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King Arthur (2004)

PG-13 | | Action, Adventure, Drama | 7 July 2004 (USA)
A demystified take on the tale of King Arthur and the Knights of the Round Table.

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884 ( 220)

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From $2.99 (SD) on Amazon Video

ON DISC
4 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Pat Kinevane ...
Ivano Marescotti ...
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Storyline

Based on a more realistic portrayal of "Arthur" than has ever been presented onscreen. The film will focus on the history and politics of the period during which Arthur ruled -- when the Roman empire collapsed and skirmishes over power broke out in outlying countries -- as opposed to the mystical elements of the tale on which past Arthur films have focused. Written by Scott Summerton

Plot Summary | Plot Synopsis

Taglines:

Rule Your Fate See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense battle sequences, a scene of sensuality and some language | See all certifications »

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Details

Country:

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Release Date:

7 July 2004 (USA)  »

Also Known As:

King Arthur: Director's Cut  »

Box Office

Budget:

$120,000,000 (estimated)

Opening Weekend:

$15,193,907 (USA) (9 July 2004)

Gross:

$51,877,963 (USA) (8 October 2004)
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Company Credits

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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

| | | (5.1) (L-R)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film was originally envisioned and shot as an R-rated film with corresponding graphic violence. However, after the picture had been edited, Disney executives demanded it be changed to a PG-13, hence necessitating a lot of effects work to remove the blood from the battle scenes. Director Antoine Fuqua and producer Jerry Bruckheimer were not at all pleased with this decision and fought against it, but were ultimately overruled. They were both disappointed with the theatrical release and later released a much more violent Director's Cut on DVD. However, according to Fuqua's commentary track, even the Director's Cut version is considerably less violent than his ideal version. Ironically, when the film was released, one of the biggest criticisms was that the battles were mysteriously bloodless, hence undermining any sense of realism. See more »

Goofs

After Dagonet's body is returned to the wall and Lucan is removing his ring, his finger straightens to make it easier even though he is supposed to be dead. See more »

Quotes

[first lines]
Lancelot: [voiceover] By 300 AD, the Roman Empire extended from Arabia to Britain. But they wanted more. More land. More peoples loyal and subservient to Rome. But no people so important as the powerful Sarmatians to the east. Thousands died on that field. And when the smoke cleared on the fourth day, the only Sarmatian soldiers left alive were members of the decimated but legendary cavalry. The Romans, impressed by their bravery and horsemanship, spared their lives. In exchange, these ...
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Crazy Credits

There are no opening credits, not even the production company and studio bumpers, only the title. See more »

Connections

Version of First Knight (1995) See more »

Soundtracks

Tell Me Now (What You See)
Written by Hans Zimmer and Maire Brennan (as Moya Brennan)
Produced by Trevor Horn and Mel Wesson
Performed by Maire Brennan (as Moya Brennan)
Courtesy of Universal Music International
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Frequently Asked Questions

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User Reviews

 
Fresh Look On An Old Theme
4 August 2004 | by (USA) – See all my reviews

And I loved it!

Not just the new take on the King Arthur legend and the able cast, but the colors, the costumes, the landscapes, the horses, and Hans Zimmer's heart-pounding score.

I'm no King Arthur scholar but I have always been enamored with the chivalric ideals. It's great to see the knights in shining armor and Merlin conjuring up the mists and casting spells, and the young Arthur pulling Excalibur out of the stone.

But I went into this movie with an open mind. I was swiftly transported to that earlier time and happy for the journey. I could see where the elements of the now oh-so-familiar Arthurian themes may have had their beginnings. I found the on-screen chemistry between Ioan Gruffod and Clive Owen to be very powerful and it provided poignant counterpoint to Lancelot's most fateful choice.

The love triangle was never my favorite part of the Arthurian legends, so the subtle treatment of it here didn't bother me at all. In fact, I found it more intriguing in this film than in any other King Arthur movie I've seen.

I loved that there was no hocus-pocus-type magic. Instead the magic was in nature itself - the landscapes, the forests, the rain, the fog, the ice and snow - all creating an other-worldly atmosphere along with Moya Brennan's haunting vocals and Hans Zimmer's stirring score.

I loved the knights. I loved the idea that they were just regular guys and, in effect, drafted into military service. Not the privileged elite who volunteered their services to a king. Yet it is apparent that the Sarmatian knights fought more out of their love and respect for Arthur than any duty to Rome. That comraderie feels very organic and the sentiments, pure. I liked that they're not all wearing the same uniform, that they might have picked up pieces here and there as spoils of war.

I was especially captivated by Mads Mikkelson's Tristan. There appeared to be Eastern influences in his tattoos, clothing, sword, and fighting style. I love the idea of Lancelot using two swords. And I learned something about battlefield strategy, too.

Whatever shortcomings this movie may have, I found heart and soul in it. It was not only entertaining, it touched all my senses, and I felt good when I walked out of the theatre.


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