| Deborah Quayle | ... | Mrs. Darling | |
| Marcus Reynaga | ... | Michael Darling | |
| Wil Wheaton | ... | John Darling | |
| Melany Bell | ... | Wendy Darling | |
| David Jahn | ... | Mr. Darling | |
| Joey | ... | Nana | |
| Stephanie Kirchen | ... | Liza (as Stephanie Orff) | |
| Rick Sparks | ... | Peter Pan | |
| Kari Wahlgren | ... | Tink | |
| Ryan Patrick Kelly | ... | Tootles | |
| Ian Mantha | ... | Slightly | |
| Eli Swanson | ... | Curly | |
| Zac Cole | ... | Nibs (as Zach Cole) | |
| Tyler Kremer | ... | Twin #1 | |
| Nathan Towry | ... | Twin #2 | |
| Jake Winsryg | ... | Tink's Kid | |
| Gary Kelley | ... | Hook | |
| Scott Mechlowicz | ... | Smee | |
| Kevin Christy | ... | Crocodile | |
| Reed Prescott | ... | Boyfriend | |
| Ray Garcia | ... | Tiger Lily | |
| Monica Louwerens | ... | Indian | |
| Yayoi Ito | ... | Indian | |
| Karen Blake Challman | ... | Indian Dancer | |
| Roman Vasquez | ... | Indian | |
| Red Savage | ... | Indian (as Samuel 'Red' Savage) | |
| Al Bee | ... | Indian | |
| Saadia Billman | ... | Mermaid | |
| Elena Fabri | ... | Mermaid | |
| Jill Kocalis | ... | Mermaid | |
| Karim Imam | ... | Cecco | |
| Gilbert Aguilera | ... | Starkey | |
| Richard John Walters | ... | Bill Jukes | |
| Steven Reiswig | ... | Cookson | |
| Craig Jackman | ... | Park Announcer |
Directed by | |||
| Damion Dietz | |||
Writing credits(in alphabetical order) | ||
| Damion Dietz | ||
Produced by | |||
| Damion Dietz | .... | producer | |
| Stephanie Kirchen | .... | producer (as Stephanie Orff) | |
| Elyse Rogers | .... | line producer | |
Original Music by | |||
| Jeffery Alan Jones | |||
Cinematography by | |||
| Derek Dale | |||
Film Editing by | |||
| Scott Baldyga | |||
Costume Design by | |||
| Mary Kelly | |||
Makeup Department | |||
| Cheri Law | .... | assistant makeup artist | |
| Oscar Loya | .... | makeup artist | |
| Chip Swalley | .... | assistant makeup artist | |
| Anne Wheaton | .... | hair stylist | |
Production Management | |||
| Vince Filippone | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Dave Jackson | .... | first assistant director | |
Art Department | |||
| Kenneth Bryson | .... | set builder | |
| Gary Dennis | .... | set builder | |
| Mary Ellen | .... | set builder | |
| Richard Kelloway | .... | dressing prop | |
| Adrian Start | .... | paint supervisor | |
| Nic Stubbings | .... | dressing props: dailies | |
| Gene Tewksbury | .... | set builder | |
Sound Department | |||
| Peter Gleaves | .... | adr mixer | |
| Jeffery Alan Jones | .... | sound designer | |
| Jeffery Alan Jones | .... | sound re-recording mixer | |
| Jeffery Alan Jones | .... | supervising sound editor | |
| Patrick Mattison | .... | assistant sound editor | |
| Patrick Mattison | .... | boom operator | |
| Scott Parker | .... | assistant sound editor | |
Camera and Electrical Department | |||
| Scott Alcala | .... | assistant camera | |
| Saadia Billman | .... | still photographer | |
| Hollywood Heard | .... | electrician | |
| Hollywood Heard | .... | grip | |
| Shuji Kobayashi | .... | still photographer | |
| Terence Pratt | .... | gaffer (as Terry Pratt) | |
| Terence Pratt | .... | still photographer (as Terry Pratt) | |
| Darryl St. Juste | .... | best boy | |
| Darryl St. Juste | .... | electrician | |
| Darryl St. Juste | .... | grip | |
| Brad Wallace | .... | assistant camera | |
Casting Department | |||
| Elena Fabri | .... | casting assistant | |
| Bowie Sims | .... | casting assistant (as Joanna Sims) | |
Music Department | |||
| Pablo Mathiason | .... | music supervisor | |
| Elyse Rogers | .... | music supervisor | |
Transportation Department | |||
| Michael McMullen | .... | transportation coordinator | |
Other crew | |||
| Stephanie Anne | .... | craft service | |
| Scott Baldyga | .... | script supervisor | |
| Stephen Bealey | .... | production assistant | |
| Saadia Billman | .... | unit publicist | |
| Joe Constantino | .... | production assistant | |
| Kristin Cronin | .... | production assistant | |
| Alan Johnson | .... | choreographer | |
| Patrick Kirchen | .... | courier | |
| Kurt Koehler | .... | production assistant | |
| Mistress Simone | .... | technical advisor | |
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| Return to Never Land | Hook | Peter Pan | Edge of Seventeen | Philadelphia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I agree with the other commentary on this movie. This movie is interesting in that it takes an otherwise "children's story" and sets in a hyper-reality, very much adult, setting. This allows the more adult aspects of the story to be explored. Adult issues such as drug abuse, sexual "norm" deviance, and avoidance of responsibility take center stage in this update.
While a grand experiment, this movie ultimately failed for me on several levels:
The cast of characters is far too large to allow for meaningful character development for ANY of the characters. The most prominent victims of this flaw are the lost boys. There are too many of them, and as such their decision to follow Wendy and leave Neverland seems more of a plot device than a real decision on their part, as is Peter's ultimate decision to return to Neverland alone.
The Darling kids' decision to leave their home in the first place home was another problematic issue for me. Sure, they try to explain it during Wendy's "story" to the Lost Boys in Tiger Lily's dressing room, but as is the case with literary writing, showing is always better than telling. And the short sequence with the parents in the beginning is not enough to show me the kids' rationale. Wendy telling it to me just didn't cut it.
And then there's the acting. Oh, the acting. "Bad acting" is being kind. It's a shame that an experiment of this caliber couldn't gain major funding and established actors, because the premise is fabulous. I find it very interesting that through most of the movie, the acting is horrendous from each member of the cast; however, the actors playing Wendy and Peter show their real chops during the last scene they play together. They both moved me incredibly during this final scene, and the fact that they were able to do so clearly demonstrates to me that the problem (at least for these two) was not the acting, it was the writing and direction. Both actors seem promising during this final scene, languishing in otherwise poor material. This movie felt like the writer began with the final scene and worked backward.
Overall, I love the premise. I related to Wendy's concern for the drug-addled man-boy refusing to grow up because, yeah, I've dated him, and she completely conveyed the frustration in trying to break through the haze and reach him intellectually. The DVD is watchable, although grainy in parts and particularly blurred during the pirate dungeon scene. Watchable once.