| Photos (see all 4 | slideshow) |
| Hiroyuki Sanada | ... | Seibei Iguchi | |
| Rie Miyazawa | ... | Tomoe Iinuma | |
| Nenji Kobayashi | ... | Choubei Kusaka | |
| Ren Ôsugi | ... | Toyotarou Kouda | |
| Mitsuru Fukikoshi | ... | Michinojo Iinuma | |
| Kanako Fukaura | |||
| Hiroshi Kanbe | ... | Naota | |
| Miki Itô | ... | Kayano Iguchi | |
| Erina Hashiguchi | ... | Ito Iguchi | |
| Reiko Kusamura | ... | Iguchi's Mother | |
| Setsuko Tanaka | |||
| Kii Mizuno | |||
| Yuuki Natsusaka | |||
| Astushi Maeda | |||
| Tsukasa Sugawara | |||
| Kouichi Taniguchi | |||
| Teruhiko Tanaka | |||
| Takako Miyashima | |||
| Sachiko Takada | |||
| Mayu Komori | |||
| Astushi Yoshikawa | |||
| Kenji Yoshida | |||
| Takashi Yamazaki | |||
| Shinya Amako | |||
| Rio Ishino | |||
| Norio Satou | |||
| Keishi Arashi | |||
| Baijaku Nakamura | |||
| Makoto Akatsuka | |||
| Masahiro Satô | |||
| Senri Sakurai | |||
| Masayasu Kitayama | |||
| Toshinori Omi | |||
| Shinjiro Nakamura | |||
| Min Tanaka | ... | Zenemon Yogo | |
| Keiko Kishi | ... | Ito | |
| Tetsuro Tamba | ... | Tozaemon Iguchi |
Directed by | |||
| Yôji Yamada | |||
Writing credits | ||
| Shûhei Fujisawa | (novels "Tasogare Seibei", "Chikkou Shiatsu" and "Iwaibito Sukehachi") | |
| Yôji Yamada | (screenplay) and | |
| Yoshitaka Asama | (screenplay) | |
Original Music by | |||
| Isao Tomita | |||
Cinematography by | |||
| Mutsuo Naganuma | |||
Film Editing by | |||
| Iwao Ishii | |||
Production Design by | |||
| Mitsuo Degawa | |||
Art Direction by | |||
| Yoshinobu Nishioka | |||
Costume Design by | |||
| Kazuko Kurosawa | |||
Production Management | |||
| Takakazu Aiba | .... | production manager | |
| Yoshinori Aso | .... | production manager | |
| Junichi Mine | .... | unit manager | |
| Motohiko Saitou | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Kinichi Hanawa | .... | assistant director | |
| Emiko Hiramatsu | .... | trainee assistant director | |
Sound Department | |||
| Kazumi Kishida | .... | sound | |
Camera and Electrical Department | |||
| Miho Kimbara | .... | assistant camera | |
| Genken Nakaoka | .... | lighting designer | |
Music Department | |||
| Yousui Inoue | .... | composer: theme song "Kimerareta Rizumu" | |
Other crew | |||
| Hiroshi Kuze | .... | choreographer | |
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| Kakushi ken oni no tsume | Shichinin no samurai | Barry Lyndon | Memoirs of a Geisha | Bushi no ichibun |
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| News articles | IMDb Drama section | IMDb Japan section |
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Hiroyuki Sanada (Western audiences may recognize him from his recent turn as Ujio from The Last Samurai, 2003), carries this film with his masterful acting, making the portrayal of "Tasogarei Seibei" (a.k.a. a samurai jokingly called "Twilight" by his colleagues), a poignant and memorable portrayal of a true hero.
Sanada plays Seibei Iguchi, a poor, 50-koku ranked samurai who has to support his two daughters and a senile mother, due to the passing away of his wife. The structure and plot turns of the story are simple, but fascinating to watch unfold, and it is perhaps the simplicity and novelistic grace of the narrative that makes the film so remarkable. Seibei works as a scribe with his fellow samurai, and always has to rush home after work to attend to his duties as a father. He lets hygieine slowly slide into second priority (resulting in rather unkempt clothes and socks), but in general, he doesn't seem to care: his two daughters he treasures above all other things. When a woman named Tomoe, a childhood friend that Seibei was particularly fond of, suddenly re-appers into his life, Seibei makes certain decisions that he ultimately ends up regretting later. The rest of the story is full of very interesting plot develoments, playing with the audience's expectations (especially with the relationship between Tomoe and Seiebi), and although the film is not a traditional samurai film in that it does not have alot of action scenes, the composition of the tale, and its "storytelling" invocation (one of the daughters narrates) is good enough to keep you watching.
Hiroyuki Sanada playing Seibei is really a marvel to watch; he adds a very sensible depth and modesty to the character, and infuses it with some understated comic acting as well. At the end of the film, after the climatic final battle, Sanada is able to make the character of Seibei resonate with a very unconventional but nonetheless strong and beautiful heroism. Sanada is really a very talented thespian, and in this film, you may get to sample the sheer range of his great technique. For the world-class acting work he did in this film, he won a Japanese Academy Award, and the film also got noticed by the Oscars (nominated for Best Foreign Language Film, 2004). If there's a chance your able to catch this film in a local theatre (usually, it plays at Landmark) do so, you won't regret it. You'll be able to watch an excellent story unfold, and also see some of the finest acting in world cinema today.