The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Ray Charles has the distinction of being both a national treasure and an international phenomenon. By the early 1960s, Ray Charles had accomplished his dream. He had come of age musically and had made it to Carnegie Hall. The hit records "Georgia on My Mind" and "Born to Lose" successively kept climbing to the top of the charts. He had made his first triumphant European concert tour in 1960 (a feat which, except for 1965, he has repeated at least once a year ever since). He had taken virtually every form of popular music and broken through its boundaries with such awe inspiring achievements as the LP's "Genius Plus Soul Equals Jazz" and "Modern Sounds in Country & Western". Rhythm and blues (or "race music" as it had been called) became universally respectable through his efforts. Jazz found a mainstream audience it had never previously enjoyed. And country and western music began to chart an unexpected course to general acceptance, then worldwide popularity. And along the way, Ray ... Written by
Originally slated to be released on the first week of October 2004, but the delay at the start of editing prompted the film to be released two weeks later. According to director Taylor Hackford, the original editor quit the project one month after production started before Paul Hirsch was brought in. When Hirsch joined in, he wanted an additional two weeks to edit the earlier material (approved) and insisted to have a stand-alone work print - which became the Extended version of the film. See more »
In a scene set in 1954, Ray and the guys from Atlantic Records pull up in front of a theater in a 1956 Ford taxicab. See more »
Always remember your promise to me. Never let nobody or nothing turn you into no cripple.
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Producers wish to thank David "Fathead" Newman (Who still performs internationally and enjoys a healthy drug-free lifestyle) See more »
My wife wanted to see this movie and I grudgingly went along. I have never been a big fan of the biopic - believing that cinema is more exciting when it isn't structured in non-fiction. Beyond that, although I like Ray Charles' music just fine, I don't consider myself a fan of him or his music.
I expected to either suffer or coast through this movie.
I was wrong.
This is an engaging story told in a classic cinematic style. The realism is in the nuances - the tilt of a character's head after a dramatic moment or the look in their eyes while they sing. I literally discovered myself involved in this movie during the course of viewing it.
Jaime Foxx, of which much has been said, heads a cast of immaculate re-creators of not just a time, but an ERA, a LIFE that never really existed to those of us under forty. This movie sinks the audience into time without the gimmicks and grand sweeping panoramas of Titanic or other period pieces of that ilk. This movie doesn't present you with the 50's and 60's music scene, it takes you there.
This is a movie about Ray Charles, but your appreciate of it should not be limited to the story of his life. This is the kind of movie, like Saving Private Ryan or Schindler's List, that does what a movie should do - bring you to another place, another time.
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