After a military plane crash near a small American town, a giant man-eating snake set off on a killing spree. The locals must find a way to eliminate the snake with the help of a scientist who knows about the snake and terminates it.
Casper Van Dien
When the body of a man is found completely destroyed in the swamps in Louisiana, the medical investigator Sam Rivers is assigned to investigate the murder. He travels with the biologist ... See full summary »
On a hot summer afternoon in the sleepy town of Blackwater, Louisiana locals exiting a retro-fitted theater excitedly watch as a meteor streaks across the sky and crashes through the roof ... See full summary »
A subway tunnel under construction, unearths metre-long scorpion-like bugs who awake from their centuries old hibernation with a voracious appetite for human flesh. After a police officer is all but consumed (save for the graphically depicted dismembered torso), FBI agent and eminent entomologist lead a SWAT team into the tunnel to contain and destroy the bugs, with disastrous results.
Economically paced with rapid momentum and frequent thrills, this made for TV action-thriller features a high-fatality rate, gory special effects and a couple of reasonable characterisations in the supporting ranks. Antonio Sabato, Jnr and Angie Everhart while initially looking overly alarmed, manage to tone it down as the film progresses. R.H. Thomson's performance as an easy-going engineer trying to right the wrongs of his megalomaniacal boss, seems (for a while) to only be capable of doom-saying and introducing myriad obstacles to the mission. But, as the story nears its climax, Thomson redeems his somewhat shady involvement, and closes the film with an unselfish act of heroism.
Constrained by the obvious made-for-TV budget, the insect special effects are sometimes hokum, but the visual effects department spares no body part in depicting gory mutilations, with enough claret spilled to run a blood bank for an eternity. Some credit must go to director Joseph Conti, who, as the credits display, seemed to have a hand in most of the executive roles. His tight, frenetically paced direction maintains a lively and energetic pace that ensures "Bugs" never labours like most of the subway cars do in the film.
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