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Cinderella Man (2005)

PG-13  |   |  Biography, Drama, Sport  |  3 June 2005 (USA)
8.0
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Ratings: 8.0/10 from 139,782 users   Metascore: 69/100
Reviews: 522 user | 200 critic | 40 from Metacritic.com

The story of James Braddock, a supposedly washed-up boxer who came back to become a champion and an inspiration in the 1930s.

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Nominated for 3 Oscars. Another 17 wins & 34 nominations. See more awards »

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Cast

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Storyline

During the Great Depression, a common-man hero, James J. Braddock--a.k.a. the Cinderella Man--was to become one of the most surprising sports legends in history. By the early 1930s, the impoverished ex-prizefighter was seemingly as broken-down, beaten-up and out-of-luck as much of the rest of the American populace who had hit rock bottom. His career appeared to be finished, he was unable to pay the bills, the only thing that mattered to him--his family--was in danger, and he was even forced to go on Public Relief. But deep inside, Jim Braddock never relinquished his determination. Driven by love, honor and an incredible dose of grit, he willed an impossible dream to come true. In a last-chance bid to help his family, Braddock returned to the ring. No one thought he had a shot. However Braddock, fueled by something beyond mere competition, kept winning. Suddenly, the ordinary working man became the mythic athlete. Carrying the hopes and dreams of the disenfranchised on his shoulders, ... Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

One man's extraordinary fight to save the family he loved. See more »

Genres:

Biography | Drama | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for intense boxing violence and some language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Release Date:

3 June 2005 (USA)  »

Also Known As:

El luchador  »

Box Office

Budget:

$88,000,000 (estimated)

Opening Weekend:

$18,320,205 (USA) (3 June 2005)

Gross:

$61,644,321 (USA) (25 November 2005)
 »

Company Credits

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Technical Specs

Runtime:

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The cinematographer invented a "tire-cam" which is a camera cushioned inside a tire and behind Plexiglas. This allowed the professional boxers to hit the tire to create realistic reactions from a first-person point-of-view. See more »

Goofs

Opening scene is set in late November on East Coast, but despite undoubtedly chilly temperatures, characters sit outside on patio at night without coats; trees and grass are still green. See more »

Quotes

[first lines]
Joe Gould: Attaboy! Keep him busy!
See more »

Crazy Credits

Before the title appears the following: "In all the history of the boxing game, you'll find no human interest story to compare with the life narrative of James J. Braddock." - Damon Runyon (1936) See more »

Connections

Referenced in Friday Night with Jonathan Ross: Episode #11.6 (2006) See more »

Soundtracks

Tillies Downtown Now
Written by Bud Freeman (as Lawrence {Bud} Freeman)
Performed by Bud Freeman and His Windy City Five
Courtesy of EMI Records
Under License from EMI Film & Television Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Russell Crowe K.O.
23 May 2005 | by (United States) – See all my reviews

The dilemma: I hate boxing movies; I love Russell Crowe movies. I've already seen "Million Dollar Baby" and "Raging Bull" this year, and accidentally watched part of one of the "son of Rocky" serial movies on a Saturday afternoon. I feel like I am being punched, as Renee' Zellwegger's character Mae Braddock says, and I'm not as tough as these prize fighters.

But this one has Russell Crowe in it. And that makes all the difference.

It is not that Renee Zellwegger and Paul Giamatti, Paddy Considine, Bruce McGill and Craig Bierko, among others, give less than stellar performances: they all live up to their justifiably great reputations. You have to believe they are at the top of their game. But for all of Russell Crowe's reputation for being "difficult", it is hard to think of actors who can equal his personal force on the screen. He is brilliant.

Ron Howard has made of the real life of Depression-era prize-fighter James J. Braddock a work of art. The camera work is phenomenal. Without using violins or cliché' pull-back shots showing the numbers of people homeless and in soup lines, Howard makes the Depression a visceral reality with scenes of near-hopeless men at the docks, pleading for a day's work; a stolen salami; Crowe's giving his daughter his breakfast piece of bologna, telling her he dreamed he was full. The bleakness of the times is the graininess and the sepia/greyness of the camera shots; the images are stark but completely descriptive. Crowe as Braddock with hat in hand and tears in his eyes, begging for twenty dollars so he can get his children back into his home, is the personification of pride sacrificed to desperation. But when Braddock is later asked at a press conference why he is fighting at his age and after so many poor showings, all he has to say is "milk" to be supremely eloquent.

Doubtless many people know the history of James Braddock, and know the outcome of his fights, including the championship bout with Max Baer, who had already killed two men in the ring. If you don't know, DON'T look it up before you see the movie, and if you DO KNOW, DON'T TELL, but go. Analogous to watching Howard's film "Apollo 13", you may know the outcome, but there's wonderful suspense in the details. These were among the most exciting last twenty minutes I've seen on film. I didn't expect to be able to watch, but like Braddock's terrified wife Mae, I was unable to tear myself away.

The audience was like a prize fight audience, cheering, booing, gasping, groaning during the fights. We applauded Braddock's wins, suffered his defeats. It is a great movie, with authentic heart. Solid A.


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