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Deadly Outlaw: Rekka (2002)
"Jitsuroku Andô Noboru kyôdô-den: Rekka" (original title)

6.9
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Ratings: 6.9/10 from 1,278 users  
Reviews: 12 user | 24 critic

When his beloved boss his killed, a dangerous young gangster cuts a path of vengeance through the Japanese mafia.

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Cast

Credited cast:
Riki Takeuchi ...
Kunisada
Ryôsuke Miki
Ken'ichi Endô
Mika Katsumura
...
(as Sonny Chiba)
Yûya Uchida
Tetsurô Tanba ...
Sanada
Rest of cast listed alphabetically:
Renji Ishibashi
Shigeo Kobayashi
Lily ...
Kunisada's Godmother
Miho Nomoto
Yûta Sone
Yoshiyuki Yamaguchi ...
Tabata
Joe Yamanaka
Edit

Storyline

After Kunisada's Yakuza leader and father figure is brutally murdered, he and his best friend go on a two-man mission to avenge his death, killing other Yakuza leaders leading to a final confrontation by the old man's killers. Written by Jin

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Thriller

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Details

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Release Date:

21 September 2002 (Japan)  »

Also Known As:

Violent Fire  »

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Did You Know?

Trivia

Takashi Miike cut this movie to the strains of the 1971 progressive rock album "Satori" by the Flower Traveling Band, which he learned of through costars Joe Yamanaka and Yûya Uchida, who were also the band's founding members. Miike found the album to be way ahead of its time and was delighted at how well and inconspicuously it cut into a movie made 30 years later. See more »

Connections

Referenced in Rewind This! (2013) See more »

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User Reviews

 
Forgettable Yakuza tale
19 March 2013 | by (United Kingdom) – See all my reviews

DEADLY OUTLAW: REKKA is a rare misfire from the usually interesting Takashi Miike, who can typically be relied upon from making outrageously entertaining movies. This is a standard Yakuza movie, featuring a low rent thug who decides to go on an odyssey of revenge, yet despite a few moments of surrealism and violence you can't really tell it's a Miike film at all.

Instead it has more in common with low budget art-house fare, featuring interchangeable characters and some padded scenes of characters wandering the streets aimlessly at night. Oh, there's bound to be a brutal fight scene or execution around the next corner, but there isn't anything that makes you care about what's going on. Okay, I don't watch a Miike film for the characterisation, but at least ICHI THE KILLER had tons of incident and AUDITION's slow build worked when matched with THAT ending.

This one's predictable in the extreme, I couldn't care less about the characters, and the whole 'stone face' type of acting is just a bit dull. Miike tries to spice things up with a sex scene here and a mutilation there, but it isn't enough; for much of the running time, I was simply bored. DEADLY OUTLAW: REKKA does have the same kind of hustle and vibe as the early gangster films of Beat Takeshi, but it lacks their finesse and raw power. Attempts to make it feel like an old-fashioned grindhouse movie of the 1970s don't really gel either; instead this movie is both slight and forgettable.


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