| Photos (See all 32 | slideshow) | Videos (see all 2) |
| Elle Fanning | ... | Ruth Cole | |
| Jeff Bridges | ... | Ted Cole | |
| Kim Basinger | ... | Marion Cole | |
| Jon Foster | ... | Eddie O'Hare | |
| Larry Pine | ... | Interviewer | |
| John Rothman | ... | Minty O'Hare | |
| Harvey Loomis | ... | Dr. Loomis | |
| Bijou Phillips | ... | Alice | |
| Mimi Rogers | ... | Evelyn Vaughn | |
| Mike S. Ryan | ... | Reception Fan | |
| Libby Langdon | ... | Woman at Reception | |
| Louis Arcella | ... | Eduardo Gomez | |
| Robert LuPone | ... | Mendelssohn | |
| Rachel Style | ... | Bookstore Assistant | |
| Amanda Posner | ... | Frame Shop Clerk | |
| Donna Murphy | ... | Frame Shop Owner | |
| Marion McCorry | ... | Bookstore Customer | |
| Kristina Valada-Viars | ... | Effie | |
| LeAnna Croom | ... | Glorie Mountsier | |
| Claire Beckman | ... | Mrs. Mountsier | |
| Tod Harrison Williams | ... | Thomas Cole | |
| Carter Williams | ... | Timothy Cole | |
| rest of cast listed alphabetically: | |||
| Lisa Burrascano | ... | Girl at Bon-Fire (uncredited) | |
| Lynn Laurence | ... | Fishmonger's Wife (uncredited) | |
| Charlie Rose | ... | Himself (uncredited) | |
Directed by | |||
| Tod Williams | |||
Writing credits(WGA) | ||
| John Irving | (novel "A Widow for One Year") | |
| Tod Williams | (screenplay) | |
Produced by | |||
| Anne Carey | .... | producer | |
| Michael Corrente | .... | producer | |
| Julie Fischer | .... | post-production producer | |
| Ted Hope | .... | producer | |
| Amy J. Kaufman | .... | executive producer (as Amy Kaufman) | |
| Roger Marino | .... | executive producer | |
| Marisa Polvino | .... | co-producer | |
Original Music by | |||
| Marcelo Zarvos | |||
Cinematography by | |||
| Terry Stacey | |||
Film Editing by | |||
| Affonso Gonçalves | |||
Casting by | |||
| Ann Goulder | |||
Production Design by | |||
| Thérèse DePrez | |||
Art Direction by | |||
| Nicholas Lundy | |||
Set Decoration by | |||
| Nick Evans | |||
Costume Design by | |||
| Eric Daman | |||
Makeup Department | |||
| Jane English | .... | body makeup artist: Ms. Basinger | |
| Susan Germaine | .... | hair stylist: Mr. Bridges | |
| Lori Hicks | .... | key makeup artist | |
| Thomas Nellen | .... | makeup artist: Mr. Bridges | |
| Valli O'Reilly | .... | makeup artist: Ms. Basinger | |
| Aaron F. Quarles | .... | key hair stylist | |
| Sacha Quarles | .... | hair stylist | |
| Ronnie Specter | .... | makeup artist: Ms. Basinger | |
| Mitchell Stone | .... | hair stylist: Ms. Basinger (as Mitch Stone) | |
Production Management | |||
| Lori Johnson | .... | production supervisor | |
| Susan Lazarus | .... | post-production supervisor | |
Art Department | |||
| Jeff Bridges | .... | illustrator | |
| Gary Cergol | .... | art department coordinator | |
| Gary Cergol | .... | graphic artist | |
| Brent Godek | .... | set dresser | |
| Dierdre Kane | .... | on-set dresser | |
| Jennifer Santucci | .... | art department assistant | |
| Steven Shellooe | .... | on-set scenic | |
| Danielle Webb | .... | set dresser | |
Sound Department | |||
| Leslie Bloom | .... | foley artist | |
| Marko A. Costanzo | .... | foley artist | |
| Robert Fernandez | .... | sound re-recording mixer | |
| David Flynch | .... | foley editor (as Dave B. Flynch) | |
| Paul Hsu | .... | sound re-recording mixer | |
| Paul Hsu | .... | supervising sound editor | |
| George A. Lara | .... | foley mixer | |
| George A. Lara | .... | foley recordist | |
| Tod A. Maitland | .... | sound mixer | |
| Michael Miller | .... | adr mixer | |
| Bob Olari | .... | sound recordist (2004) | |
| Nicholas Renbeck | .... | supervising adr editor | |
| Nicholas Renbeck | .... | supervising dialogue editor | |
| Victoria Rose Sampson | .... | adr editor (as Victoria Sampson) | |
| Michael Scott | .... | boom operator | |
| Steve F.B. Smith | .... | sound consultant: Dolby | |
| Eric Thompson | .... | adr mixer | |
| Lila Yomtoob | .... | first assistant sound editor | |
| Allan Zaleski | .... | sound effects librarian | |
| Kyle Godbey | .... | sound effects intern (uncredited) | |
Special Effects by | |||
| Conrad V. Brink Jr. | .... | special effects foreman (as Conrad V. Brink) | |
| Connie Brink | .... | special effects coordinator (as Conrad F. Brink) | |
| Edward Drohan | .... | special effects (as Ed Drohan) | |
| Charlie Simunik | .... | special effects (as Charles Simunek) | |
Visual Effects by | |||
| Janos Pilenyi | .... | opticals | |
| Adam Stern | .... | digital compositor | |
| Alex Thiesen | .... | visual effects producer: main title sequence, THDX | |
Stunts | |||
| Bill Anagnos | .... | stunts | |
| Peter Bucossi | .... | stunt coordinator | |
| Loyd Catlett | .... | stunts | |
| Frank Ferrara | .... | stunts | |
| Janet Paparazzo | .... | stunts | |
| Keith Siglinger | .... | stunts | |
| D.J. Surgent | .... | stunts | |
Camera and Electrical Department | |||
| Kip Bogdahn | .... | camera operator | |
| Oliver Cary | .... | first assistant camera | |
| John Clifford | .... | still photographer | |
| Jeffrey Dutemple | .... | first assistant camera: "b" camera | |
| Robert K. Feldmann | .... | grip | |
| Gary Jackiewicz | .... | grip | |
| Tim McAuliffe | .... | best boy electric | |
| Sean McCardell | .... | electrician | |
| Hernan Otaño | .... | camera operator (as Hernan Michael Otaño) | |
| Steve Ramsey | .... | gaffer | |
| Chris Reynolds | .... | additional assistant camera | |
| Jon W. Rosenbloom | .... | best boy grip | |
| Tom Vulliez | .... | dolly grip | |
Casting Department | |||
| Sage Lehman | .... | casting assistant | |
| Michelle Levitt | .... | casting assistant | |
| Terri Tracy | .... | casting assistant: Los Angeles | |
Costume and Wardrobe Department | |||
| Marta Font | .... | costumer | |
| Nancy Mayer Allan | .... | costume assistant: Ms. Basinger | |
| Christopher Peterson | .... | assistant costume designer | |
Editorial Department | |||
| Fred Heid | .... | color timer | |
| Jamie Kirkpatrick | .... | second assistant editor | |
| Craig Seti | .... | telecine operator | |
| Katy Skjerping | .... | assistant editor (as Katherine Fisher) | |
| Stan Sztaba | .... | negative matcher | |
| Ben Urquhart | .... | post-production assistant | |
| Joe Violante | .... | dailies supervisor | |
| Martin Zeitler | .... | telecine operator | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| Gary Chester | .... | music contractor | |
| Sonny Kompanek | .... | orchestrator | |
| Lawrence Manchester | .... | score mixer | |
| Lawrence Manchester | .... | score recordist | |
| Suzana Peric | .... | music editor | |
| Pavel Pranil | .... | music contractor | |
| Beth Rosenblatt | .... | music supervisor (as Beth Amy Rosenblatt) | |
| Jiri Simunek | .... | copyist (as Jiri Simunek) | |
| Marcelo Zarvos | .... | score producer | |
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| The Squid and the Whale | I Am Love | Together | 21 Grams | So Sweet, So Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
"The Door in the Floor" may be one of the best movies so far this year. It offers a moving experience and memorable characters that you will not soon forget.
The story is an adaptation of the best-selling novel, "A Widow for One Year" by John Irving (who also wrote "The World According to Garp" and "The Cider House Rules"). I haven't read the book, but the screenplay by writer/director Tod Williams is so good that it's hard to imagine that it doesn't do justice to its source. (Apparently, the book spans many decades in the life of this family; that's certainly a different approach than what is presented in the film.) Applause to Tod again for his brilliant direction in which he obtains sensitive, extraordinary performances from the sterling cast.
Jeff Bridges is sublime as Ted Cole, a children's book author. His character dominates the plot and it's an Academy Award level portrayal. Bridges only gets better with time, and he is at the top of his form here. In a more understated, introspective role, Kim Basinger plays Ted's wife, Marion Cole. It's another performance deserving of Academy Award notice. Basinger's beauty is only exceeded by the depth of her acting ability. Elle Fanning, younger sister of the talented ten-year-old Dakota Fanning ("I Am Sam", "The Cat in the Hat", "Man on Fire") is an amazing, natural talent as young Ruth, daughter of Ted and Marion.
Jon Foster plays teenaged Eddie O'Hare in yet another superlative job of acting in this movie. Mimi Rogers supports well as Mrs. Vaughn. Her filmography notes she was born in January 1956, which makes her 48 years old. Few actresses would have the ability to play this movie role. She appears in a tense scene, fully nude, and filmed from every angle while she is revolved on a life model's turntable. Wow! More power to her!
"The Door in the Floor" title comes from one of Ted's children's books. We hear the story as Ted does a reading before a local audience. It is clear from the outset that the Cole family is in a state of severe distress, which relates to earlier losses of two sons. Writer/director Tod Williams is masterful in carrying the audience through the gradual and painful exposition of what happened to the couple's children, Tommy and Timothy.
Pleased be aware that all of the principals (except Ruthie) are seen in various stages of nudity in this film -- front, side, back and on top of one another. Everything is shown with great subtlety and sensitivity within the delicate context of the film. There was certainly no prurient interest in any of it. All of the nude scenes are handled in a realistic and matter-of-fact way. For example, little Ruthie sees her father naked, which some viewers may find objectionable, but which certainly works within the context of this film.
This is a movie for all seasons. It's still early in the year and we can only hope that "The Door in the Floor," with its wonderful script, direction, editing, and acting, will still be remembered as we approach nominations for the best films at the end of the year. Go out of your way to see this A++ accomplishment.