| Photos (See all 93 | slideshow) |
| Kevin Kline | ... | Cole Porter | |
| Ashley Judd | ... | Linda Porter | |
| Jonathan Pryce | ... | Gabe | |
| Kevin McNally | ... | Gerald Murphy | |
| Sandra Nelson | ... | Sara Murphy | |
| Allan Corduner | ... | Monty Woolley | |
| Peter Polycarpou | ... | L.B. Mayer | |
| Keith Allen | ... | Irving Berlin | |
| James Wilby | ... | Edward Thomas | |
| Kevin McKidd | ... | Bobby Reed | |
| Richard Dillane | ... | Bill Wrather | |
| Edward Baker-Duly | ... | Boris Kochno | |
| Angie Hill | ... | Ellin Berlin | |
| Harry Ditson | ... | Dr. Moorhead | |
| Tayler Hamilton | ... | Honoria Murphy | |
| Lexie Peel | ... | Patrick Murphy | |
| Greg Sheffield | ... | Boath Murphy | |
| Peter Jessop | ... | Diaghilev | |
| Jeff Harding | ... | Cody | |
| Susannah Fellows | ... | Mrs. L.B. Mayer | |
| Teddy Kempner | ... | Stage Manager | |
| Cole Porter | ... | Musical Performer - "You're The Top" (archive sound) | |
| Robbie Williams | ... | Musical Performer - "It's De-Lovely" | |
| Lemar | ... | Musical Performer - "What Is This Thing Called Love?" | |
| Elvis Costello | ... | Musical Performer (song "Let's Misbehave") | |
| Alanis Morissette | ... | Musical Performer - "Let's Do It, Let's Fall In Love" | |
| John Barrowman | ... | Jack / Musical Performer - "Night and Day" | |
| Caroline O'Connor | ... | Musical Performer - "Anything Goes" | |
| Sheryl Crow | ... | Musical Performer - "Begin the Beguine" | |
| Mick Hucknall | ... | Musical Performer - "I Love You" | |
| Diana Krall | ... | Musical Performer (song "Just One of Those Things") | |
| Vivian Green | ... | Musical Performer - "Love For Sale" | |
| Lara Fabian | ... | Musical Performer - "So In Love" | |
| Mario Frangoulis | ... | Musical Performer - "So In Love" | |
| Natalie Cole | ... | Musical Performer - "Ev'ry Time You Say Goodbye" | |
| Julian Cannonier | ... | Chorus | |
| Elizabeth Cooper Gee | ... | Chorus | |
| Jacob Chapman | ... | Chorus | |
| Cavin Cornwall | ... | Chorus | |
| Matt Dempsey | ... | Chorus | |
| Heather Douglas | ... | Chorus | |
| Jonathan D. Ellis | ... | Chorus (as Jonathan D Ellis) | |
| Jane Fowler | ... | Chorus | |
| Jason Gardiner | ... | Chorus | |
| Charlotte Gorton | ... | Chorus | |
| Nic Greenshields | ... | Chorus | |
| Akia Henry | ... | Chorus (as Akiya Henry) | |
| Steve West | ... | Chorus (as Steve Lawton) | |
| Duncan McVicar | ... | Chorus (as Duncan MacVicar) | |
| Karen McSween | ... | Chorus | |
| Michelle McSween | ... | Chorus | |
| Dale Mercer | ... | Chorus | |
| Samantha Modeste | ... | Chorus | |
| Odette Perdrisat | ... | Chorus | |
| Thern Reynolds | ... | Chorus | |
| Rachel Stanley | ... | Chorus | |
| Oliver Thornton | ... | Chorus | |
| Claire Winsper | ... | Chorus | |
| rest of cast listed alphabetically: | |||
| Gary Blair | ... | Barnaby (uncredited) | |
| Dean Constantin | ... | Hotel Porter (uncredited) | |
| Nicola Dawn | ... | Party Guest (uncredited) | |
| James Fisher | ... | Party Guest (uncredited) | |
| Brian Harley | ... | Sailor (uncredited) | |
| Christine Hewett | ... | Wedding Guest (uncredited) | |
| Andrew Langtree | ... | Chorus (uncredited) | |
| Bernadette Jane Vanderkar | ... | Bridesmaid (uncredited) | |
Directed by | |||
| Irwin Winkler | |||
Writing credits(WGA) | ||
| Jay Cocks | (written by) | |
Produced by | |||
| Simon Channing Williams | .... | executive producer | |
| Rob Cowan | .... | producer | |
| Gail Egan | .... | executive producer | |
| Georgina Lowe | .... | line producer | |
| Charles Winkler | .... | producer | |
| Irwin Winkler | .... | producer | |
Cinematography by | |||
| Tony Pierce-Roberts | (director of photography) | ||
Film Editing by | |||
| Julie Monroe | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| John Hill | |||
Set Decoration by | |||
| John Bush | |||
Costume Design by | |||
| Janty Yates | |||
Makeup Department | |||
| Jacqueline Bhavnani | .... | makeup artist | |
| Felicity Bowring | .... | makeup artist: Ashley Judd | |
| Beth Miller | .... | hair stylist: Ashley Judd | |
| Sarah Monzani | .... | makeup designer | |
| Graham Pownall | .... | hair stylist | |
| Aaron Sherman | .... | prosthetic makeup artist | |
| Maralyn Sherman | .... | prosthetic makeup artist | |
| Simon Thompson | .... | hair designer | |
| Aurélie Elich | .... | makeup artist (uncredited) | |
| Kerry Hormbrey | .... | crowd makeup artist (uncredited) | |
| Sara Raeburn | .... | makeup artist (uncredited) | |
| Jeanette Redmond | .... | hair stylist (uncredited) | |
| Joël Seiller | .... | additional hair stylist (uncredited) | |
Production Management | |||
| Danielle Brandon | .... | unit production manager | |
| Michael Solinger | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lee Grumett | .... | third assistant director | |
| Dan John | .... | second assistant director | |
| Josh Robertson | .... | first assistant director | |
| Joy Scott | .... | third assistant director | |
| Nick Shuttleworth | .... | crowd second assistant director | |
| Charles Winkler | .... | second unit director | |
| Phil Clarke | .... | crowd assistant director (uncredited) | |
| Nic Jeune | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Eddie Baker | .... | stand-by props | |
| Alan Briant | .... | props storeman (as Alan D Briant) | |
| Mark Collisson | .... | construction manager | |
| Gary Davies | .... | stand-by stagehand | |
| Gary Fox | .... | stand-by props | |
| Andrew Grant | .... | assistant art director | |
| Martin Lane | .... | stand-by painter | |
| Jo Littlejohn | .... | construction coordinator | |
| Leon McCarthy | .... | stand-by carpenter | |
| Richard Mills | .... | property master | |
| Andy Ormesher | .... | stand-by rigger | |
| Tom Read | .... | stand-by art director | |
| Michael Standish | .... | production buyer | |
| Graham Stickley | .... | props storeman | |
| Ed Walsh | .... | draughtsman | |
| Rhona Wilson | .... | assistant buyer | |
| Steve Deane | .... | construction supervisor (uncredited) | |
| Jonathan Downing | .... | dressing props (uncredited) | |
| Matthew Meadows | .... | storyboard artist (uncredited) | |
| Terry Royce | .... | props (uncredited) | |
| Don Santos | .... | prop man (uncredited) | |
| Howard Weaver | .... | scenic artist (uncredited) | |
Special Effects by | |||
| Graham Longhurst | .... | special effects coordinator | |
| Simon Cockren | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Chris Brown | .... | visual effects supervisor | |
| Simon Frame | .... | visual effects supervisor | |
| Phil Attfield | .... | visual effects supervisor (uncredited) | |
| Johnathan R. Banta | .... | digital supervisor: Sassoon Film Design (uncredited) | |
| Robin Beard | .... | lead digital effects artist (uncredited) | |
| Barry Berman | .... | visual effects (uncredited) | |
| Simon Carr | .... | digital compositor (uncredited) | |
| Travis Dutch | .... | scanning and recording (uncredited) | |
| Tom Hocking | .... | digital compositor (uncredited) | |
| Jan Hogevold | .... | production executive: Framestore CFC (uncredited) | |
| Jason Jue | .... | digital artist (uncredited) | |
| Isaac Layish | .... | digital effects artist (uncredited) | |
| Victoria McDowell | .... | visual effects line producer (uncredited) | |
| Dan McRae | .... | scanning and recording (uncredited) | |
| Tim Mendler | .... | motion control operator (uncredited) | |
| Jeremy Nicolaides | .... | digital artist (uncredited) | |
| Paola Varvaro | .... | digital artist (uncredited) | |
Stunts | |||
| Alex Cox | .... | stunt player | |
| Gerard Naprous | .... | horse stunt coordinator | |
Casting Department | |||
| Rosalie Clayton | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting (as Caitlin McKenna) | |
| Valérie Schiel | .... | extras casting: Luxembourg (as Valerie Scheil) | |
| Tamara Gillon | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Cheryl Cravedi | .... | costumer: Ashley Judd | |
| Andrea Cripps | .... | assistant costume designer | |
| Lee Croucher | .... | stand-by costumer | |
| Andrew Hunt | .... | stand-by costumer | |
| Joe Kowalewski | .... | assistant costume supervisor (as Josef Kowalewski) | |
| Sunita Singh | .... | stand-by costumer | |
| Clare Spragge | .... | costume supervisor | |
| Vanessa Woolgar | .... | crowd dresser | |
| Sally Davis | .... | costume assistant (uncredited) | |
| Kate Newbold | .... | costume trainee (uncredited) | |
| Katja Wolf | .... | daily wardrobe assistant (uncredited) | |
| Marie Zelenka | .... | stylist (uncredited) | |
Editorial Department | |||
| Jason Barnoski | .... | post-production assistant | |
| Jennifer Hatton | .... | first assistant editor | |
| Jack Paulson | .... | assistant editor | |
| David Rees | .... | color timer | |
| Elizabeth Barnette | .... | post-production assistant (uncredited) | |
| Brian Borne | .... | colorist (uncredited) | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Mark Wright | .... | negative cutter (uncredited) | |
Music Department | |||
| David Arch | .... | musician: piano | |
| Becky Bentham | .... | music coordinator: Hot House Music Ltd. | |
| Philip Bodger | .... | music mixer (as Phil Bodger) | |
| Philip Bodger | .... | music recordist (as Phil Bodger) | |
| Philip Bodger | .... | score recording engineer (as Phil Bodger) | |
| Gary Chester | .... | additional recordist | |
| Anne Collis | .... | on-set music contractor | |
| Mitchell Dalton | .... | musician: guitars (as Mitch Dalton) | |
| Alec Dankworth | .... | musician: double bass | |
| Richard Edwards | .... | musician: trombone | |
| Stephen Endelman | .... | music arranger | |
| Stephen Endelman | .... | music producer | |
| Andrew Findon | .... | musician: woodwinds (as Andy Findon) | |
| Rebecca Gatrell | .... | music coordinator: Hot House Music Ltd. (as Becca Gatrell) | |
| Gilbert Goldstein | .... | arranger: additional arrangements | |
| Isobel Griffiths | .... | music contractor | |
| Cathy Jayes | .... | musician: rehearsal pianist | |
| Christopher Kennedy | .... | music editor | |
| Sonny Kompanek | .... | additional music preparation | |
| Sonny Kompanek | .... | arranger: additional arrangements | |
| Gary Norden | .... | vocal coach: Kevin Kline | |
| Jenny O'Grady | .... | chorus mistress | |
| Cole Porter | .... | lyricist | |
| Cole Porter | .... | music by | |
| Frank Ricotti | .... | musician: percussion | |
| Ralph Salmins | .... | musician: drums | |
| Ray Swinfield | .... | musician: woodwinds | |
| Jamie Talbot | .... | musician: woodwinds | |
| Phil Todd | .... | musician: woodwinds | |
| Derek Watkins | .... | musician: trumpet | |
| Gavyn Wright | .... | musician: string leader | |
| Robert Ziegler | .... | conductor | |
| Becky Bentham | .... | music supervisor (uncredited) | |
| Simon Changer | .... | score assistant engineer (uncredited) | |
| Tim Starnes | .... | music arranger: piano (uncredited) | |
| Robert Ziegler | .... | musical director (uncredited) | |
Transportation Department | |||
| Alexandre Brown | .... | transportation captain: Luxembourg (as Alex Brown) | |
| Daniel Brown | .... | transportation captain | |
| Mark Crowley | .... | driver: Ashley Judd | |
| Mark Williams | .... | driver: Kevin Kline | |
| Rob Hempenstall | .... | unit driver (uncredited) | |
| Dave Williams | .... | additional truck driver (uncredited) | |
Other crew | |||
| Libbie Barr | .... | script supervisor | |
| Claire Broughton | .... | assistant: Gail Egan | |
| Peter Brown | .... | location assistant: Luxembourg | |
| Chorley Bunce | .... | caterer | |
| Ronni Chasen | .... | press representative | |
| June Czerwinski | .... | associate: Winkler Films | |
| Mandy Edwards | .... | office production assistant | |
| Jo Farrugia | .... | assistant: Irwin Winkler | |
| Gilbert Goldstein | .... | piano coach: Kevin Kline | |
| Selina Gomeau | .... | assistant: Irwin Winkler | |
| David Higgs | .... | base runner | |
| Francesca Jaynes | .... | choreographer | |
| Ian Kilsby | .... | personal security | |
| Neil Lee | .... | location manager | |
| Andrew MacLean | .... | assistant accountant | |
| Sarah McBryde | .... | production coordinator | |
| Justin Miller | .... | assistant accountant | |
| Julie Milstead | .... | associate to producers | |
| Sophie Moss | .... | assistant production coordinator | |
| Leonora Penglase | .... | assistant: Simon Channing Williams | |
| Ian Pollington | .... | on-set location manager | |
| Darren Price | .... | key set production assistant | |
| Maggie Rawlinson | .... | assistant choreographer | |
| Joanne Reichling | .... | production coordinator: Luxembourg | |
| Marco Ruffatti | .... | production assistant | |
| Will Tyler | .... | production accountant | |
| Doug Vale | .... | first aid | |
| Julia Wilson Dickson | .... | dialect coach: Ashley Judd | |
| Henry Woolley | .... | assistant location manager | |
| Danielle Craig | .... | production assistant (uncredited) | |
| Camille Gatin | .... | stand-in: Ms. Judd (uncredited) | |
| Charles Howes | .... | tutor (uncredited) | |
| Jeremy Pelzer | .... | managing director: studio (uncredited) | |
| Jonathan Rutter | .... | publicist (uncredited) | |
| Matthew Sanders | .... | unit publicist (uncredited) | |
| Lynnanne Zager | .... | adr loop group (uncredited) | |
Thanks | |||
| Peter L. Felcher | .... | the producers express special thanks to: The Cole Porter Trust | |
| Robert Kimball | .... | the producers express special thanks to (as Robert E. Kimball) | |
| Robert H. Montgomery Jr. | .... | the producers express special thanks to: The Cole Porter Trust, 1923-2000 | |
| Roberta Staats | .... | the producers express special thanks to: The Cole Porter Trust | |
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| Full cast and crew | Company credits | External reviews |
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As a biography, De-Lovely is not historically accurate, but as drama and a tribute to Cole Porter, a prodigious talent in musical theater, it is sublime. Kevin Kline is perfectly cast in spirit as the songwriter extraordinaire who stormed Broadway as Hollywood beckoned. His marriage to Linda Porter (a terrific Ashley Judd) is a relationship of lasting love fraught with infidelity and heartbreak in which Porter is portrayed as an insatiable artist whose homoerotic dalliances were legend. The timeline spans the 1920's through the 1950's. This is not so much a simple biopic but, rather, an interesting depiction of Porter's constant struggle to find happiness in love and life and it proves to be an addictive intoxication. As his accepting and understanding wife grows increasingly frustrated with his lies and deception amid his growing list of male suitors, Porter's life and health begin to unravel.
Serving as a framework for the life events is a curious narration of sorts by an aged Porter and a mysterious host/angel (a nice theatrical turn by Jonathan Pryce). This bracketing narration is reminiscent of A Christmas Carol, and there are striking similarities to the classic All That Jazz in narrative and tone. The main story is told in a series of mini-vignettes; some scenes are almost too brief. Then there are the songs. It is truly phenomenal just how many wonderful Porter songs became standards. The recreations of many of his top hits are interspersed throughout the film and are performed often by top vocalists including some amusing cameos by Elvis Costello, Diana Krall, Alanis Morissette, and Natalie Cole. The songs serve to parallel and punctuate the life events throughout the story in much the same way paintings served as a co-narrative in Frieda.
Although production values are good for a period and location piece, it feels a little less grand in scope than it ought to be. Perhaps that works in the films favor as a more intimate story. Standout credit goes to the makeup effects especially showing the aging of Kevin Kline's character. The camera work and editing are imaginative especially in a series of circular tracking shots which seamlessly meld one timeframe with another. The music is timeless and enjoyable even when sung in pedestrian fashion by Kline. And regarding Kline, he deserves an Oscar nomination for a richly etched portrait of a tortured soul whose search for true love spanned his entire life. Perhaps in the hands of Bob Fosse or Baz Luhrmann, this could have really launched into a wildly imaginative send-off of a musical genius, but director Irwin Winkler (a respected producer turned director like Alan Pakula) has done Cole Porter proud.