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Carmen (2003)

 -  Drama | Romance  -  3 October 2003 (Spain)
6.0
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Ratings: 6.0/10 from 1,227 users  
Reviews: 21 user | 11 critic

On a journey through Spain, the French writer Prosper Merimee (Jay Benedict) is forced by fate to be the witness of a story of passion... See full synopsis »

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Title: Carmen (2003)

Carmen (2003) on IMDb 6/10

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2 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
José
Antonio Dechent ...
Tuerto
Joan Crosas ...
Jay Benedict ...
Próspero
Joe Mackay ...
Teniente
Josep Linuesa ...
Lucas
Julio Vélez ...
Señorito
Emilio Linder ...
Aristóteles
Miguel Ángel Valcárcel ...
Juanele
...
Magistrado
Ismael Martínez ...
Antonio
Ginés García Millán ...
Tempranillo
Susi Sánchez ...
Blanca
...
Fernanda
Edit

Storyline

On a journey through Spain, the French writer Prosper Merimee (Jay Benedict) is forced by fate to be the witness of a story of passion... See full synopsis »

Add Full Plot | Plot Synopsis

Genres:

Drama | Romance

Parents Guide:

 »
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Details

Official Sites:

Country:

| |

Language:

| |

Release Date:

3 October 2003 (Spain)  »

Also Known As:

Carmen - Divoká vásen  »

Filming Locations:

 »

Box Office

Opening Weekend:

$1,141,628 (Spain) (3 October 2003)

Gross:

$2,868,792 (Spain) (17 October 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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User Reviews

 
Excellent, enjoyable update on the Femme Fatale genre
2 August 2004 | by (Somewhere) – See all my reviews

I thoroughly enjoyed Carmen, better than Original Sin (Angelina Jolie & Antonio Bandaras), which share some thematic similarities, and which I also enjoyed very much. I felt the acting was stronger here (Paz Vega displayed a wider range, has more fire; and Sbaraglia was also great). Overall, their acting was more gritty, more believable (less dreamy than Original Sin, and both actors here had less 'celebrity status' and 'pretty face' to depend on to make the movie work. Vega definitely sizzles, as to be expected.

Director Vincente Aranda has also built a detailed world (again, better than Original Sin) that lets you feel the grime and the daily goings-on of archaic Spain - for example, people unloading goods from a cart on the street, workers changing the candles of the street lamps, all in the background of the action.

Whilst I greatly sympathize with the recent idea of redeeming our femme fatals (like Brian de Palma's Femme Fatale), Carmen is a poignant, modern take in the tradition of the noir classic Double Indemnity, and is a delightful pleasure to watch. This is another fine example of the triumph of daring European cinema over glitzy and safe Hollywood fare.


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