| Matthew Goode | ... | Gerald Brenan | |
| Verónica Sánchez | ... | Juliana | |
| Guillermo Toledo | ... | Paco | |
| Consuelo Trujillo | ... | María | |
| Ángela Molina | ... | Doña Felicidad | |
| Antonio Resines | ... | Don Virgilio | |
| Laurence Fox | ... | Ralph Partridge | |
| Bebe | ... | Ángeles (as Bebe Rebolledo) | |
| Jessica Kate Meyer | ... | Dora Carrington | |
| James Fleet | ... | Lytton Strachey | |
| María Alfonsa Rosso | ... | Doña Clara | |
| Sebastián Haro | ... | Don Gabriel 'Culonegro' | |
| Mariana Cordero | ... | Máxima | |
| Juan Margallo | ... | Emiliano | |
| Sandra Wahlbeck | ... | Gamel Woolsey | |
| Sauce Ena | ... | Frances | |
| Roberto Quintana | ... | Don Fernando | |
| Mariano Peña | ... | Don José | |
| María José Barroso | ... | Martina | |
| Mónika Martínez | ... | Madre niño dormido | |
| Maite Sandoval | ... | Juliana Mayor (as Mayte Sandoval) |
Directed by | |||
| Fernando Colomo | |||
Writing credits(in alphabetical order) | ||
| Gerald Brenan | book | |
| Fernando Colomo | writer | |
| Jonathan Gathorne-Hardy | writer | |
| Miriam Ruiz | writer | |
Produced by | |||
| Fernando Bovaira | .... | producer | |
| Beatriz de la Gándara | .... | executive producer | |
| Beatriz de la Gándara | .... | producer | |
| Gustavo Ferrada | .... | producer | |
| Mercedes Gamero | .... | associate producer | |
| Susana Herreras | .... | coordinating producer | |
Original Music by | |||
| Juan Bardem | |||
Cinematography by | |||
| José Luis Alcaine | |||
Film Editing by | |||
| Antonio Lara | |||
Casting by | |||
| Shaheen Baig | |||
| Laura Cepeda | |||
Production Design by | |||
| Soledad Seseña | |||
Art Direction by | |||
| Soledad Seseña | |||
Costume Design by | |||
| Vicente Ruiz | |||
Makeup Department | |||
| Mara Collazo | .... | hair stylist | |
| Concha Martí | .... | makeup artist | |
| Mariló Osuna | .... | additional makeup artist | |
| Maria Pérez | .... | assistant makeup artist | |
Production Management | |||
| Nani Guibert | .... | production manager | |
| Pilar Robla | .... | production manager | |
| Iñaki Rubio | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Nacho Fernández de Tejada | .... | third assistant director | |
| Susana González | .... | assistant director | |
| Nuria Velasco | .... | second assistant director | |
Art Department | |||
| Jaime Anduiza | .... | props | |
| Dolors Company | .... | assistant decorator (as Mª Dolores Company) | |
| Raúl Martín | .... | props | |
| Iñaki Rubio | .... | property master | |
| Ana Cecilia Tejeda | .... | props | |
Sound Department | |||
| Pedro Barbadillo | .... | additional sound editor | |
| Carlos del Pino | .... | sound | |
| Enrique Domínguez | .... | additional sound mixer | |
| Patrick Ghislain | .... | foley mixer | |
| Gadou Naudin | .... | sound effects editor | |
| Alfonso Pino | .... | sound mixer | |
| Julio Recuero | .... | sound | |
| Nacho Royo-Villanova | .... | sound editor | |
| Javier Santoni | .... | boom operator | |
| José Vinader | .... | sound engineer | |
| Ricardo Viñas | .... | dolby sound consultant | |
Special Effects by | |||
| Óscar Abades | .... | special effects technician | |
| Ángel Alonso | .... | special effects technician | |
| Román Cabrera | .... | special effects technician | |
| Tomás Urbán | .... | special effects technician | |
Visual Effects by | |||
| Helmuth Barnert | .... | digital compositor | |
| Telson S.L. | .... | digital post production & effects | |
Camera and Electrical Department | |||
| Vladimiro Amor | .... | electrician | |
| Miguel Ángel Bardavio | .... | assistant camera | |
| Alicia Beladiez | .... | assistant camera | |
| Juan A. Caso | .... | electrician (as Juan Antonio Caso) | |
| Roberto Cuadrado | .... | electrician | |
| Eva Díaz | .... | assistant camera | |
| Álvaro Gómez | .... | electrician | |
| Teresa Isasi | .... | still photographer | |
| Luis Alfonso Robles | .... | grip (as Alfonso Robles) | |
| Juan Carlos Rodríguez | .... | gaffer | |
| Bernardo Rossetti | .... | Steadicam operator | |
| Bernardo Rossetti | .... | camera operator | |
Costume and Wardrobe Department | |||
| Natacha Fernández | .... | assistant costume designer (as Natacha F. Gallardo) | |
| Sonia Isla | .... | additional costumes | |
| Sara Pérez | .... | costume assistant | |
Editorial Department | |||
| Manuela Díaz | .... | post-production | |
| Eladio Fernández | .... | post-production | |
| María Lara | .... | assistant editor | |
| Ximo Michavila | .... | telecine colorist | |
Music Department | |||
| María José Asensio | .... | music executive producer | |
| Marcelo Mercadante | .... | musician | |
| Irene Vinader | .... | assistant score engineer | |
| José Vinader | .... | score mixer | |
| José Vinader | .... | score recordist | |
Transportation Department | |||
| Eusebio Galindo | .... | driver | |
Other crew | |||
| Pablo Alfaro | .... | production administrator: Luxembourg | |
| David Chagoyen | .... | crowd coordinator | |
| Eduardo Chapero-Jackson | .... | production coordinator | |
| Laura Colodrón | .... | accountant: Sogecine | |
| Ángel Corral | .... | production assistant | |
| Rosa Garcia Merino | .... | head of publicity | |
| Carola García | .... | coach | |
| Rosa García | .... | head of promotion | |
| Ana Garrido | .... | production coordinator | |
| Antonio Giménez | .... | marketing | |
| Susana Herreras | .... | production coordinator | |
| Anna Kemp | .... | script supervisor | |
| Cristina Marinero | .... | unit publicist | |
| Renate Rensch | .... | dance coach | |
| Raquel Ruiz | .... | production assistant | |
| Eva Soto | .... | press: Sogecine | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Spain section |
This is a beautiful looking movie, wonderfully photographed. It isn't a great film by any means, but it is charming and entertaining, presenting a topical view of life in the southern villages of Spain at the time. The characters are not fully fleshed people, they are stereotypes attempting to represent the different hues of the Spanish psyche... if you look hard enough, you can even find references to the Quixote/Sancho relationship which is so characteristic of the Spanish culture. There are some disappointments too: social issues such as the great divide between rich and poor, the consequences of the religious protestant reform failure in Spain, and the emigration dream (in this case to Argentine) are just touched but never fully explored. Fernando Colomo is an A-list director of the Spanish film industry and he has attracted a star studded cast to this movie. Great names like Antonio Resines and Angela Molina are happy to take on what they are really minor roles... The acting in general is quite good. Ultimatelly this ends up being a 'fish out of water' film which appears to have had pretensions of becoming a quality/art cinema when first conceived, but never quite achieved it.