The scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule ... See full summary »
This made-for-video documentary treats film fans to a behind-the-scenes look at the making of Ben-Hur, a classic which has seen many incarnations on the silver screen, but perhaps most notably as William Wyler's 1959 epic. Includes footage from all three film versions of the tale, as well as discussion of the impact they had on later filmmakers. Written by
Jean-Marc Rocher <email@example.com>
Insightful documentary on the making of an epic film...
BEN HUR: THE MAKING OF AN EPIC not only describes the behind-the-scenes account of filming the William Wyler saga, but also deals with the origins of the story--the novel by Gen. Lew Wallace, the Civil War general who penned the tale in 1876 and was actually an agnostic who questioned the divinity of Christ. A brief account is given of the novel's success; the transition to a road show stage version of the novel that eventually grossed over $10,000,000 in theaters during the early 1900s; various early screen versions before the 1925 silent version from MGM starring Ramon Navarro, which was an enormous success, despite major difficulties during production, first in Italy and then in America. All of this is told and narrated in splendid fashion by Christopher Plummer.
Among those participating in interviews or seen in archival footage are Charlton Heston, William Wyler, Gore Vidal, Catherine Wyler, Ramon Navarro, Stephen Boyd, Yakima Canutt, Joe Canutt and others who worked on the film.
Especially interesting are all of the background information on the making of the '59 version under William Wyler's direction. According to Gore Vidal, he himself did a lot of work on the script up until the chariot scenes and yet he is not credited, nor is Christopher Fry who also worked with Vidal. Instead, Wyler ended up giving full screenplay credit to Karl Tunberg. Vidal claims that he suggested a strong emotional attachment of Ben-Hur and Messala could be suggested without being overt and give more punch to the motivation for revenge. Wyler listened but did not seem to agree nor did he remember any such conversation between him and Vidal in later years. Actually, it's something that does come across when one views the film.
One of the best comments on the film comes from composer David Raksin ("Laura" among others) who declares that the music of Miklos Rozsa "gives the film its soul."
Summing up: Anyone who admires the film will find the documentary an interesting one to watch.
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