During the Great Depression, a common-man hero, James J. Braddock--a.k.a. the Cinderella Man--was to become one of the most surprising sports legends in history. By the early 1930s, the impoverished ex-prizefighter was seemingly as broken-down, beaten-up and out-of-luck as much of the rest of the American populace who had hit rock bottom. His career appeared to be finished, he was unable to pay the bills, the only thing that mattered to him--his family--was in danger, and he was even forced to go on Public Relief. But deep inside, Jim Braddock never relinquished his determination. Driven by love, honor and an incredible dose of grit, he willed an impossible dream to come true. In a last-chance bid to help his family, Braddock returned to the ring. No one thought he had a shot. However Braddock, fueled by something beyond mere competition, kept winning. Suddenly, the ordinary working man became the mythic athlete. Carrying the hopes and dreams of the disenfranchised on his shoulders, ... Written by
Sujit R. Varma
The cinematographer invented a "tire-cam" which is a camera cushioned inside a tire and behind Plexiglas. This allowed the professional boxers to hit the tire to create realistic reactions from a first-person point-of-view. See more »
During the press conference before the Max Baer fight, one reporter identifies himself as being from the New York Herald. In fact, the paper had been known as the Herald Tribune since 1924, when the Herald and the Tribune merged. See more »
Before the title appears the following: "In all the history of the boxing game, you'll find no human interest story to compare with the life narrative of James J. Braddock." - Damon Runyon (1936) See more »
Put That Sun Back in the Sky
Written by Irving Kahal and Joseph Meyer
Performed by 'Roane's Pennsylvanians'
Courtesy of Bluebird / Novus / RCA Victor
By Arrangement with Sony BMG Music Licensing See more »
Excellent fiction treatment of historical boxer "Humbling Bull"
Just saw a preview of this film (opens June 3) and as shamelessly emotional as it is, I liked it very much. It provides a more visceral view of the Great Depression era than did another fine film, Seabiscuit. Call it Seabiscuit with even more heart!
Ron Howard teams with Russell Crowe (James J. Braddock) again and shows they can repeat with a winner. Like him as a person or not, Crowe puts forth another finely tuned, very convincing performance. Unlike in real life, he can be quite humble and sympathetic while beating the heck out of people. Really, his character is affecting, especially in his scenes with Braddock's children, and may be fairly reflective of the actual person of Braddock. (The fight game at that time, or any time, was not for saints but, whatever.) Renee Zellweger, who is not my favorite except for a brilliant portrayal in Cold Mountain, plays the wife effectively and mirrors the emotions for the females in the audience. (If my observations at the showing are typical, women fans will spend time alternately heading their eyes and virtually cheering out loud for Braddock/Crowe.)
There are a number of good supporting actors but Paul Giamatti strikes again! He plays the manager who supports Braddock through thick and thin and his character recalls the era better than anyone in the film. I don't know what kind of research he did for this role but his Joe Gould is the archetypal boxing manager of the time or, at least, our cinema image of one. Here's hoping he pulled some big bucks for a role for once.
(You will certainly recognize Bruce McGill, as the seemingly hard-hearted fight promoter who could care less about Braddock but really doesn't want to see him get killed in the ring, from many movie and TV appearances where he is always reliable and who may be remembered from an early exposure as "D-Day" in Animal House.)
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