During the time of change of the mid-19th Century, Yaichiro is bid farewell by his fellow samurai friends Munezo and Samon as he leaves their clan's fiefdom on the northwest coast of Japan ... See full summary »
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
Seibei Iguchi, a low-ranking samurai, leads a life without glory as a bureaucrat in the mid-XIX century Japan. A widower, he has charge of two daughters (whom he adores) and a senile mother; he must therefore work in the fields and accept piecework to make ends meet. New prospects seem to open up when Tomoe, his long-time love, divorces a brutal husband. However, even as the Japanese feudal system is unraveling, Seibei remains bound by the code of honour of the samurai and by his own sense of social precedences. The consequences are cruel. Written by
Eduardo Casais <firstname.lastname@example.org>
Though there is no year stated in the movie, the main events of the movie takes place two years before the 1867-68 "Boshin War" as told by Seibeis daughter in the last scene. See more »
Father, If I learn to do needlework someday I can make kimonos. But what good will book learning ever do me?
Well, it probably won't ever be as useful as needlework. But you know, book learning gives you the power to think. However the world might change, if you have the power to think you'll always survive somehow. That's true for boys and for girls. All right?
See more »
I approached director Yoji Yamada's period film anticipating the usual brew of flashing blades, unfathomable codes of honour and majestic arterial sprays but found instead a gently melancholic and beautifully played story of unspoken love and ethical struggle.
Seibei (a mesmerising less-is-more turn from Hiroyuki Sanada) is a low-ranking widowed samurai with a senile mother and two daughters, working in the castle's stores and taking in piecework to get by.
Grief at his wife's death has led him to turn his back on violence but he is confronted with it nonetheless, firstly as a result of the return of a childhood friend for whom he has strong feelings and who is fleeing her abusive marriage and, finally, when the politics of the day overtake his clan and he is ordered to carry out an assassination.
Seibei's struggle is not for outward respect but to find integrity within a social order over which he has no influence, making the bursts of violence all the more jarring.
Yamada's film is rightly compared to Kurosawa's work and its thoughtful, lyrical tone and themes resonate powerfully.
69 of 72 people found this review helpful.
Was this review helpful to you?