| Michael Mfume | ... | Michael | |
| Sandra Pulley | ... | Kea | |
| Joe Clair | ... | Tony | |
| Racquel Price | ... | Kendra | |
| Tracy Wiggs | ... | Rock | |
| Maria Copper | ... | Nikki | |
| Kelci Jeter | ... | Tonya | |
| Greg Jones | ... | Shawn | |
| Kristine Louisa | ... | Erika | |
| Fredrick Montgomery | ... | Kevin | |
| Thomas Hunt | ... | Brian | |
| D-Taylor Murphy | ... | Breakfast | |
| Chris Gatewood | ... | Granddad | |
| Archie Williams | ... | Harry / Bum #1 | |
| Julia Gorin | ... | Sarah | |
| Kevin Cameron | ... | Bum #2 | |
| Joe Housley | ... | Police #1 | |
| Larry Westland Jr. | ... | Police #2 | |
| John Wardlow | ... | D.J. | |
| Paige Washington | ... | Girl Joke | |
| Larry Coates Jr. | ... | Young Michael | |
| Johann D. Will | ... | Young Harry | |
| Shawnté D. Will | ... | Young Christine | |
| Joseph C. Heffner | ... | Young Chris | |
| Arthur M. Jolly | ... | Mother Killed |
Directed by | |||
| Michael Mfume | (also as Michael 'Mfumay' Mfume) | ||
Writing credits(in alphabetical order) | ||
| Michael Mfume | ||
Produced by | |||
| Michael Mfume | .... | producer | |
Cinematography by | |||
| Reggie Daniels | (director of photography) | ||
Film Editing by | |||
| George Bolden | |||
Casting by | |||
| Belva Scott | |||
Art Direction by | |||
| Randy Lee | |||
Costume Design by | |||
| Lynn C. Shipley | |||
Makeup Department | |||
| Debie Young | .... | makeup artist | |
Production Management | |||
| Taiba Macon | .... | production manager | |
Art Department | |||
| Kwame Bey | .... | set designer | |
| Duan Moletle | .... | set construction coordinator | |
| Nicole Right | .... | set dresser | |
Sound Department | |||
| Gregg Amiker | .... | sound | |
| Tryone Gray | .... | boom operator | |
| Bill Mueller | .... | sound engineer | |
| Bill Mueller | .... | sound mixer | |
Special Effects by | |||
| Edward Bishop | .... | special effects makeup (as Ed Bishop) | |
| Edward Bishop | .... | special effects (as Ed Bishop) | |
| Ben Horney | .... | special effects | |
| Jim Housley | .... | special effects | |
| Arthur M. Jolly | .... | special effects (as Arthur Jolly) | |
| Pericles Lewnes | .... | special effects (as Peri Lewnes) | |
| Josh Turi | .... | special effects | |
Stunts | |||
| Pericles Lewnes | .... | stunt coordinator (as Peri Lewnes) | |
Camera and Electrical Department | |||
| Kwame Bey | .... | electric grip | |
| Kevin Cameron | .... | second grip | |
| Embu Settu | .... | lighting director | |
| Ed Slater | .... | key grip (as Edward Slater) | |
| Trever | .... | dolly grip | |
| Rhambi Weambe | .... | fourth grip | |
| Darryl Wharton | .... | third grip | |
| Carlos Williams | .... | fifth grip | |
Transportation Department | |||
| Frank Caslin | .... | driver: generator truck (as Frank Caslin III) | |
| Larry Coates Sr. | .... | transportation | |
Other crew | |||
| Fatima Ball | .... | craft service | |
| Chris Broom | .... | script supervisor | |
| Melvin Coates | .... | assistant to director | |
| Sonya Wallace | .... | script supervisor | |
| Elaine Woods | .... | location manager | |
Thanks | |||
| William Adams | .... | special thanks (as Mr. William Adams) | |
| Leroy Amar | .... | special thanks (as Dr. Leroy Amar) | |
| Bill Anderson | .... | special thanks (as Mr. Bill Anderson) | |
| McNeil Brockington | .... | special thanks (as Mr. McNeil Brockington) | |
| Edward Butler | .... | special thanks (as Mr. Edward Butler) | |
| Carlitta Coates | .... | special thanks | |
| Melvin Coates | .... | special thanks (as Melvin Mfume) | |
| Sharon Cohen | .... | special thanks | |
| Kevin Davis | .... | special thanks | |
| Lou Diamonds | .... | special thanks: Teflon Records | |
| Bill Duke | .... | special thanks | |
| Askew Gatewood Jr. | .... | special thanks (as Judge Askew Gatewood Jr.) | |
| Spike Lee | .... | special thanks | |
| Emily Madison | .... | film dedicated to | |
| Carles Mfume | .... | special thanks | |
| Kweisi Mfume | .... | special thanks (as Congressman Kweisi Mfume) | |
| Larry Mfume | .... | special thanks | |
| Darle Pugh | .... | special thanks | |
| John Singleton | .... | special thanks | |
| Frank Ski | .... | special thanks | |
| Robert Townsend | .... | special thanks | |
| Raymond Tubman | .... | special thanks (as Attorney Raymond Tubman) | |
| Darryl Wharton | .... | special thanks (as Daryle Wharton) | |
| Steve Yeager | .... | special thanks | |
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| Dreamcatcher | Evil Laugh | Defiance | The Children | Avenging Force |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
I was once happy. There was a time for me when life seemed worth living. There was a time when my mind wasn't constantly flooded with images of my own eviscerated corpse hanging from a noose. That was the time before I saw Ax 'Em.
The term "worst movie ever made" is thrown around quite often to describe films of this nature. No one ever anticipates, however, that somewhere in the world, there honestly is a worst movie ever made. I'm not one to make assumptions, but I seriously believe that this is, in fact, the greatest cinematic travesty in history. It's like this Mfume guy sat down and wrote a list of every movie-making no-no that could ever be committed, and then made it a point to stuff every single one of these into one incredibly terrible film (and I use the term "film" quite loosely).
The first thing you'll notice is that there seem to be about six or seven different cameras used, each one more awful than the last. The sound quality is horrendous in ways that simply cannot be understood until you see the movie. The plot seems to be that a bunch of African American individuals dressed in clothing that would've been considered fashionable in 1991 running around trying not to get killed by some sort of zombie/psycho or something. I think. I'm really not sure.
Despite the title, the killer guy only uses an ax like, once. He mostly uses a machete or a gun.
The horrid nature of this film is absolutely mind-boggling in a way that makes you wonder how such a thing even exists.
I've still not completely banished the theory that Mfune made this with the intention of creating some sort of bizarre ironic comedy movie. If this is true, then he should be hailed as a genius.