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Jessica, whose father killed her mother and committed suicide, is a police officer. While investigating a murder, she finds herself in the center of her own investigation, when her former lovers start being murdered.
Samuel L. Jackson,
Special Agent Derrick Vann is a man out to get the man who killed his partner but a case of mistaken identity leads him to Andy Fidler, a salesman with too many questions and a knack of getting in Vanns way.
Samuel L. Jackson,
Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Samuel L. Jackson,
Though it's been some twenty years since they have spoken with one another, two estranged soul-singing legends agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader.
Late one evening, Brenda Martin, a thirty-seven year old Caucasian woman from the proverbial wrong side of the tracks, enters Dempsy Medical Center in Dempsy, New Jersey with minor injuries, but she is also emotionally distraught. One of the people to who she tells her story is Dempsy Police Detective Lorenzo Council, a black man. That story is that she was just carjacked by another unknown black man when she took a shortcut that she had never traveled between the Armstrong housing projects, where she works at the Rainbow Club, a children's center, and her home in Gannon, New Jersey. Her emotional distress is because her four year old son, Cody, was asleep in the back seat of the car and is thus now in the hands of the carjacker. Brenda's brother, Danny Martin, a police detective in Gannon, cannot help but get directly involved in the investigation despite he operating outside his jurisdiction. His actions do not sit well with Council, who he insinuates is not only not doing his job, ... Written by
Two strong performances can't save this weak melodrama
Detective Lorenzo Council (Samuel Jackson) must separate the truth from the lies when a troubled woman (Julianne Moore) shows up at the emergency room claiming that a black man from the projects carjacked her, taking her 4-year-old son, who was sleeping in the back seat.
Freedomland is a disappointing film that fails to take advantage of its talented cast and intriguing premise. The movie fails because Joe Roth is a terrible director. He tries to handle a bunch of different issues and he just doesn't mix them very well. He also introduces different characters and subplots but he doesn't build on them. Also, for a movie tackling serious issues, it was pretty unrealistic. The whole lock-down scenario was completely over the top and unnecessary. The kidnapping story had a bunch of holes and the way the cops handled the situation was pretty irresponsible. All the characters were stereotypes and most of them were unlikable. There were a lot of scenes dealing with racism but the film never actually dealt with them or settled them. The ending was total letdown and very little was actually settled, making the whole movie experience pointless.
The acting is the film's only strong point with Samuel L. Jackson giving the best performance. His performance felt a little familiar but it was still effective and his emotions never felt forced. Julianne Moore went completely over the top with her performance. She was annoying and completely unrealistic. Also, it was hard to feel sorry for her character because she was so unlikable and her actions were just terrible. Edie Falco came out of nowhere and she gave a pretty moving performance. She played the only likable character in the film and it was easy to feel sorry for her. The rest of the supporting actors were below average and no one else broke out.
Along with the acting, there were a few other good things about the film. There were a couple of engaging scenes that could have been better if the director had built on them. The script was also decent and it could have been turned into a good film. The movie also had an interesting style to it and at least it sort of engages the viewer. While the film was pretty messy, it held my attention until the end. Of course, the performances helped with that but the storyline had a chance to build. Unfortunately, it didn't and the movie ends with a whimper. In the end, Freedomland is an annoying melodrama with very few redeeming qualities. Rating 4/10
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