The upper-class owner of a gallery, Catherine Lelievre, hires the efficient and quiet maid Sophie to work in the family manor in the French countryside. Her husband Georges Lelievre, who is... See full summary »
When Victor finds out one morning that his wife had left him and that she had forgotten to at least buy milk for the Kids, he finds that things can only get worse. Having also been fired ... See full summary »
Twelve-year-old Antoine falls profoundly in love with a voluptuous but suicidal hairdresser, a formative experience he never forgets. Much later in life, he seeks to repeat his romance by ... See full summary »
Although he's now eighty years old, Claude Lherminier is still as imposing as he ever was. But his bouts of forgetfulness and confusion are becoming increasingly frequent. Even so, he ... See full summary »
Philippe Le Guay
A man and a woman, secretly in love, alone in a room. They desire each other, want each other, and even bite each other. In the afterglow, they share a few sweet nothings. At least the man ... See full summary »
These days it's rare to find Agnes Jaoui acting in a film that she hasn't written (with collaborator Jean-Pierre Bacri) herself and/or directed (Le Gout des Autres and this year's Comme un Image)so it's good to be reminded that she can take as well as give direction and read other people's lines convincingly. The story of a fan, Claire Rocher (Karin Viard) who eventually becomes a Personal Assistant to her idol, Elizabeth Becker (Agnes Jaoui)is almost certain to evoke echoes of Mank's 'All About Eve' yet whilst the central situation is the same (if we read 'screen' for 'stage') there are significant differences inasmuch as Ann Baxter's Eve Harrington was, to all intents and purposes a waif, who haunted the Stage Door waiting for a glimpse of her idol, Margo Channing, whilst Karen Viard comes complete with a job, TV journalist at which she is certainly competent and a circle of friends, to whom, in due course, Jaoui is introduced. The name Becker is, of course, distinguished in French cinema via Jacques (Casque d'Or) and his son Jean (Les Enfants du Marais)and it may well be that helmer Favrant (screenwriter on Bord de Mer)and writer Julie de Courval chose their name for Jaoui's character deliberately. Ultimately the film is about the changing balance of relationships and the show biz background
complete with appearances by well-known domestic actors Edouard Baer,
Jose Garcia and Anna Mouglalis as themselves - is largely irrelevant. For some the novelty of seeing the naturally dark-haired Jaoui in a red wig and singing in sultry Spanish will be worth the price of admission alone, those demanding something a little more substantial may be disappointed.
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