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| Halle Berry | ... | Miranda Grey | |
| Robert Downey Jr. | ... | Pete Graham | |
| Charles S. Dutton | ... | Dr. Douglas Grey | |
| John Carroll Lynch | ... | Sheriff Ryan | |
| Bernard Hill | ... | Phil Parsons | |
| Penélope Cruz | ... | Chloe Sava | |
| Dorian Harewood | ... | Teddy Howard | |
| Bronwen Mantel | ... | Irene | |
| Kathleen Mackey | ... | Rachel Parsons | |
| Matthew G. Taylor | ... | Turlington | |
| Michel Perron | ... | Joe | |
| Andrea Sheldon | ... | Tracey Seavers | |
| Anana Rydvald | ... | Glass Cell Nurse | |
| Laura Mitchell | ... | Inmate | |
| Amy Sloan | ... | Inmate | |
| Noël Burton | ... | Prison Doctor | |
| Benz Antoine | ... | Guard | |
| Andy Bradshaw | ... | Guard | |
| Jason Cavalier | ... | Guard | |
| Jasson Finney | ... | Guard | |
| Terry Simpson | ... | Guard | |
| Kwasi Songui | ... | Guard | |
| Caroline Van Vlaardingen | ... | Reporter | |
| Al Vandecruys | ... | Reporter | |
| Noah Bernett | ... | Tim |
Directed by | |||
| Mathieu Kassovitz | |||
Writing credits(WGA) | ||
| Sebastian Gutierrez | (written by) | |
Produced by | |||
| Don Carmody | .... | executive producer | |
| Susan Downey | .... | producer (as Susan Levin) | |
| Melina Kevorkian | .... | co-producer | |
| Adam Kuhn | .... | associate producer | |
| L. Levin | .... | producer | |
| Richard Mirisch | .... | co-producer | |
| Steve Richards | .... | executive producer | |
| Joel Silver | .... | producer | |
| Gary Ungar | .... | executive producer | |
| Robert Zemeckis | .... | producer | |
| Jefferson Richard | .... | line producer: additional photography (uncredited) | |
Original Music by | |||
| John Ottman | |||
Cinematography by | |||
| Matthew Libatique | (director of photography) | ||
Film Editing by | |||
| Yannick Kergoat | |||
Casting by | |||
| Marci Liroff | |||
Production Design by | |||
| Graham 'Grace' Walker | |||
Art Direction by | |||
| Isabelle Guay | (supervising art director) | ||
Set Decoration by | |||
| Marie-Claude Gosselin | |||
Costume Design by | |||
| Kym Barrett | |||
Makeup Department | |||
| Caroline Aquin | .... | special makeup effects artist | |
| Camille Belanger | .... | makeup artist (as Camille Bélanger) | |
| Mary Burton | .... | makeup artist | |
| André Duval | .... | key hair stylist | |
| Erik Gosselin | .... | key makeup effects artist | |
| Karl Gosselin | .... | key makeup effects artist | |
| Frédérik Guilbert | .... | makeup effects artist (as Frederick Guilbert) | |
| Marifrance Guy | .... | makeup effects artist (as Marie-France Guy) | |
| Whitney James | .... | makeup artist: Penelope Cruz | |
| Lizane La Salle | .... | assistant makeup artist: extras | |
| Francois Laliberte | .... | makeup effects artist | |
| Anne-Marie Lanza | .... | hair stylist | |
| Félix Larivière | .... | key hair stylist | |
| Barbara Lorenz | .... | hair stylist: Halle Berry | |
| Louise Mignault | .... | key makeup artist | |
| Pierre Saindon | .... | makeup artist | |
| Mark Townsend | .... | hair stylist: Penelope Cruz | |
| Manon Boucher | .... | special makeup effects artist (uncredited) | |
| Christiane Fattori | .... | personal makeup artist (uncredited) | |
Production Management | |||
| Liz Amsden | .... | production supervisor | |
| Adam Avery | .... | post-production supervisor | |
| Francis Choquette | .... | unit manager | |
| Micheline Garant | .... | unit production manager | |
| Denis Lemieux | .... | assistant unit manager | |
| Barbara Russo | .... | post-production executive (uncredited) | |
Second Unit Director or Assistant Director | |||
| Alexandre Bernard | .... | daily assistant director | |
| Alexandre Bernard | .... | third assistant director | |
| Charles-André Bertrand | .... | additional third assistant director | |
| Nadine Brassard | .... | third assistant director | |
| Pierre Brassard | .... | second assistant director | |
| Stéphane Byl | .... | third assistant director | |
| Ariane Côté-Chénier | .... | additional third assistant director | |
| Angèle Gagnon | .... | second second assistant director | |
| Benoît Hamel | .... | assistant director: second unit | |
| Jim Kaufman | .... | first assistant director (as James Kaufman) | |
| Jacques Laberge | .... | first assistant director | |
| Emilie Malo | .... | third assistant director | |
| Laurence Mercier | .... | second second assistant director | |
| Brian O'Sullivan | .... | first assistant director: reshoots | |
| Spiro Razatos | .... | second unit director | |
| Théo Thivierge | .... | second assistant director | |
Special Effects by | |||
| Louis Craig | .... | special effects director | |
| Louis Craig | .... | special effects supervisor | |
| Pierre Côté | .... | special effects technician | |
| Mario Dumont | .... | special effects floor supervisor | |
| Chris Hopkins | .... | rig/comp artist: DFW | |
| André Laforest | .... | special effects best boy | |
| André Laforest | .... | special effects technician | |
| Philippe Roberge | .... | special effects technician | |
| Sebastien Roussel | .... | special effects technician | |
| Michel Verdon | .... | fabricator/welder | |
| Martin Williams | .... | special effects technician | |
| Bernard Guay | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Akemi Abe | .... | main titles | |
| Steve Arguello | .... | digital effects artist: CafeFX | |
| Jeff Barnes | .... | executive producer: CafeFX | |
| Timur 'Taron' Baysal | .... | head of research and development: CafeFX | |
| Timur 'Taron' Baysal | .... | look developer: fire and explosion, CafeFX | |
| Cosmas Paul Bolger Jr. | .... | visual effects supervisor | |
| Mike Bozulich | .... | compositor: CafeFX | |
| Danny Braet | .... | digital effects supervisor: ComputerCafe | |
| Edward Brizio | .... | visual effects editor (as Eduardo Brizio) | |
| Everett Burrell | .... | digital artist: CafeFX | |
| Lee Carlton | .... | digital effects artist: CafeFX | |
| Jeremy Cho | .... | digital effects artist: CafeFX | |
| Daniele Colajacomo | .... | visual effects supervisor: 3DSite | |
| Louis Craig | .... | visual effects supervisor | |
| David Ebner | .... | facilities supervisor | |
| David Ebner | .... | senior digital effects supervisor: CafeFX | |
| Chow Emrich | .... | animator: 3DSite (as Robert Emrich) | |
| Chow Emrich | .... | lighter: 3DSite (as Robert Emrich) | |
| Steven Fagerquist | .... | visual effects | |
| Vicki Galloway-Weimer | .... | visual effects producer: CafeFX (as Vicki Galloway Weimer) | |
| Jeff Goldman | .... | digital effects supervisor: CafeFX | |
| Victor Grant | .... | look developer: fire and explosion, CafeFX | |
| Trevor Harder | .... | digital effects artist | |
| Erik Henry | .... | visual effects supervisor | |
| Justin Johnson | .... | visual effects | |
| Grzegorz Jonkajtys | .... | digital effects artist: CafeFX (as Greg Jonkajtys) | |
| Peter Koczera | .... | senior digital artist | |
| Gary Laurie | .... | 3D matchmover: 3DSite | |
| Derek Ledbetter | .... | visual effects | |
| Votch Levi | .... | digital compositor: CafeFX | |
| Sal Migliore | .... | assistant colorist | |
| Phillip Moses | .... | visual effects coordinator: CafeFX | |
| Fred Mugford | .... | animator: 3DSite | |
| Fred Mugford | .... | lighter: 3DSite | |
| Thomas Scott Nelson | .... | modeler: 3DSite | |
| Thomas Scott Nelson | .... | texture artist: 3DSite | |
| Toby Newell | .... | digital effects artist: CafeFX | |
| Akira Orikasa | .... | digital artist: CafeFX | |
| Desi Ortiz | .... | visual effects editor: CafeFx | |
| Marco S. Paolini | .... | digital compositor | |
| Phil Pham | .... | digital compositor: 3DSite | |
| Chris Reid | .... | look developer: fire and explosion, CafeFX | |
| Minoru Sasaki | .... | digital effects artist: CafeFX | |
| Brian Smallwood | .... | digital effects artist | |
| Tony Solomons | .... | visual effects editor | |
| Nic Spier | .... | digital artist | |
| Gabriel Vargas | .... | digital effects artist: CafeFX | |
| Shannon Wegner | .... | digital effects artist | |
| Mark Douglas Wells | .... | animator: 3DSite (as Mark Wells) | |
| Mark Douglas Wells | .... | lighter: 3DSite (as Mark Wells) | |
| Bob Wiatr | .... | digital compositor | |
| Johnny Wilson | .... | visual effects | |
| Joseph A. Zaki | .... | lead digital compositor (as Joseph Zaki) | |
| Christopher Grandel | .... | compositing artist: Howard Anderson Company (uncredited) | |
Stunts | |||
| Annie Carignan | .... | stunts | |
| Dean Copkov | .... | stunt driver | |
| François Gauthier | .... | stunts | |
| Nathalie Girard | .... | stunt performer | |
| Stéphane Lefebvre | .... | stunts | |
| Steve Lucescu | .... | stunt coordinator | |
| Steve Lucescu | .... | stunt driver | |
| Crystal Michelle | .... | stunt performer (as Crystal Dyson) | |
| Minor Mustain | .... | stunt coordinator | |
| Hilary Porter | .... | stunts | |
| Edward A. Queffelec | .... | stunt driver | |
| Sharlene Royer | .... | stunt double: Halle Berry | |
| Helen Stranzl | .... | stunts | |
| John Topor | .... | stunts | |
| Kym Washington | .... | stunt double | |
| Edward A. Queffelec | .... | assistant stunt coordinator (uncredited) | |
Animation Department | |||
| Chow Emrich | .... | animator | |
Costume and Wardrobe Department | |||
| Hélène Belanger | .... | costumer | |
| Maren Brown | .... | assistant to costume designer | |
| Jennifer Lys Grenier | .... | costumer | |
| Catherine Gélinas | .... | key dresser | |
| Lisa Lovaas | .... | costume supervisor | |
| Margarita Manoukian | .... | costumer | |
| Simonetta Mariano | .... | costume supervisor | |
| Peggy A. Schnitzer | .... | assistant costume designer | |
| Renée Tremblay | .... | costumer | |
| Alain Vallée | .... | costumer | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital intermediate colorist | |
| Olivier Gourlay | .... | first assistant editor | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Mo Henry | .... | negative cutter | |
| Christopher Hills-Wright | .... | assistant editor | |
| Nicolae Ilies | .... | colorist: dailies | |
| Harold Parker | .... | assistant editor | |
| Tony Solomons | .... | additional editor | |
Music Department | |||
| Robb Boyd | .... | assistant music editor | |
| Amanda Goodpaster | .... | music editor | |
| Mark Graham | .... | music librarian | |
| Damon Intrabartolo | .... | conductor | |
| Damon Intrabartolo | .... | orchestrator | |
| Frank Macchia | .... | score synth programmer | |
| John Ottman | .... | orchestrator | |
| Bart Samolis | .... | musician | |
| Jim Schultz | .... | assistant music editor | |
| Steven L. Smith | .... | music preparation | |
| Casey Stone | .... | music scoring mixer | |
| Lior Rosner | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Bertrand Calmeau | .... | driver | |
| Alain Caporicci | .... | driver captain | |
| Aleck Duncan | .... | driver: Halle Berry | |
| Stéphane Giroux | .... | driver: cast and production | |
| Michel Mollicone | .... | transportation coordinator | |
| Greagrey Waldrop | .... | transportation captain (as Greag Waldrop) | |
| Christian Biron | .... | transportation (uncredited) | |
Other crew | |||
| Barbara Alexandre | .... | photo double/understudy | |
| Sim Bajaj | .... | assistant: Joel Silver | |
| Vinlyn Beckles | .... | assistant: Halle Berry | |
| Stephen Bender | .... | office assistant | |
| James F. Breithaupt | .... | production accountant | |
| Pierre Brunet | .... | key location manager | |
| Debbie-Anne Champagne | .... | production staff | |
| Yannick Champagne | .... | assistant craft service | |
| John Charles | .... | software engineer: Sony DAC | |
| Nickey Chow | .... | accounting clerk | |
| Guillaume Colboc | .... | assistant: Mathieu Kassovitz | |
| Marie-Christine D'Amours | .... | production secretary | |
| Melanie Dallaire | .... | production secretary | |
| Marie Dumont | .... | floor manager | |
| Karim El Fassi | .... | key set production assistant | |
| Rick Elmore | .... | assistant: Robert Downey Jr. | |
| Joe Everett | .... | unit publicist | |
| Patrick Galipeau | .... | production assistant | |
| Alessandro Gallizzi | .... | production assistant | |
| David Gambino | .... | assistant: Susan Levin | |
| Christina Giffen | .... | assistant: Penelope Cruz | |
| Paule Greslot | .... | office assistant | |
| Joanne T. Harwood | .... | script supervisor | |
| Maral Hassib | .... | production coordinator (as Manal Hassib) | |
| Polly Johnsen | .... | studio executive (uncredited) | |
| Jean-Patrick Joseph | .... | special equipment supplier | |
| Melina Kevorkian | .... | assistant: Joel Silver | |
| Nathalie Lagacé | .... | second assistant accountant | |
| Valérie Lapierre | .... | payroll accountant | |
| Dominique Leroutier | .... | location manager | |
| Gilles Montreuil | .... | assistant accountant | |
| Erick Nyhuis | .... | production assistant | |
| Harley Pasternak | .... | trainer: Halle Berry | |
| Monique Perez | .... | assistant to producer | |
| Denis Proulx | .... | key medic | |
| Michael Ryan Sikov | .... | assistant: Steve Richards (as Michael Sikov) | |
| Victorine Tamafo | .... | production coordinator | |
| Randy Thomas | .... | photo double/understudy | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
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| The Girl with the Dragon Tattoo | Changeling | High Tension | The Departed | So Sweet, So Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Stars operating at the level of Halle Berry and Penelope Cruz are bound to disappoint critics along the way, especially when the critics are just waiting for some sign of weakness upon which to feed. While there is nothing wrong with any of the acting in this film - these are not the kinds of roles Oscar winners and nominees are expected to indulge in.
What's more, Berry and Cruz signed onto a film made by a production team which has typecast itself with some fairly disappointing ghost stories / horror films involving big-names in the recent past.
Finally, this is one of those cases where the trailer was so good that the film could not possibly follow it.
So what?
If you approach this film without expectations, and with an open mind, you will be entertained. It's a tight, disturbing psychological/supernatural thriller which, though a little predictable at times, nevertheless offers some frightening imagery and a few good solid scares. That said, this is not a film for people who have trouble paying attention or for people who need straightforward answers. If you don't really pay attention to what is going on in this film, you could easily dismiss it as a more adult version of Sixth Sense or just another dumb ghost story. This film deserves more credit than that.
Personally, I don't think it's a ghost story at all- but that is a question best left open.
I have seen a number of films by this team - House on Haunted Hill, 13 Ghosts and Ghost Ship. Of these, I found 13 Ghosts and the House on Haunted Hill to be entertaining, but not very intelligent. Ghost Ship was tremendously disappointing - even Gabriel Byrne could not save that film. Gothika is easily the best of the lot, and also the darkest. The film is shot in dark blue, black and gray tones, and the use of lighting is nothing short of artistic. Despite the cliché title, the occasional plot clichés, and all the negative publicity generated by critics, I found this film to be surprisingly entertaining, intelligent, and disturbing.
Most of the 'plot holes' cited by some reviewers here on IMDb are more likely gaps in the attention spans of the viewers themselves or intentional ambiguities designed by the production team. This, unlike any of this team's previous work, does not provide unambiguous explanations.
Cruz and Berry are, respectively, patient and psychiatrist in a high security prison for the criminally insane. The Gothic environment of this facility is not meant to be realistic, but surreal, and the effect works. From the first time you see the place, you question its own reality. The film constantly manipulates mood through cinematographic techniques like this.
Shortly after the film opens, Berry finds herself experiencing what some of her allegedly delusional patients talk to her about. Robert Downey's portrayal of her friend and, now, therapist, is uneven, but satisfactory.
To describe the rest of the plot would require spoilers, so I won't bother. Suffice to say that even the occasional predictability of this film did not detract from my enjoyment of it.
The film uses just enough ambiguity to permit the audience to wonder whether what they are seeing is really happening or whether it is a product of our protagonist's subconscious mind. And then, in the end, the film makes you question whether it matters.