Jessica, whose father was a serial killer, is a female police officer. While investigating a murder, she finds herself in the center of her own investigation, when her former lovers start dying around her at a furious pace.
Samuel L. Jackson,
An accountant is introduced to a mysterious sex club known as The List by his lawyer friend. But in this new world, he soon becomes the prime suspect in a woman's disappearance and a multi-million dollar heist.
This film is about a hyper-vigilant employee of the department of public safety who, while training his young female replacement, has to track down a missing girl who he is convinced is connected to a paroled sex offender he is investigating.
When her son disappears and is believed to be dead, a single mother blames an African-American man from the projects for the kidnapping, creating a racial controversy. An African-American detective and a white missing child researcher team up to investigate the case, which they discover may be more complicated than they expected. Written by
The scenes at the Freedomland facility appear to be in late fall/winter - trees are bare, subjects are wearing heavy clothing. When Lorenzo interviews Brenda, he states on the tape recorder the date of the interview is May. See more »
Most stereotyped film ever wait, it looks quite real to me.
First mistake of this film was marketing (after all, it's all about marketing) Billing it as a thriller/action movie with some paranormal slant was wrong. This is strictly a psychological drama with zero paranormal stuff in it.
Second mistake was to make reality too real and not idealized or artistic to stay away of the touchy issues addressed: Race, police prejudice, social differences.
So if you went to the movie theater or the rental place to watch a thrilling action film staying right on the surface of entertainment and shock value, you will be disappointed. This is a nicely acted, well constructed and most importantly, realistic drama in which a white woman blames the kidnap of her son as a carjack conducted by an African-American male.
As far as I am concern, there was no stereotyping, just realism. There was no siding on the moralistic virtues of one or other side. Actually, this is a quite profound exploration of the reasons to lie, the be racist, to fear prejudice and to resist the fact that a social interaction between poor and rich, white and black, civilian and policemen will probably be fair in a near future not now.
My only concern was to see Ms. Moore so stressed during 90% of the film, quite impressive performance. Just hope she doesn't take this as her type-cast.
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