| Jeremy Sisto | ... | Christian | |
| Erik Palladino | ... | David | |
| Bianca Lawson | ... | Kate | |
| Oz Perkins | ... | Johnny | |
| Ever Carradine | ... | Sara | |
| Gina Philips | ... | Melody | |
| Zach Selwyn | ... | Randall Keith Randall | |
| Miranda Bailey | ... | Lisa Belmont | |
| Brent David Fraser | ... | The Drifter | |
| Diedrich Bader | ... | Chef Henri | |
| David Carradine | ... | Mr. Wise | |
| Jeffrey Dean Morgan | ... | The Sheriff | |
| Mark Kelly | ... | Enus | |
| Luiggi Debiasse | ... | The Gardener | |
| Ric Barbera | ... | The Preacher | |
| Portia de Rossi | ... | Kelly - The Bride | |
| Devon Gummersall | ... | Orange Cap | |
| Padraic Aubrey | ... | The Mullet Man | |
| Jeff Enden | ... | Cletus - The Poster Guy | |
| John Oszajca | ... | The Drummer | |
| Evan Helmuth | ... | The Bass Player | |
| Zed Starkovich | ... | Harmonica Bob (as Zed B. Starkovich) | |
| Matthew Leutwyler | ... | The Leg Wrestler - Loser | |
| David W. Strong | ... | The Leg Wrestler - Winner | |
| John Robb | ... | The Bartender | |
| Barry Ratcliffe | ... | The Ear Guy | |
| Amy Claire | ... | The Waitress (as Amy Claire Lloyd) | |
| Vincent Ventresca | ... | The Doc | |
| Brian Gattas | ... | The Farmer | |
| Theresa Burkhart | ... | The Skanky Chick | |
| Brian Vander Ark | ... | The Tall Hick | |
| Johnny Martin | ... | The Bar Back | |
| Brooke Allison | ... | Miss Kimble - the Chick With the Foaming Mouth and the Hammer in Her Head | |
| rest of cast listed alphabetically: | |||
| Jeffrey T Ferguson | ... | Townie (uncredited) | |
| Zakareth Ruben | ... | Bridesmaid (uncredited) | |
Directed by | |||
| Matthew Leutwyler | |||
Writing credits | ||
| Matthew Leutwyler | (story) and | |
| Jun Tan | (story) & | |
| Billy Burke | (story) | |
| Matthew Leutwyler | (screenplay) | |
Produced by | |||
| Miranda Bailey | .... | executive producer | |
| Wang Ching | .... | executive producer (as Ching I Wang) | |
| Michael K. DeVaney | .... | associate producer | |
| Francey Grace | .... | co-producer | |
| E.J. Heiser | .... | producer | |
| Joe Madden | .... | executive producer | |
| Julie Sandor | .... | co-producer | |
| Jun Tan | .... | producer | |
Original Music by | |||
| Brian Vander Ark | |||
Cinematography by | |||
| David Scardina | (director of photography) | ||
Film Editing by | |||
| Peter Devaney Flanagan | |||
Casting by | |||
| Kari G. Peyton | |||
Production Design by | |||
| Don Day | |||
Art Direction by | |||
| Guy Harrington | |||
Set Decoration by | |||
| Lisa Clark | |||
Costume Design by | |||
| Molly Grundman | |||
Makeup Department | |||
| Suzette Mariel | .... | makeup department head | |
| Michael Mosher | .... | special effects makeup supervisor | |
| Richard Redlefsen | .... | prosthetic makeup artist | |
| Nicole Sofios | .... | makeup artist | |
Production Management | |||
| Anton Laines | .... | unit production manager | |
| Tess Lindberg | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Gino Caputi | .... | second assistant director | |
| Michael K. DeVaney | .... | first assistant director | |
| Christopher James Hall | .... | additional second assistant director | |
| Zed Starkovich | .... | first assistant director: second unit | |
| Zed Starkovich | .... | second second assistant director | |
| Kendrick Wright | .... | additional second second assistant director | |
Art Department | |||
| Katherine Covell | .... | on-set dresser | |
| Terri Fredlund | .... | assistant art director | |
| Sean House | .... | specialty props | |
| Jessica M. Lapin | .... | art department coordinator | |
| Stephanie K. Lin | .... | graphic artist | |
| Linda Lodico | .... | set dresser | |
| Patrick Ludden | .... | property master | |
| Annie Mueller | .... | assistant property master | |
| Alfred Leslie Pollard | .... | construction coordinator | |
| Stephen Reedy | .... | art department assistant | |
| Jun Tan | .... | storyboard artist | |
Sound Department | |||
| Spencer Blair | .... | post-sound assistant | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Paul Drenning | .... | adr mixer | |
| Stephen M. Galvin | .... | adr editor | |
| Stephen M. Galvin | .... | dialog editor | |
| Patrick M. Griffith | .... | supervising sound editor | |
| Todd Langner | .... | sound re-recording mixer | |
| Steve McCarty | .... | sound effects editor | |
| Cathleen Rowland | .... | foley | |
| Kyiakhalid Ruiz | .... | boom operator | |
| Galen L. Senogles | .... | foley (as Galen Senogles) | |
| David Silverberg | .... | sound mixer | |
Special Effects by | |||
| Rocky Faulkner | .... | special effects crew | |
| Sean House | .... | mechanical effects | |
| Sean House | .... | specialty prop constructor | |
| Ralis Kahn | .... | special effects | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: main title, iO FILM | |
Stunts | |||
| Dan Bell | .... | stunts | |
| Robin Lynn Bonaccorsi | .... | stunt double: Ever Carradine | |
| Rocky Capella | .... | stunt coordinator | |
| Lisa Dempsey | .... | stunts | |
| Thomas M. Ficke | .... | stunt double | |
| James Gutierrez | .... | utility stunts | |
| Kevin Larson | .... | assistant stunt coordinator | |
| Mike Martinez | .... | stunt performer | |
| Tim Meredith | .... | stunts | |
Camera and Electrical Department | |||
| Nick Anthony | .... | grip | |
| Arthur Aravena | .... | gaffer | |
| Michael Best | .... | best boy electric | |
| Mike Booth | .... | additional electrician | |
| Isaac Camner | .... | best boy grip | |
| Kiki Cheung | .... | grip | |
| Jay Coakley | .... | grip | |
| Rick Edmondson | .... | grip | |
| Rick Ewald | .... | additional camera operator | |
| Jason Gilbertson | .... | grip | |
| Russell Hosking | .... | grip (as Russell A. Hosking) | |
| Anne Lee | .... | second assistant camera | |
| John Leventis | .... | electrician | |
| Gerardo Merino | .... | grip | |
| Thomas C. Miller | .... | assistant camera | |
| Adam Morrison | .... | additional camera operator | |
| Khamisi Norwood | .... | electrician | |
| Jason Predock | .... | electrician | |
| Edwin Schenderlein | .... | grip | |
| Alex Selkowitz | .... | grip | |
| Donavan Sell | .... | electrician | |
| John South | .... | additional camera operator | |
| Andrew D. Stadler | .... | additional second assistant camera | |
| Todd Stoneman | .... | grip | |
| David W. Strong | .... | key grip | |
| Jonathan 'Sketch' White | .... | best boy | |
Casting Department | |||
| Donna Robinson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Meredith J. Murray | .... | costume supervisor | |
Editorial Department | |||
| Jeremy Anderhalt | .... | color timer: film | |
| Mike Daily | .... | negative cutter | |
| Matt DeNoto | .... | post-production assistant (as Matt De Noto) | |
| Tess Lindberg | .... | assistant editor | |
| Amanda Marshall | .... | post-production assistant (as Amanda Hartrey) | |
| Karen Otterstad Philippenko | .... | assistant editor | |
| Ken Schwartz | .... | colorist | |
Music Department | |||
| Michael Becker | .... | additional music editor | |
| Michael Becker | .... | music supervisor | |
| Steven A. Saltzman | .... | music editor | |
| Zach Selwyn | .... | composer: additional music | |
Transportation Department | |||
| Bundy Chanock | .... | transportation coordinator | |
| Clark Dolan | .... | driver: honeywagon | |
| Adam M. Dunne-De'Coligny | .... | transportation captain | |
| Jonathan Evans | .... | driver | |
| Dan Katter | .... | driver | |
| Reed Phillips | .... | driver | |
| Reed Phillips | .... | transportation co-captain | |
| Marc Wall | .... | driver | |
| Marc Wall | .... | talent driver | |
| David D.B. Wilson | .... | driver | |
Other crew | |||
| Brooke Allison | .... | choreographer | |
| Justin Baird | .... | production assistant | |
| Bundy Chanock | .... | set medic | |
| Blair Franklin | .... | office production assistant | |
| Jack Gutowitz | .... | production assistant | |
| Melissa Jones | .... | production assistant | |
| Josh Katz | .... | production assistant | |
| Matthew Labate | .... | production coordinator | |
| Angela Mixan | .... | production coordinator | |
| Virginia Saenz McCarthy | .... | script supervisor | |
| Roger Udwin | .... | additional assistant coordinator | |
| Wade Weliever | .... | production assistant | |
Thanks | |||
| Curran G. Engel | .... | thanks | |
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| Kill Bill: Vol. 1 | Machete | The Crazies | The Professional: Golgo 13 | The Departed |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Horror comedies are usually much better on paper than on film, which Dead & Breakfast wholeheartedly proves. The first half is a mish-mash of self-consciously 'witty' dialogue and 'hilarious' situations as a group of yappy twenty-somethings throttle in a Winnebago towards Texas for a wedding. But an overnight detour leads them into a den of hillbilly zombies and handmade shotguns, and some semblance of fun, whether it's comedic or not.
With its unnecessary close-ups, terrible acting, and abhorrent hand-held camera use, Dead and Breakfast has all the charm of a first feature by a fanboy with too many ideas and too little experience. (Note that this is actually writer/director Matthew Leutwyler's third feature.) This isn't to say that the movie's bad there's plenty of gore and creative death scenes to tickle your attention span for 88 minutes. But as a horror film it never finds its voice, and as a comedy, it tries far too hard to ever provoke a good chuckle out of me.
Early on, the lead is taken by Christian, a pill-popping but level-headed mediator played by the always wonderful Jeremy Sisto. But his premature nixing leaves the scattered cast without a den mother. Sara (Ever Carradine, who amazingly looks nothing like a Skolnick) should be leading the pack, but she spends the rest of the film bellowing, 'you've got to be kidding me!' as she wards off zombie attacks. Hardly a leading heroine. The rest of the cast much better than the headshot-cast prats I see in studio horror pics these days - simply squabble amongst themselves about personal issues while under attack. Then there's the 'comedy': look, drunk guys aren't funny, rude French people aren't funny, and while slipping around in a puddle of gore is funny (see Shaun of the Dead's off-screen tumble by Simon Pegg), when the scene lasts upwards of 30 seconds, one feels pandered to. Even hillbilly zombies aren't funny isn't that a little too on the nose?
You could do worse than Dead & Breakfast, but if you're looking for a genuine laugh with a good smattering of gore, check out another of Lions Gate's indie horror acquisition, Monster Man. And if you want a good zombie gorefest, stick with Dead Alive or Evil Dead II, which Dead & Breakfast aspires so painfully to be. Because there's nothing funny about desperation, is there?