General Crook rolls into Deadwood with his troops, known as "Custer's avengers," and the Yankton magistrate, Clagett, prompting a parade and business solicitations from E.B. Farnum and Cy Tolliver. ...
The town of Deadwood, South Dakota in the weeks following the Custer massacre is a lawless sinkhole of crime and corruption. Into this uncivilized outpost ride a disillusioned and bitter ex-lawman, Wild Bill Hickok, and Seth Bullock, a man hoping to find a new start for himself. Both men find themselves quickly on opposite sides of the legal and moral fence from Al Swearengen, saloon owner, hotel operator, and incipient boss of Deadwood. The lives of these three intertwine with many others, the high-minded and the low-lifes who populate Deadwood in 1876. Written by
Jim Beaver <email@example.com>
George Hearst was the father of William Randolph Hearst, the famous newspaperman on whom Citizen Kane (Citizen Kane (1941)) was based, and the great-grandfather of Patricia Hearst. When Hearst tells Merrick that he will start his own newspaper in Deadwood to tell lies for his side, it is a reference to the fact that W. R. Hearst is largely credited with the creation of the concept of "yellow journalism" and the use of his own newspapers to shape and even create political and social opinion and actual events. The most famous example of this was what many historians characterize as W. R. Hearst's whole cloth creation of the Spanish-American War through his newspapers' inflammatory and lucrative headlines. See more »
The series shows Seth Bullock and Sol Starr witness Wild Bill Hickok's arrival in Deadwood, however in reality, Wild Bill arrived in Deadwood two weeks prior to Bullock. Bullock arrived in Deadwood on 1 August 1876, the day before Bill was killed by Jack McCall. See more »
Absolutely superb. I don't think I've ever given anything a 10/10 before, but for a TV show, Deadwood is excellent - and given the crap we're generally subjected to on the box, absolutely outstanding. The sets, the research, the directing, the characters, the acting - all shine. And without wanting to sound gushy, the script is close to Shakespearian in its prosaic yet pragmatic tone. The juxtaposition of the grit and dirt and blood of the real 'Wild West' with formal Victorian language is genius. Even the opening credits are beautiful. It may not be everyone's cup of tea (the language and content can be a little 'strong' although entirely appropriate and in context) but anyone who's a fan of quality entertainment, shouldn't go past it.
20 of 22 people found this review helpful.
Was this review helpful to you?