General Crook rolls into Deadwood with his troops, known as "Custer's avengers," and the Yankton magistrate, Clagett, prompting a parade and business solicitations from E.B. Farnum and Cy Tolliver. ...
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Cullen Bohannon, a former soldier and slaveholder, follows the track of a band of Union soldiers, the killers of his wife. This brings him to the middle of one of the biggest projects in US... See full summary »
The town of Deadwood, South Dakota in the weeks following the Custer massacre is a lawless sinkhole of crime and corruption. Into this uncivilized outpost ride a disillusioned and bitter ex-lawman, Wild Bill Hickok, and Seth Bullock, a man hoping to find a new start for himself. Both men find themselves quickly on opposite sides of the legal and moral fence from Al Swearengen, saloon owner, hotel operator, and incipient boss of Deadwood. The lives of these three intertwine with many others, the high-minded and the low-lifes who populate Deadwood in 1876. Written by
Jim Beaver <email@example.com>
HBO offered the chance to David Milch to wrap the series in a shorter four season, but he declined to do it on those conditions. However, when Chris Albrecht was asked about it, he said that they also told Milch that HBO would give him a full 12-episode season if it was what he needed to wrap the show. Milch told them he would think about it over a weekend, but the news about the show possibly being cancelled reached the press to such a speed that that conversation never happened and Milch just move on to develop John from Cincinnati. See more »
The series shows Seth Bullock and Sol Starr witness Wild Bill Hickok's arrival in Deadwood, however in reality, Wild Bill arrived in Deadwood two weeks prior to Bullock. Bullock arrived in Deadwood on 1 August 1876, the day before Bill was killed by Jack McCall. See more »
Well'm, I've got myself a working gold claim.
Well, sir, is that a damn fact?
A hell of a working gold claim, and if we knew each other better I'd throw "fucking" in there somewhere.
If you did I'd try to catch it.
A working fucking gold claim, Joanie, and thank you for allowing me my full range of expression.
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This is a stunning achievement. Performance, writing, direction, casting, design, everything about it is of the highest quality. It seems so obvious and in your face at first with little in the way of compelling traditional story (ie each episode has a 'plot') but every layer has another layer beneath and they all build into an amazing portrait of this moment in time. (real or fictional it makes no difference to me) For all the apparent lawlessness and depravity on display it is about love and responsibility being forged against the most brutal of times. Ian McShane is a stunning revelation and Timothy Olyphant is superb as the calm fury at the centre of the storm. Cannot praise it highly enough. Better than Sopranos - and that's saying something.
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