8 out of 21 people found the following comment useful :- How They Get There, 23 May 2003
Author:
Ryan Maisel
I saw this short on Atom Films a couple of years ago and loved it so
much,
it hurt. I thought it was so simple yet creative and romantic that I
nearly
snuffed myself out after watching it. I was in my cubicle at the time of
my
first viewing, at a job that was going nowhere real fast and I was shook
to
the bone. With each effort, Spike never disappointed and with "How They
Get
There," I had had enough. I thought I had ideas, I thought I had
something
going, but after seeing what Spike did with this film, and how effortless
it
seemed, I lost everything. My film, "Girls Without Fathers" bombed.
People
booed it. It was a thirty-minute muddy movie. I even had walk-outs.
Yet
Spike had it all. Every single time he hit. Whether it was with Nike's
Y2K
campaign, or that dog's video "Hey, Old Timer," he was always on. For
months after seeing this short I couldn't come up with a single hook. I
had
no vision, I couldn't even come up with one lousy snippet of dialogue. I
couldn't sleep and I even entertained the thought of re-creating this
piece,
claiming it as my own. People would love me then. I would love me then.
Afterall, who had seen it? Just me, as far as I was concerned. But, I
never re-created it.
That day, after watching Spike's movie, I shared my thoughts with a
married
woman. A woman I worked with, just two cubicles over. A woman, who as
an
independent filmmaker, shook up the local Tulsa, Oklahoma scene with a
just-as-stunning-as-How They Get There picture entitled, "Jimmy." She
was
marvelous, sun-kissed, stunning as a queen bee, and tapped into tons of
new
ideas, ideas she wasn't afraid to share because they were perfection and
because they were abundant. Ideas that the Spike's, Wes Anderson's, PT's
or
Roman Coppola's of the world could never tap into, never get their hands
on.
An original with a unique voice and vision. I loved her then, just as I
love her now. I was crushed by the fact she was married, just as I was
crushed by the existence of "How They Get There," so original, so cute,
and
so brilliant. I told her everything, how I was useless, how my life had
no
meaning if I couldn't come up with a single idea, how I was never going
to
get anywhere by living intimidated by one man's work and how I feared my
life was doomed to the confinement of those pink velvet crush walls of my
cubicle. She listened. And she eased my pains, temporarily, with down
cotton words and I went home that day feeling like someone really looked
up
to me as a creative entity; I napped on the encouragement. When I woke
up,
I watched the movie again and again I felt saddened. My girlfriend at
the
time just laughed at me, as she often did, and drank herself into a
vomitous
fit, as she often did, and ended messing around with my roommate's best
friend, who ended up being, by chance, my co-worker's husband. The next
morning, I vowed to never watch, "How They Get There" ever again. And I
haven't to this day.
Call it what you will, but "How They Get There" served as a catalyst to
how
that woman I shared my pain with that day ended up becoming my live-in
girlfriend and love of my life. Thanks, Spike. Two years strong. And
not
only is she a dream-come-true, but she's the secret behind all my
fantasy.
My muse. And she's incredibly encouraging.
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8 out of 21 people found the following comment useful :-
How They Get There, 23 May 2003
Author: Ryan Maisel
I saw this short on Atom Films a couple of years ago and loved it so much, it hurt. I thought it was so simple yet creative and romantic that I nearly snuffed myself out after watching it. I was in my cubicle at the time of my first viewing, at a job that was going nowhere real fast and I was shook to the bone. With each effort, Spike never disappointed and with "How They Get There," I had had enough. I thought I had ideas, I thought I had something going, but after seeing what Spike did with this film, and how effortless it seemed, I lost everything. My film, "Girls Without Fathers" bombed. People booed it. It was a thirty-minute muddy movie. I even had walk-outs. Yet Spike had it all. Every single time he hit. Whether it was with Nike's Y2K campaign, or that dog's video "Hey, Old Timer," he was always on. For months after seeing this short I couldn't come up with a single hook. I had no vision, I couldn't even come up with one lousy snippet of dialogue. I couldn't sleep and I even entertained the thought of re-creating this piece, claiming it as my own. People would love me then. I would love me then. Afterall, who had seen it? Just me, as far as I was concerned. But, I never re-created it.
That day, after watching Spike's movie, I shared my thoughts with a married woman. A woman I worked with, just two cubicles over. A woman, who as an independent filmmaker, shook up the local Tulsa, Oklahoma scene with a just-as-stunning-as-How They Get There picture entitled, "Jimmy." She was marvelous, sun-kissed, stunning as a queen bee, and tapped into tons of new ideas, ideas she wasn't afraid to share because they were perfection and because they were abundant. Ideas that the Spike's, Wes Anderson's, PT's or Roman Coppola's of the world could never tap into, never get their hands on. An original with a unique voice and vision. I loved her then, just as I love her now. I was crushed by the fact she was married, just as I was crushed by the existence of "How They Get There," so original, so cute, and so brilliant. I told her everything, how I was useless, how my life had no meaning if I couldn't come up with a single idea, how I was never going to get anywhere by living intimidated by one man's work and how I feared my life was doomed to the confinement of those pink velvet crush walls of my cubicle. She listened. And she eased my pains, temporarily, with down cotton words and I went home that day feeling like someone really looked up to me as a creative entity; I napped on the encouragement. When I woke up, I watched the movie again and again I felt saddened. My girlfriend at the time just laughed at me, as she often did, and drank herself into a vomitous fit, as she often did, and ended messing around with my roommate's best friend, who ended up being, by chance, my co-worker's husband. The next morning, I vowed to never watch, "How They Get There" ever again. And I haven't to this day.
Call it what you will, but "How They Get There" served as a catalyst to how that woman I shared my pain with that day ended up becoming my live-in girlfriend and love of my life. Thanks, Spike. Two years strong. And not only is she a dream-come-true, but she's the secret behind all my fantasy. My muse. And she's incredibly encouraging.
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