrick, is the same first name. Still, the film has some interesting elements, such as the insight into film-making and the performances, as well as some genuinely funny parts it is reasonably well made, but not brilliant.
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