General Crook rolls into Deadwood with his troops, known as "Custer's avengers," and the Yankton magistrate, Clagett, prompting a parade and business solicitations from E.B. Farnum and Cy Tolliver. ...
The story of an inner-city Los Angeles police precinct where some of the cops aren't above breaking the rules or working against their associates to both keep the streets safe and their ... See full summary »
Cullen Bohannon, a former soldier and slaveholder, follows the track of a band of Union soldiers, the killers of his wife. This brings him to the middle of one of the biggest projects in US... See full summary »
The town of Deadwood, South Dakota in the weeks following the Custer massacre is a lawless sinkhole of crime and corruption. Into this uncivilized outpost ride a disillusioned and bitter ex-lawman, Wild Bill Hickok, and Seth Bullock, a man hoping to find a new start for himself. Both men find themselves quickly on opposite sides of the legal and moral fence from Al Swearengen, saloon owner, hotel operator, and incipient boss of Deadwood. The lives of these three intertwine with many others, the high-minded and the low-lifes who populate Deadwood in 1876. Written by
Jim Beaver <email@example.com>
According to a 2004 Jewish Journal of Greater Los Angeles interview with show creator David Milch, when John Hawkes first met Milch to audition for the role of Sol Star, Hawkes told Milch that he was not actually Jewish (unlike both the real-life Star and the "Deadwood" character). Milch's response was to ask Hawkes, "Have you ever felt shame or sadness or ostracized?" When Hawkes responded, "Every day," Milch told him, "Then you're Jewish." See more »
At one point, Starr tells Bullock: "Your fly is down". In 1876, trousers had buttons, not zippers. Bullock's fly would have been "open" or "closed", not "up" or "down". See more »
Ian McShane as the evil Al has established himself as one of the greatest actors of the moment and of the time. He's up there with Pacino, DeNiro and Keitel. The magnificent writing and directing of Deadwood support him completely in mesmerizing the audience. This is for my money the finest work being done on television today. The show has a sure moral compass and a daring to take the violence to the level of Shakespeare or the Greek Tragedy while maintaining verisimilitude with brilliant dialogue and perfect art and set direction, as well as a flawless supporting cast each of whom engages us immediately and convincingly no matter how intimate or distant the focus might be. I can't get enough of this show. I want to see it all in reruns, to cherish it later on DVD. Each episode is fresh and surprising and at times astonishing. But Ian McShane steals the show, no question of it. His face is profoundly expressive and his lines are so marvelous that some of them surely must be ad lib. The guy's a scoundrel but my heart's breaking for him. The Season Finale was the single greatest television drama I've ever seen. We have here a villain who isn't morally bankrupt. And thank heaven, we have a show runner and a writer who isn't morally bankrupt either. Bravo!! I've run out of superlatives. Please, more. And more. And more.
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