A graduate student preparing his thesis on mythology leads his friends on a research expedition to an old plantation estate on the outskirts of the Big Easy. The site is reputed to mysteriously cause madness and death to all who enter it.
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Sean Michael Allen,
Pulp novelist Eric lives in a bad neighborhood, and the guy upstairs annoys him with his noise. Gradually this escalates to pranksters phone calls and wire tapping which ticks off Eric's already unstable, nervous and paranoid personality.
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Peter and Chris, two young American friends in their late 20s, go from South Dakota to California on a scooter, and as they travel across the American landscape they see their country ... See full summary »
Michael A. Goorjian,
The graduation student Mark is developing a monograph work about contemporary myths, and he interviews the psychiatrist Dr. Theodore Rosen, who was treating Carl Bryce, a deranged teenager that killed his parents twenty years ago. The body of Carl has never been found and there is an urban legend that the spot is a cursed place since slavery times, causing madness and death to those that trespass the area. Mark invites his friends Eric, Tyler, Kristy Goodman and Sharon to help him in his research in the old real estate. Once there, a mysterious killer starts to execute and chase the group, with the survivors trying to escape alive. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
dim, talky, unimaginative horror movie with uninteresting characters
A friend rented this movie, and he liked it so much he wants to get his own copy now. He had me watch the rental. I don't understand what he liked about it! I'm going to have to ask him.
In an opening scene set twenty years in the past, as I recall, a couple is concerned about their son, who's killed a dog. I think. They both get killed by someone in a mask before the opening credits begin. Maryam D'Abo plays the mother, and does a convincing accent, assuming she's not dubbed. This scene, apart from the father wandering around a lot in his underwear, and talking talking talking, wasn't terribly bad.
However, after that it's a heck of a lot more talking. In a scene with Kurtwood Smith and one of the twentysomethings, they have a conversation in which the scene continually cuts between two static one-shots. How about a different angle, or a two shot, or something to break up the monotony?
A bunch of unsympathetic twentysomethings go out to the house from the opening. It's surrounded with a lot of animal traps. It's dark inside and the camera jerks around a lot. They talk a lot. People get killed, though you can barely see them. The end.
Even this director's Witchcraft IV, a pretty unmemorable movie in a generally pretty poor series, was better than this.
4 of 7 people found this review helpful.
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