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Directed by | |||
| Shawn Levy | |||
Writing credits(WGA) | ||
| Frank B. Gilbreth Jr. | (novel "Cheaper by the Dozen") (as Frank Bunker Gilbreth Jr.) and | |
| Ernestine Gilbreth Carey | (novel "Cheaper by the Dozen") | |
| Craig Titley | (screen story) | |
| Sam Harper | (screenplay) and | |
| Joel Cohen | (screenplay) & | |
| Alec Sokolow | (screenplay) | |
Produced by | |||
| Michael Barnathan | .... | producer | |
| Dustin Bernard | .... | line producer | |
| Carrie Brody | .... | assistant producer | |
| Ben Myron | .... | producer | |
| Ira Shuman | .... | co-producer | |
| Robert Simonds | .... | producer | |
| Aaron Wilder | .... | development executive | |
Original Music by | |||
| Christophe Beck | |||
Cinematography by | |||
| Jonathan Brown | |||
Film Editing by | |||
| George Folsey Jr. | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Nina Ruscio | |||
Art Direction by | |||
| Scott Meehan | |||
Set Decoration by | |||
| K.C. Fox | |||
Costume Design by | |||
| Sanja Milkovic Hays | |||
Makeup Department | |||
| Jody Burton | .... | hair stylist | |
| Frank Griffin | .... | hair stylist: Steve Martin (as Frank H. Griffin Jr.) | |
| Frank Griffin | .... | makeup artist: Steve Martin (as Frank H. Griffin Jr.) | |
| Norma Lee | .... | hair stylist | |
| Richard Lipinski | .... | hair stylist: Bonnie Hunt | |
| Lydia Milars | .... | makeup department head | |
| Patricia Miller | .... | key hair stylist | |
| Ned Neidhardt | .... | additional makeup artist | |
| Douglas Noe | .... | key makeup artist | |
| Karen Scales | .... | makeup artist: Bonnie Hunt (as Karen J. Scales) | |
Production Management | |||
| Dustin Bernard | .... | unit production manager | |
| Demetra Diamantopoulos | .... | production supervisor | |
| Patrick Esposito | .... | post-production supervisor (uncredited) | |
Sound Department | |||
| James Bolt | .... | sound re-recording mixer | |
| Derek Casari | .... | adr engineer | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Marc Deschaine | .... | adr assistant | |
| Mark DeSimone | .... | adr mixer | |
| David Esparza | .... | sound effects editor | |
| Dawn Fintor | .... | foley artist | |
| Kevin Globerman | .... | digital recordist | |
| Tim Gomillion | .... | sound recordist | |
| Aaron J. Green | .... | post sound services | |
| Michael Hoffman | .... | sound mixer: B unit | |
| Jason Johnston | .... | cable person | |
| Steve Mann | .... | sound editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Tim McColm | .... | re-recording engineer | |
| Nancy Nugent | .... | dialogue supervisor (as Nancy Kyong Nugent) | |
| David Obermeyer | .... | sound mixer | |
| Michael Payne | .... | sound effects editor | |
| Thomas A. Payne | .... | boom operator | |
| Stephen P. Robinson | .... | sound effects editor | |
| Dennis Rogers | .... | sound recordist | |
| John C. Stuver | .... | dialogue editor | |
| Becky Sullivan | .... | supervising adr editor | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Robert DeVine | .... | special effects technician: stunt frog puppet | |
| Franco Goss | .... | specialty props | |
| David P. Kelsey | .... | special effects director (as David Kelsey) | |
| John Poulter | .... | special effects technician | |
| Keith Suzuki | .... | special effects technician | |
Visual Effects by | |||
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Chris Hopkins | .... | 3D artist | |
| Heather Ignarro | .... | production coordinator | |
| Ken Locsmandi | .... | animator/modeler | |
| Robert Nall | .... | digital artist | |
| Roger Nall | .... | digital effects artist: 11:11 MediaWorks | |
| Marco S. Paolini | .... | digital compositor | |
| Rich Thorne | .... | production executive | |
| Tommy Tran | .... | digital effects artist | |
Stunts | |||
| Joe Childs | .... | utility stunts | |
| Sophia Crawford | .... | utility stunts | |
| John Dixon | .... | stunts | |
| David Hugghins | .... | stunt rigger | |
| Michael Hugghins | .... | stunts | |
| Gita Isak | .... | stunts | |
| Brandon Molale | .... | stunt actor | |
| Michael Munoz | .... | stunt double: kid | |
| Ernie F. Orsatti | .... | stunt coordinator | |
| Rowbie Orsatti | .... | stunts | |
| Clark Tucker | .... | stunt double: Wayne Knight | |
Casting Department | |||
| Justine Hempe | .... | casting associate | |
| Sharon D. King | .... | extras casting: local | |
| Terri Kinney | .... | extras casting | |
| Jeff Olan | .... | extras casting | |
| Tony Rasmussen | .... | extras casting | |
| Bryan Riley | .... | casting assistant | |
| Jacquie Schmall | .... | extras casting | |
| Tim Sullivan | .... | extras casting | |
| Randi Acton | .... | extras casting (uncredited) | |
| Christian Kaplan | .... | executive in charge of casting (uncredited) | |
Costume and Wardrobe Department | |||
| Suzy Magnin | .... | costume assistant | |
| Lawrence Quon | .... | set costumer | |
| Lani Reynolds | .... | costumer: Bonnie Hunt | |
| Irena Stepic | .... | key costumer | |
| Don Vargas | .... | costumer: Steve Martin | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Alexander Garcia | .... | assistant editor | |
| Lonnie A. Mathes | .... | post-production assistant | |
| Dennis McNeill | .... | color timer (as Denny McNeill) | |
| George Missor | .... | epk assistant editor | |
| Mark Nakamine | .... | colorist (digital color correction) | |
| Brad E. Wilhite | .... | first assistant editor | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
| Nadav Streett | .... | post-production assistant (uncredited) | |
Music Department | |||
| Celeste Chada | .... | music licensing | |
| Mike Deasy | .... | musician | |
| George Doering | .... | musician | |
| Hilary Duff | .... | music crew | |
| Mark Graham | .... | music librarian | |
| Dave Jordan | .... | music supervisor | |
| Andrew Kaiser | .... | composer: additional music | |
| Kevin Kliesch | .... | orchestrator | |
| Mike Nowak | .... | conductor | |
| John Rodd | .... | orchestral scoring recordist | |
| Peter Rotter | .... | orchestra contractor | |
| Steven L. Smith | .... | music preparation | |
| Casey Stone | .... | music scoring mixer | |
| Ceiri Torjussen | .... | orchestrator | |
| Jojo Villanueva | .... | music coordinator | |
| Terry Wilson | .... | music editor | |
| Peter Erskine | .... | musician (uncredited) | |
Transportation Department | |||
| Lewis Burnett | .... | driver: honeywagon | |
| Margo Hunt | .... | driver | |
| Ron Kunecke | .... | transportation captain | |
| William Lubin | .... | driver | |
| Rhonda Martin | .... | transportation office coordinator | |
| Joe Vanis | .... | transportation coordinator | |
| Bryce Guy Williams | .... | transportation coordinator | |
| Bonnie Yamahiro | .... | driver | |
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| The Devil Wears Prada | Running with Scissors | Thumbsucker | The Best Years of Our Lives | Persepolis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Steve Martin, the former "wild and crazy guy," stars in yet another remake of a classic comedy. This was exactly why the movie didn't do as well in the theaters, and that's a shame. There are movies that should not be remade, and yet are remade anyway. You would think that an old family movie which inspired "The Brady Bunch" nearly 20 years later would be one of them. Surprisingly this is a superior remake, unlike the 1999 version of "The Out-of-Towners."
Bonnie Hunt; No matter how good she is in anything, everything she touches turns to rust. Would somebody please give me a reason why? The whole movie seems to revolve around the success of Tom & Kate Baker(Martin and Hunt), as Kate finishes writing her book about that huge family of theirs and Tom is offered a job to coach football at his alma mater, the latter of which means they need to move out. Just as the original did, the remake works because of the antics of the kids. And here they are:
Piper Perabo, as the oldest daughter Nora, who doesn't have to suffer from the overcrowding of her family, but does have to suffer with Hank a vain actor boyfriend, played by Ashton Kutcher.
Hilary Duff tries to break her typecasting as "Lizzie McGuire," but it's going to be quite difficult. Still it should be noted that Lorraine is far more vain than Lizzie, although not as bitchy as Ashlie Brillault's Kate.
Tom Welling as the oldest son Charlie hates his father as much as he hates being in a big family, and being moved to a new school where all the snot-nosed kids insult and harass him & Lorraine make things much worse.
Forrest Landis is Mark(aka "FedEx"), the nerdy outcast of the family who when the family moves is left to sleep in his own room...and it's a COOL room. I was happy when I got my own bedroom at five years old, but with a secret escape and/or disposal hatch like that, who wouldn't be jealous?
Alyson Stoner. I MUST repeat that name --- ALYSON STONER! If you liked her in Missy Elliot's music video's, you'll lover her as Sarah Baker. Whether it's plotting against babysitters, dipping Hank's underwear in meat or defending her siblings from bullies, this girl is the coolest of the 12 Baker kids. Not even Mara Wilson compares to this girl, and she was one hell of a child actress.
An unfortunately deleted scene featuring Eileen Brennan as an ailing nanny who boasts "12 years with the FBI." It was actually good enough that they should've left it in. And how about the closing theme "What Christmas Should Be," by Miss Duff? A decent message, even if totally impossible.
All in all, it's still worth seeing despite the family sappiness and lack of an original storyline. Don't be ashamed to give it a try.