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Cavalcade of Archery (1946)

6.4
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Ratings: 6.4/10 from 152 users  
Reviews: 6 user

The famous archer, Howard Hill, demonstrates his skill with various trick shots.

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(narration written by)
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Title: Cavalcade of Archery (1946)

Cavalcade of Archery (1946) on IMDb 6.4/10

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Cast

Complete credited cast:
Howard Hill ...
Himself - World's Greatest Archer
Knox Manning ...
Narrator (voice)
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Storyline

Filmed (mostly edited from stock footage) in late 1945 but released in January of 1946, this short tells the story of archery down through the ages, or as much as can be told in 10 minutes and beginning with Robin Hood. Hello, WB archive footage. Noted archer Howard Hill does some exhibition shooting including a duplication of William Tell's apple-splitting. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Genres:

Short | History

Certificate:

Approved
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Details

Country:

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Release Date:

12 January 1946 (USA)  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Stuntman Buster Wiles described in his autobiography how Howard Hill shot an apple off Wiles's head from sixty yards, then topped that by shooting a prune off his head. See more »

Soundtracks

Frühlingslied [Spring Song] Op.62 #6
(1842)
Written by Felix Mendelssohn-Bartholdy
Played as background music
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User Reviews

 
Swift Arrow
4 May 2003 | by (Forest Ranch, CA) – See all my reviews

A Warner Bros. Short Subject.

Master Bowman Howard Hill displays his remarkable skills in a Technicolor CAVALCADE OF ARCHERY.

Seven years after using his talents to great advantage in the classic swashbuckler THE ADVENTURES OF ROBIN HOOD (1938), Howard Hill once again steps in front of the cameras in this enjoyable, lighthearted little film. Although the silly narration sometimes intrudes, it never obscures what Mr. Hill is able to do with his arrows to a variety of targets, including bottles, a gourd, an apple & even a prune.

Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.


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