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Directed by | |||
| Shawn Levy | |||
Writing credits(WGA) | ||
| Frank B. Gilbreth Jr. | (novel "Cheaper by the Dozen") (as Frank Bunker Gilbreth Jr.) and | |
| Ernestine Gilbreth Carey | (novel "Cheaper by the Dozen") | |
| Craig Titley | (screen story) | |
| Sam Harper | (screenplay) and | |
| Joel Cohen | (screenplay) & | |
| Alec Sokolow | (screenplay) | |
Produced by | |||
| Michael Barnathan | .... | producer | |
| Dustin Bernard | .... | line producer | |
| Carrie Brody | .... | assistant producer | |
| Ben Myron | .... | producer | |
| Ira Shuman | .... | co-producer | |
| Robert Simonds | .... | producer | |
| Aaron Wilder | .... | development executive | |
Original Music by | |||
| Christophe Beck | |||
Cinematography by | |||
| Jonathan Brown | |||
Film Editing by | |||
| George Folsey Jr. | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Nina Ruscio | |||
Art Direction by | |||
| Scott Meehan | |||
Set Decoration by | |||
| K.C. Fox | |||
Costume Design by | |||
| Sanja Milkovic Hays | |||
Makeup Department | |||
| Jody Burton | .... | hair stylist | |
| Frank Griffin | .... | hair stylist: Steve Martin (as Frank H. Griffin Jr.) | |
| Frank Griffin | .... | makeup artist: Steve Martin (as Frank H. Griffin Jr.) | |
| Norma Lee | .... | hair stylist | |
| Richard Lipinski | .... | hair stylist: Bonnie Hunt | |
| Lydia Milars | .... | makeup department head | |
| Patricia Miller | .... | key hair stylist | |
| Ned Neidhardt | .... | additional makeup artist | |
| Douglas Noe | .... | key makeup artist | |
| Karen Scales | .... | makeup artist: Bonnie Hunt (as Karen J. Scales) | |
Production Management | |||
| Dustin Bernard | .... | unit production manager | |
| Demetra Diamantopoulos | .... | production supervisor | |
| Patrick Esposito | .... | post-production supervisor (uncredited) | |
Sound Department | |||
| James Bolt | .... | sound re-recording mixer | |
| Derek Casari | .... | adr engineer | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Marc Deschaine | .... | adr assistant | |
| Mark DeSimone | .... | adr mixer | |
| David Esparza | .... | sound effects editor | |
| Dawn Fintor | .... | foley artist | |
| Kevin Globerman | .... | digital recordist | |
| Tim Gomillion | .... | sound recordist | |
| Aaron J. Green | .... | post sound services | |
| Michael Hoffman | .... | sound mixer: B unit | |
| Jason Johnston | .... | cable person | |
| Steve Mann | .... | sound editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Tim McColm | .... | re-recording engineer | |
| Nancy Nugent | .... | dialogue supervisor (as Nancy Kyong Nugent) | |
| David Obermeyer | .... | sound mixer | |
| Michael Payne | .... | sound effects editor | |
| Thomas A. Payne | .... | boom operator | |
| Stephen P. Robinson | .... | sound effects editor | |
| Dennis Rogers | .... | sound recordist | |
| John C. Stuver | .... | dialogue editor | |
| Becky Sullivan | .... | supervising adr editor | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Robert DeVine | .... | special effects technician: stunt frog puppet | |
| Franco Goss | .... | specialty props | |
| David P. Kelsey | .... | special effects director (as David Kelsey) | |
| John Poulter | .... | special effects technician | |
| Keith Suzuki | .... | special effects technician | |
Visual Effects by | |||
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Chris Hopkins | .... | 3D artist | |
| Heather Ignarro | .... | production coordinator | |
| Ken Locsmandi | .... | animator/modeler | |
| Robert Nall | .... | digital artist | |
| Roger Nall | .... | digital effects artist: 11:11 MediaWorks | |
| Marco S. Paolini | .... | digital compositor | |
| Rich Thorne | .... | production executive | |
| Tommy Tran | .... | digital effects artist | |
Stunts | |||
| Joe Childs | .... | utility stunts | |
| Sophia Crawford | .... | utility stunts | |
| John Dixon | .... | stunts | |
| David Hugghins | .... | stunt rigger | |
| Michael Hugghins | .... | stunts | |
| Gita Isak | .... | stunts | |
| Brandon Molale | .... | stunt actor | |
| Michael Munoz | .... | stunt double: kid | |
| Ernie F. Orsatti | .... | stunt coordinator | |
| Rowbie Orsatti | .... | stunts | |
| Clark Tucker | .... | stunt double: Wayne Knight | |
Casting Department | |||
| Justine Hempe | .... | casting associate | |
| Sharon D. King | .... | extras casting: local | |
| Terri Kinney | .... | extras casting | |
| Jeff Olan | .... | extras casting | |
| Tony Rasmussen | .... | extras casting | |
| Bryan Riley | .... | casting assistant | |
| Jacquie Schmall | .... | extras casting | |
| Tim Sullivan | .... | extras casting | |
| Randi Acton | .... | extras casting (uncredited) | |
| Christian Kaplan | .... | executive in charge of casting (uncredited) | |
Costume and Wardrobe Department | |||
| Suzy Magnin | .... | costume assistant | |
| Lawrence Quon | .... | set costumer | |
| Lani Reynolds | .... | costumer: Bonnie Hunt | |
| Irena Stepic | .... | key costumer | |
| Don Vargas | .... | costumer: Steve Martin | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Alexander Garcia | .... | assistant editor | |
| Lonnie A. Mathes | .... | post-production assistant | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| George Missor | .... | epk assistant editor | |
| Mark Nakamine | .... | colorist (digital color correction) | |
| Brad E. Wilhite | .... | first assistant editor | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Nadav Streett | .... | post-production assistant (uncredited) | |
Music Department | |||
| Celeste Chada | .... | music licensing | |
| Mike Deasy | .... | musician | |
| George Doering | .... | musician | |
| Hilary Duff | .... | music crew | |
| Mark Graham | .... | music librarian | |
| Dave Jordan | .... | music supervisor | |
| Andrew Kaiser | .... | composer: additional music | |
| Kevin Kliesch | .... | orchestrator | |
| Mike Nowak | .... | conductor | |
| John Rodd | .... | orchestral scoring recordist | |
| Peter Rotter | .... | orchestra contractor | |
| Steven L. Smith | .... | music preparation | |
| Casey Stone | .... | music scoring mixer | |
| Ceiri Torjussen | .... | orchestrator | |
| Jojo Villanueva | .... | music coordinator | |
| Terry Wilson | .... | music editor | |
| Peter Erskine | .... | musician (uncredited) | |
Transportation Department | |||
| Lewis Burnett | .... | driver: honeywagon | |
| Margo Hunt | .... | driver | |
| Ron Kunecke | .... | transportation captain | |
| William Lubin | .... | driver | |
| Rhonda Martin | .... | transportation office coordinator | |
| Joe Vanis | .... | transportation coordinator | |
| Bryce Guy Williams | .... | transportation coordinator | |
| Bonnie Yamahiro | .... | driver | |
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| The Devil Wears Prada | Running with Scissors | Thumbsucker | The Best Years of Our Lives | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
While the CHEAPER BY THE DOZEN opening titles credit the authors of the best-selling book the original 1950 film was based on (Frank B. Gilbreth Jr. and Ernestine Gilbreth Carey), don't expect to see a remake of the charming, early-20th century comedy about two efficiency experts (Clifton Webb and Myrna Loy) running a complex but happy family...and this is not a BAD thing!
While the 1950 production is a minor classic, the thrust of the earlier film was with the parents, and oldest daughter (the late Jeanne Crain). Clifton Webb was a gifted, acerbic actor, best known, previously, as 'child hating' author Lynn Belvedere, who proved he was as adept at raising children as he was at EVERYTHING he attempted, in the 1948 hit, SITTING PRETTY. The film was such a success that two sequels were made, and Webb would do several more 'family' comedies before his death in 1966. Playing Frank Bunker Gilbreth, the father of twelve, was a 'natural' for the actor, and the 61-year old Webb 'stole' the film with his self-effacing, 'scientific' approach to child rearing. As his wife, Lillian, Myrna Loy, who had graduated from being 'Nora Charles' in the "Thin Man" series, to being Hollywood's favorite wife/mom, shared Bonnie Hunt's sweetness, sense of organization, and dry humor, but lacked a sexual chemistry with Webb that would have actually produced twelve children (perhaps because of the less 'permissive' time the film was made, or perhaps because of Webb's screen persona). Jeanne Crain, one of 20th Century Fox's favorite ingénues for over six years, had a large fan base, which the studio capitalized on (She was actually second-billed in the film, behind Webb). Her scene at a 1920's prom, with Webb as her 'date', is a film highlight. While the eleven other children were given 'moments' in the film, they barely registered, individually.
Would 2003 audiences have gone to see Martin in a period comedy set eighty years earlier? I doubt it. And had the original story had been simply 'updated', would it have been truly faithful to the source, even in spirit? Unlikely, as so much has changed over the years. Ultimately, the film makers erred, I believe, in using the title of the earlier film, but not in the approach of making a 'family-friendly' comedy about a household of massive proportions.
With Steve Martin, who has become Hollywood's quintessential 'Dad', as a loving, unconventional father/football coach given an opportunity to head his alma mater's team, he displays the same kind of sensitivity that made PARENTHOOD such a wonderful film. Bonnie Hunt, as his wife, is completely believable as a successful author who could handle her large family and still-frisky husband equally well. She is, as always, a treasure!
The children are really the stars of the film, though, and each is special, and individual, from the eldest daughter (Piper Perabo), who, at 22, wants the family to accept the guy she's living with (Ashton Kutcher, in a funny, brief role), to the youngest pair of twins (Brent and Shane Kinsman), who make an art out of wreaking havoc. Tom Welling is quite likable, and proves that he is more than just 'Clark Kent' (For you trivia fans, Kutcher almost got the part of 'Superman' in an upcoming film, which would have put two 'Men of Steel' in the cast). The only discordant note is Hillary Duff's annoyingly brittle second daughter; she may be a 'teen idol', but she is more grating than endearing.
Director Shawn Levy's previous film, JUST MARRIED, was a loud, unpleasant, clichéd bore; in CHEAPER BY THE DOZEN, he redeems himself with a more enjoyable, richer film.
While the movie will never earn the 'classic' status the earlier film achieved, it stands very well on it's own merits!