| Photos (see all 32 | slideshow) | Videos (see all 7) |
| Elle Fanning | ... | Ruth Cole | |
| Jeff Bridges | ... | Ted Cole | |
| Kim Basinger | ... | Marion Cole | |
| Jon Foster | ... | Eddie O'Hare | |
| Larry Pine | ... | Interviewer | |
| John Rothman | ... | Minty O'Hare | |
| Harvey Loomis | ... | Dr. Loomis | |
| Bijou Phillips | ... | Alice | |
| Mimi Rogers | ... | Evelyn Vaughn | |
| Mike S. Ryan | ... | Reception Fan | |
| Libby Langdon | ... | Woman at Reception | |
| Louis Arcella | ... | Eduardo Gomez | |
| Robert LuPone | ... | Mendelssohn | |
| Rachel Style | ... | Bookstore Assistant | |
| Amanda Posner | ... | Frame Shop Clerk | |
| Donna Murphy | ... | Frame Shop Owner | |
| Marion McCorry | ... | Bookstore Customer | |
| Kristina Valada-Viars | ... | Effie | |
| LeAnna Croom | ... | Glorie Mountsier | |
| Claire Beckman | ... | Mrs. Mountsier | |
| Tod Harrison Williams | ... | Thomas Cole | |
| Carter Williams | ... | Timothy Cole | |
| rest of cast listed alphabetically: | |||
| Lisa Burrascano | ... | Girl at Bon-Fire (uncredited) | |
Directed by | |||
| Tod Williams | |||
Writing credits(WGA) | ||
| John Irving | (novel "A Widow for One Year") | |
| Tod Williams | (screenplay) | |
Produced by | |||
| Anne Carey | .... | producer | |
| Michael Corrente | .... | producer | |
| Julie Fischer | .... | post-production producer | |
| Ted Hope | .... | producer | |
| Amy J. Kaufman | .... | executive producer (as Amy Kaufman) | |
| Roger Marino | .... | executive producer | |
| Marisa Polvino | .... | co-producer | |
Original Music by | |||
| Marcelo Zarvos | |||
Cinematography by | |||
| Terry Stacey | |||
Film Editing by | |||
| Affonso Gonçalves | |||
Casting by | |||
| Ann Goulder | |||
Production Design by | |||
| Thérèse DePrez | |||
Art Direction by | |||
| Nicholas Lundy | |||
Set Decoration by | |||
| Nick Evans | |||
Costume Design by | |||
| Eric Daman | |||
Makeup Department | |||
| Jane English | .... | body makeup artist: Ms. Basinger | |
| Susan Germaine | .... | hair stylist: Mr. Bridges | |
| Lori Hicks | .... | key makeup artist | |
| Thomas Nellen | .... | makeup artist: Mr. Bridges | |
| Valli O'Reilly | .... | makeup artist: Ms. Basinger | |
| Aaron F. Quarles | .... | key hair stylist | |
| Sacha Quarles | .... | hair stylist | |
| Ronnie Specter | .... | makeup artist: Ms. Basinger | |
| Mitchell Stone | .... | hair stylist: Ms. Basinger (as Mitch Stone) | |
Production Management | |||
| Lori Johnson | .... | production supervisor | |
| Susan Lazarus | .... | post-production supervisor | |
Art Department | |||
| Jeff Bridges | .... | illustrator | |
| Gary Cergol | .... | art department coordinator | |
| Gary Cergol | .... | graphic artist | |
| Brent Godek | .... | set dresser | |
| Dierdre Kane | .... | on-set dresser | |
| Jennifer Santucci | .... | art department assistant | |
| Danielle Webb | .... | set dresser | |
Sound Department | |||
| Leslie Bloom | .... | foley artist | |
| Marko A. Costanzo | .... | foley artist | |
| Robert Fernandez | .... | sound re-recording mixer | |
| David Flynch | .... | foley editor (as Dave B. Flynch) | |
| Paul Hsu | .... | sound re-recording mixer | |
| Paul Hsu | .... | supervising sound editor | |
| George A. Lara | .... | foley mixer | |
| George A. Lara | .... | foley recordist | |
| Tod A. Maitland | .... | sound mixer | |
| Michael Miller | .... | adr mixer | |
| Bob Olari | .... | sound recordist (2004) | |
| Nicholas Renbeck | .... | supervising adr editor | |
| Nicholas Renbeck | .... | supervising dialogue editor | |
| Victoria Rose Sampson | .... | adr editor (as Victoria Sampson) | |
| Michael Scott | .... | boom operator | |
| Eric Thompson | .... | adr mixer | |
| Lila Yomtoob | .... | first assistant sound editor | |
| Allan Zaleski | .... | sound effects librarian | |
| Kyle Godbey | .... | sound effects intern (uncredited) | |
Special Effects by | |||
| Connie Brink | .... | special effects coordinator (as Conrad F. Brink) | |
| Conrad V. Brink Jr. | .... | special effects foreman (as Conrad V. Brink) | |
| Edward Drohan | .... | special effects (as Ed Drohan) | |
| Charlie Simunik | .... | special effects (as Charles Simunek) | |
Visual Effects by | |||
| Janos Pilenyi | .... | opticals | |
| Adam Stern | .... | digital compositor | |
| Alex Thiesen | .... | visual effects producer: main title sequence, THDX | |
Stunts | |||
| Bill Anagnos | .... | stunts | |
| Peter Bucossi | .... | stunt coordinator | |
| Loyd Catlett | .... | stunts | |
| Frank Ferrara | .... | stunts | |
| Janet Paparazzo | .... | stunts | |
| Keith Siglinger | .... | stunts | |
| D.J. Surgent | .... | stunts | |
Camera and Electrical Department | |||
| Kip Bogdahn | .... | camera operator | |
| Oliver Cary | .... | first assistant camera | |
| John Clifford | .... | still photographer | |
| Jeffrey Dutemple | .... | first assistant camera: "b" camera | |
| Robert K. Feldmann | .... | grip | |
| Gary Jackiewicz | .... | grip | |
| Tim McAuliffe | .... | best boy electric | |
| Sean McCardell | .... | electrician | |
| Hernan Michael Otaño | .... | camera operator | |
| Steve Ramsey | .... | gaffer | |
| Chris Reynolds | .... | additional assistant camera | |
| Jon W. Rosenbloom | .... | best boy grip | |
| Tom Vulliez | .... | dolly grip | |
Casting Department | |||
| Sage Lehman | .... | casting assistant | |
| Michelle Levitt | .... | casting assistant | |
| Terri Tracy | .... | casting assistant: Los Angeles | |
Costume and Wardrobe Department | |||
| Marta Font | .... | costumer | |
| Nancy Mayer Allan | .... | costume assistant: Ms. Basinger | |
| Christopher Peterson | .... | assistant costume designer | |
Editorial Department | |||
| Fred Heid | .... | color timer | |
| Craig Seti | .... | telecine operator | |
| Katy Skjerping | .... | assistant editor (as Katherine Fisher) | |
| Stan Sztaba | .... | negative matcher | |
| Ben Urquhart | .... | post-production assistant | |
| Joe Violante | .... | dailies supervisor | |
| Martin Zeitler | .... | telecine operator | |
Music Department | |||
| Nancy Allen | .... | assistant music editor | |
| Gary Chester | .... | music contractor | |
| Sonny Kompanek | .... | orchestrator | |
| Lawrence Manchester | .... | score mixer | |
| Lawrence Manchester | .... | score recordist | |
| Suzana Peric | .... | music editor | |
| Pavel Pranil | .... | music contractor | |
| Beth Rosenblatt | .... | music supervisor (as Beth Amy Rosenblatt) | |
| Jiri Simunek | .... | copyist (as Jiri Simunek) | |
| Marcelo Zarvos | .... | score producer | |
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| Die Blechtrommel | Babel | Mysterious Skin | The Ice Storm | Short Cuts |
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As a huge follower of Jeff Bridges' work, I am here to tell you that if you're a fan too, you must jettison yourself out of your chair forthwith and propel yourself immediately to a theatre where this magnificent film is showing.
The Door In The Floor gives Bridges a chance to create a character truly worthy of his subtle (and generally overlooked) brilliance; his organic, from-the-inside-out approach makes what he does seem so effortless, so thoroughly not-like-acting that he's generally hardly given his due, and if he doesn't garner some serious recognition for what he brings to the table here, there's quite simply no hope for the world.
This is a film of deep, devastating power - a film where you, as an audience member, actually share space with the two main characters, Ted and Marion Cole (Bridges, of course, and an equally-brilliant Kim Bassinger, who once again reminds us why she won an Oscar a few years back). We inhabit their crumbled world, from the inside, not just as observers. By the end, we feel as if we have gone through their tragedy with them, and when I left the theatre, I felt as if my life had been changed by sharing with them what I just shared - as if time itself had stopped and left me suspended in there, with them.